The Wall by Pink Floyd is a soundscape that seems to go on forever.
In a crowded '70s music room, these quartets stood in the corner, producing music that didn't make sense the first time you heard it. They were an aberration, a caustic presence. Pink Floyd was a mashup of many different personalities, some real, some made up, and some were only appearing for a brief moment in time. Their particular sound was more important than anything else, as they existed in a world where loud music and urban life were commonplace. When The Wall, Floyd's eleventh album, came out, many people didn't get what it was all about. It was despised by a specific Margaret Thatcher, and it was viewed with horror and skepticism by many prepubescent girls. Because of the sound's appeal, The Wall has become one of the most revered albums. Although it was written 42 years ago, its words and melody continue to resonate with people worldwide, striking a chord with political and cultural trends that resonate today.
In 1977, when Roger Waters' interactions with the crowd took on unprecedented shapes as he became agitated and estranged by his god-like presence, inspired the Wall. Bob Ezrin, a musician and producer who was also a friend, sat down with him and his psychiatrist to talk about the overwhelming sense of isolation he was experiencing as an artist and the mental barrier he was electing to isolate himself from the obnoxious fans down below.
David Gilmour frequently opted out of touring with the band, and Richard Wright was sacked (he returned subsequently as a session player than on a full-time basis in the 1990s). Gilmour referred to one of the songs on the album as the final embers of his and Waters' capacity to collaborate. Because of their financial difficulties, the band decided to proceed with the Ezrin-Water collaboration. For these reasons, a record that dealt with loneliness, despair, and desperation was formed in the form of The Wall.
Overcoming the obstacle
In the beginning, I had no idea what to make of The Wall. It piqued my interest to the point of making me reevaluate everything in my path. Violent and sterile, it was a harrowing experience. The album raises issues and then, in a tease, answers them. There is an ongoing theme of intense existential crisis, and it plays out in complete circles with the last words "Isn't this where" tying it back to the beginning words, "...we came in?"
Pink, the jaded and cynical rock singer shown in The Wall, is a complex amalgam of traits and flaws brought to life via the lens of the film. Pink expressed the imperfections and cracks of Syd Barrett's life and Waters' trauma. As a tribute to Waters' own father's death in World War II, Pink reminisces about his father's death in the Battle of Anzio in In the Flesh on the album.
Nobody Home, a song by eccentric Barrett, shows traces of Barrett's loneliness. When Pink was a child, he was raised by his mother, who was protective and neurotic, and he grew up like a sour rock star irritated by the drudgery of everyday life. His life and relationships seem to be falling apart as he begins to construct a figurative wall around himself. He seeks medications to dull the pain of being alive, but instead of finding relief, he experiences hallucinations and eventually bursts through the barrier, gaining access to the outer world.
He praised Floyd's music in terms of "wonderful swirling cosmic encompassing, and at the same time you could dance to them." Ezrin, the producer of Another Brick in the Wall, was not satisfied with the finished product. It wasn't until Gilmour, who had previously written off the idea as "terrible," teamed up with Ezrin to create the song's beats, then brought in a school choir to perform the verse to create tracks 1-3. It's a religious experience for each adolescent student to listen to Another Brick in the Wall. The music lashed out against the British school system's cruel nature in a song that expressed strong anti-establishment views. Teachers and students were shown beating each other and breaking free, trashing the school, and setting it on fire in footage later made public. Gilmour's perfect outro solo completes the song's tense mood, which has been immortalized as a song of non-conformity, student liberation, and unfettered imagining... The song, which continues to elicit knee-jerk reactions, is unrepentant and unadorned.
Albums of the highest quality
The record marked the end of Floyd's career as a quartet. As the band's creative and productive brilliance began to be tarnished by internal politics, The Wall served as the ideal farewell record for the distinctive Floyd sound (the latter albums being steered by Waters and Gilmour with individual efforts and choices). Gilmour experimented with the sound in a way that was arguably only topped by Pink Floyd's The Dark Side of the Moon, while Waters was in charge of conceptualization and writing the concept's unmatched lyrics.
The legendary songs like In The Flesh? and Another Brick in the Wall were written by Waters while Gilmour co-wrote three harder tracks — Young Lust, Comfortably Numb, and Run Like Hell — with Gilmour.
In the 2005 reunion, Nick Mason threw away his headphones to feel Gilmour, going on Comfortably Numb's solo passages for one last time as a band. This is the best way to describe the emotion elicited by the track's outro guitar solo. Gilmour's work on the song captures an emotional wave, traversing a cosmic terrain, a mood intimate and unsettling, as a muscle relaxant would, tracing it back to Waters' experiences of using the same, during a tour, which Gilmour's work on the song is often referred to as (an underrated goldmine, forever).
After 42 years, The Wall still speaks a familiar language about the monotony and dread of everyday life. It's a familiar language because it's still relevant today. One of the greatest concept albums of all time, Pink Floyd's The Wall stands as a monument to the band and its individual members as captains of a ship sailing through the uncharted waters of psychology.
