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FOAR705 Technical Logs and eResearch Index #14

Open Dapscoptyltd opened 7 years ago

Dapscoptyltd commented 7 years ago

Introductory Proof Of Concept Lewington_PoC_v4.2lowres.pdf

Week 2

Week 9

Reflections

Learning GIS and the intricacies of coordinate reference systems, then applying it to a historical problem like the tracing of one serviceman's movements through WWI campaigns has been a welcome and enjoyable challenge.

The opportunity to actually spend time learning new software and literally explore the capabilities, possibilities and potential uses has been refreshing. Unfortunately my professional life has left my professional software tool development in a fixed zone, primarily my professional clients are fixated with products like MS Word, Confluence, and Adobe PDF. Even Adobe PhotoShop is considered now, to be a step too far in complexity. FOAR705 offers students like me to attempt something different with the humanities, and apply technical knowledge and skills from my experience to academic endeavours in ways unexpected. It's a wonderful amalgam of all that I am interested in.

It has been a brilliant opportunity to actually take risk, to afford the time to find opportunities to push my personal and academic limits, and attempt without fear of ramifications, of failure. For example, if the first attempt at overlaying a raster map onto the OSM map in QGIS had failed in a corporate environment, it would have added pressure. The consequence of the first failure, and the subsequent exploration of the GCP table failure, was an interesting diversion, and I learnt far more from the failure than from the success. Learning other software technologies has been a great opportunity, and each other package

From an academic perspective, the follow-up interviews with Dr. Chris Dixon and Dr. Ian Plant and our discussion of the intricacies and possibilities of the use of GIS applied to historiographical problems in war studies showed a range of potential studies like:

Digital Humanities, and interdisciplinary studies linking science like geographical information systems, now seems a more realistic possibility. Other technologies, like the natural language processing studied by Kathryn, and the interview processing utilised by Erin, both peers in our course, offer real possibilities for history studies. Digitising and translating large amounts of primary source materials currently seemingly locked away forever in archives may now become fully public, in a sense, applying history to the public in a new democratised way. For historians, the capability to study texts in archives in Paris, France, from a small Australian outback town, offers so many new horizons. Technology applied to our craft can only help, as long as Braudel's note in his May 1969 preface is borne in mind: ""I fear that there is an element of illusion or of alibi in asserting, when speaking of "statistical history," that the historian of the future "will be either a computer programmer of nothing at all." What interests me is the programmer's program." (Fernand Braudel, On History, 1980, pg.: ix).

Other points from that discussion were the need for this study to set limits and a scope that makes sense with the Masters level thesis this proof of concept has been for. The capacity and possibility of this type of geospatial dataset development is its trap! Potentially, you could easily spend weeks, months, years, collecting and collating datasets, tracing and plotting, but not really moving forward into historiography. This, of course, as we know, is the real problem with technology tools, which can hide the real reason for their existence and application to problems. This limit setting process must now follow, as will a complete analysis of the primary sources, both the diary of Alfred James Lewington, and the unit diaries and headquarters diaries and materials directly related to his service. Without a complete picture of both the limits of those items and the quality of that entire source of data, we can go no further.

Stay tuned, its going to be quite a journey! Warren Lewington.