The new tighter kerning for the music is great, but here is an example of where it goes too far:
Original typesetting:
The kerned note should not obstruct the visual connection of the trill to the note to which is applies. The current view is confusing since it almost seems as if the tr belongs to the previous note.
The new tighter kerning for the music is great, but here is an example of where it goes too far:
Original typesetting:
The kerned note should not obstruct the visual connection of the trill to the note to which is applies. The current view is confusing since it almost seems as if the tr belongs to the previous note.
MEI test data:
Example in situ: https://verovio.humdrum.org/?file=haydn/sonatas/sonata12-1.krn#mh47