Open leo-elo opened 3 days ago
You can read the transcript of my conversation with ChatGPT 4o here, which will serve as the programming transcript: chatgpt.com/share/6748d42c-02a8-800e-b4fb-14ec08df5176.
I get a 404 for this page, please could you also post it somewhere else?
Done! I have attached a PDF of the transcript to the issue.
Thanks!
Leo
On Fri, Nov 29, 2024 at 7:22 AM Hugo van Kemenade @.***> wrote:
You can read the transcript of my conversation with ChatGPT 4o here, which will serve as the programming transcript: chatgpt.com/share/6748d42c-02a8-800e-b4fb-14ec08df5176.
I get a 404 for this page, please could you also post it somewhere else?
— Reply to this email directly, view it on GitHub https://github.com/NaNoGenMo/2024/issues/27#issuecomment-2507711709, or unsubscribe https://github.com/notifications/unsubscribe-auth/AR5IBNPT55NLLVG23KRDQWL2DBL7TAVCNFSM6AAAAABSV3FBGKVHI2DSMVQWIX3LMV43OSLTON2WKQ3PNVWWK3TUHMZDKMBXG4YTCNZQHE . You are receiving this because you modified the open/close state.Message ID: @.***>
-- Leonardo Flores, PhD Professor and Chair Department of English http://english.appstate.edu Appalachian State University
Blog: leonardoflores.net Twitter: @leo_elo_ole https://twitter.com/leo_elo_ole Facebook: facebook.com/leonardoflores
I have edited the initial comment and attached a PDF with the transcript.
Preface to Principles of Cyborg Criticism by A. I. Richards
This book was inspired by a brief conversation with Ted Underwood on Bluesky responding to a study that as Ted summarized it found that “non-expert readers prefer AI generated poetry to the classics” and cited famed New Critic I. A. Richards and the gulf between expert and non-expert readers. My punny playful response “AI Richards?” led him to elaborate with an idea that is at the heart of this generated book: “We should create it! A language model that is convinced no human readers really understand poetry.” Here’s a screenshot of the conversation.
But who needs a grant when you have NaNoGenMo? This idea sent me to Project Gutenberg, where I found a copy of his influential 1928 book The Principles of Literary Criticism (link). I uploaded it to ChatGPT 4o and started playing around with it and quickly came to understand that this system can only generate about 1400 words at a time, and that the work needed to be segmented for better processing. So I created a document for the opening materials, for each chapter, and for the appendices.
Here’s the primary prompt:
After generating all the chapters and two appendices, I was still about 15,000 words away from the goal of 50,000 words, a constraint needed to meet a standard established by NaNoGenMo (National Novel Generation Month). So I started feeding it published excerpts and summaries from influential relevant scholarship in the field and generating new appendices for the book. I referenced N. Katherine Hayles (twice), Ted Underwood, Mark C. Marino, Scott Rettberg, Jill Walker Rettberg, Dene Grigar, Stuart Moulthrop, Loss Pequeño Glazier, Matthew Kirschenbaum, Anastasia Salter, John Murray, Safiya Umoja Noble, Donna Haraway, Manuel Portela, and myself. Upon nearing the 50,000 word mark, I had it generate a coda for the book and brought this to a close.
I have attached the transcript of my conversation with ChatGPT 4o, which will serve as the natural language programming record. ChatGPT Transcript.pdf
As for the usefulness or applicability of this AI generated book of criticism, I suppose it would have to be read and considered. I don’t expect it to be especially useful, though it might stimulate some amusement and even insight. As for putting it to the test and using it for scholarship, I’m reminded of the first fight scene in the Korean film Oldboy (2003), in which the protagonist thinks the following in narrative voiceover:
Enjoy!
Leonardo Flores November 28, 2024 Principles of Cyborg Criticism by A. I. Richards.pdf