Open mairin opened 6 years ago
The more I think about it the most I am leaning towards (A) / (B) will start experimenting with you mock ups!
I was working with Blender recently and am not sure why I never thought about this problem in the context of how Blender handles it. Blender's interface is a little wacky (but I think most 3D suites' UIs are?) By default, Blender has both a side bar and per view panel sidebars! The main sidebar has global controls / settings... the per view pane sidebars apply to the selected object (which is persistent across panes, so the effect of the sidebar doesn't map directly to the pane conceptually, but in practice I think that is how most artists set it up.
One interesting thing is how Blender handles these per-viewing pane sidebars (btw Blender has infinite viewing panes :) ) - you drag a <=> arrow to hide them, and when they are hidden a [+] tab appears (see below)
One other principle from Blender that might be useful... when you open the per pane sidebar it crops +scales the view rather than overlay on top. Maybe a better behavior for the inline sidebars?
Generally with the mockups the model we're following is somewhat like that of a photo processing tool like Darktable or Adobe Lightroom - the workflows are similar, as you first have to select a subset out of a large collection of image data (in this case '4D' studies rather than single images, which complicates some things), and then you investigate each selection (study) in detail and apply some filters / manipulations on it.
Where following this model falls apart is providing good contextual controls over the viewing controls / filters / manipulations. There are two main ways I can think of to provide such controls:
Image manipulation tools like Gimp / Photoshop / etc do this to great effect. However, they are single document or tabbed single document windows, so there is no question what specific image the controls relate to. Here, we have multiple images and one set of controls, so there's always a stress of allowing the user to select which of the images is manipulated by the controls, and having that selection be very clear! There is a lot of potential for confusion and mistakes if this isn't done properly.
This puts the controls closest to the image they effect, so the challenge of the selection task + clarity of what is selected is no longer an issue, but a new issue is introduced - the controls covering the image itself, which you need to see as you modify the controls (they are instant apply).
In issue #1, we talked about this last option, per image / in context, being the best to pursue:
@NicolasRannou also suggested what we'll call (c):
We need an iteration of the above design to explore (a), (b), and (c) as potential better solutions.