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2 years ago
The Wall by Pink Floyd is a soundscape that seems to go on forever.
In a crowded '70s music room, these quartets stood in the corner, producing music that didn't make sense the first time you heard it. They were an aberration, a caustic presence. Pink Floyd was a mashup of many different personalities, some real, some made up, and some were only appearing for a brief moment in time. Their particular sound was more important than anything else, as they existed in a world where loud music and urban life were commonplace. When The Wall, Floyd's eleventh album, came out, many people didn't get what it was all about. It was despised by a specific Margaret Thatcher, and it was viewed with horror and skepticism by many prepubescent girls. Because of the sound's appeal, The Wall has become one of the most revered albums. Although it was written 42 years ago, its words and melody continue to resonate with people worldwide, striking a chord with political and cultural trends that resonate today.
In 1977, when Roger Waters' interactions with the crowd took on unprecedented shapes as he became agitated and estranged by his god-like presence, inspired the Wall. Bob Ezrin, a musician and producer who was also a friend, sat down with him and his psychiatrist to talk about the overwhelming sense of isolation he was experiencing as an artist and the mental barrier he was electing to isolate himself from the obnoxious fans down below.
David Gilmour frequently opted out of touring with the band, and Richard Wright was sacked (he returned subsequently as a session player than on a full-time basis in the 1990s). Gilmour referred to one of the songs on the album as the final embers of his and Waters' capacity to collaborate. Because of their financial difficulties, the band decided to proceed with the Ezrin-Water collaboration. For these reasons, a record that dealt with loneliness, despair, and desperation was formed in the form of The Wall.
Overcoming the obstacle
In the beginning, I had no idea what to make of The Wall. It piqued my interest to the point of making me reevaluate everything in my path. Violent and sterile, it was a harrowing experience. The album raises issues and then, in a tease, answers them. There is an ongoing theme of intense existential crisis, and it plays out in complete circles with the last words "Isn't this where" tying it back to the beginning words, "...we came in?"
Pink, the jaded and cynical rock singer shown in The Wall, is a complex amalgam of traits and flaws brought to life via the lens of the film. Pink expressed the imperfections and cracks of Syd Barrett's life and Waters' trauma. As a tribute to Waters' own father's death in World War II, Pink reminisces about his father's death in the Battle of Anzio in In the Flesh on the album.
Nobody Home, a song by eccentric Barrett, shows traces of Barrett's loneliness. When Pink was a child, he was raised by his mother, who was protective and neurotic, and he grew up like a sour rock star irritated by the drudgery of everyday life. His life and relationships seem to be falling apart as he begins to construct a figurative wall around himself. He seeks medications to dull the pain of being alive, but instead of finding relief, he experiences hallucinations and eventually bursts through the barrier, gaining access to the outer world.
He praised Floyd's music in terms of "wonderful swirling cosmic encompassing, and at the same time you could dance to them." Ezrin, the producer of Another Brick in the Wall, was not satisfied with the finished product. It wasn't until Gilmour, who had previously written off the idea as "terrible," teamed up with Ezrin to create the song's beats, then brought in a school choir to perform the verse to create tracks 1-3. It's a religious experience for each adolescent student to listen to Another Brick in the Wall. The music lashed out against the British school system's cruel nature in a song that expressed strong anti-establishment views. Teachers and students were shown beating each other and breaking free, trashing the school, and setting it on fire in footage later made public. Gilmour's perfect outro solo completes the song's tense mood, which has been immortalized as a song of non-conformity, student liberation, and unfettered imagining... The song, which continues to elicit knee-jerk reactions, is unrepentant and unadorned.
Albums of the highest quality
The record marked the end of Floyd's career as a quartet. As the band's creative and productive brilliance began to be tarnished by internal politics, The Wall served as the ideal farewell record for the distinctive Floyd sound (the latter albums being steered by Waters and Gilmour with individual efforts and choices). Gilmour experimented with the sound in a way that was arguably only topped by Pink Floyd's The Dark Side of the Moon, while Waters was in charge of conceptualization and writing the concept's unmatched lyrics.
The legendary songs like In The Flesh? and Another Brick in the Wall were written by Waters while Gilmour co-wrote three harder tracks — Young Lust, Comfortably Numb, and Run Like Hell — with Gilmour.
In the 2005 reunion, Nick Mason threw away his headphones to feel Gilmour, going on Comfortably Numb's solo passages for one last time as a band. This is the best way to describe the emotion elicited by the track's outro guitar solo. Gilmour's work on the song captures an emotional wave, traversing a cosmic terrain, a mood intimate and unsettling, as a muscle relaxant would, tracing it back to Waters' experiences of using the same, during a tour, which Gilmour's work on the song is often referred to as (an underrated goldmine, forever).
After 42 years, The Wall still speaks a familiar language about the monotony and dread of everyday life. It's a familiar language because it's still relevant today. One of the greatest concept albums of all time, Pink Floyd's The Wall stands as a monument to the band and its individual members as captains of a ship sailing through the uncharted waters of psychology.