Closed jeau closed 7 years ago
AramZS
commented
7 years ago I think it's a great idea to retain the origin of the source in the RSS feed, but I think it would make more sense to use one of the DCMI metadata terms that would be more appropriate instead of appending it to the author's name. I think publisher would be best, though perhaps someone with more Dublin Core knowledge might make a better suggestion?
jeau
commented
7 years ago Yes, this is the best solution Thanks
regan008
commented
7 years ago @AramZS I'm not seeing this happening. I cannot get any post to output a dc:publisher tag in the site's outbound rss. Creator still shows up but publisher isn't there. See the rss output below.
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<title>Q&A, Marisa Fuentes, Dispossessed Lives</title>
<link>http://local.wordpress.dev/?p=4836</link>
<pubDate>Mon, 22 May 2017 15:09:45 +0000</pubDate>
<dc:creator><![CDATA[Jessica Parr]]></dc:creator>
<category><![CDATA[Uncategorized]]></category>
<category><![CDATA[Gender]]></category>
<category><![CDATA[Interview]]></category>
<category><![CDATA[Interviews with Historians]]></category>
<category><![CDATA[Marisa Fuentes]]></category>
<category><![CDATA[Recent Scholarship]]></category>
<category><![CDATA[Slavery]]></category>
<guid isPermaLink="false">https://earlyamericanists.com/2017/05/15/qa-marisa-fuentes-dispossessed-lives/</guid>
<description><![CDATA[.entry-header Marisa J. Fuentes is Associate Professor of Women’s and Gender Studies and History at Rutgers University, New Brunswick. Dispossessed Lives: Enslaved Women, Violence, and the Archives is her first book. Casey Schmitt previously reviewed Dispossessed Lives for The Junto. JUNTO: What were the biggest challenges you worked through in determining your approach to locating women’s<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4836" title="ReadQ&A, Marisa Fuentes, Dispossessed Lives">... Read more »</a>]]></description>
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<p><img data-attachment-id="19889" data-permalink="https://earlyamericanists.com/2017/04/26/meditations-on-archival-fragments-review-of-dispossessed-lives/fuentes/" data-orig-file="https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg" data-orig-size="265,400" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Fuentes" data-image-description="" data-medium-file="https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg?w=199&h=300" data-large-file="https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg?w=265" class="alignright wp-image-19889 size-medium" src="https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg?w=199&h=300" alt="Fuentes" width="199" height="300" srcset="https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg?w=199&h=300 199w, https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg?w=99&h=150 99w, https://earlyamericanists.files.wordpress.com/2017/04/fuentes.jpg 265w" sizes="(max-width: 199px) 100vw, 199px"/>Marisa J. Fuentes is Associate Professor of Women’s and Gender Studies and History at Rutgers University, New Brunswick. <em>Dispossessed Lives: Enslaved Women, Violence, and the Archives</em> is her first book. Casey Schmitt previously reviewed <em><a href="https://earlyamericanists.com/2017/04/26/meditations-on-archival-fragments-review-of-dispossessed-lives/">Dispossessed Lives</a></em> for <em>The Junto</em>.<span id="more-19923"></span></p>
<h4><b>JUNTO: What were the biggest challenges you worked through in determining your approach to locating women’s voices in the archives you worked in?</b></h4>
<p><span><strong>FUENTES:</strong> Many of the archival pieces in the book were incomplete, without the possibility of following traces for full accounts of any enslaved woman or life experiences. Even Rachael Pringle Polgreen’s voluminous archive (in comparison to the other fragments I worked with) was a production from the remains of her economic engagements and did not tell a story separate from the political interest of historians or of the time-period in which she lived. It took a long time to think about different methodological pathways into each archival piece while convincing historians that what I was doing was valid and necessary historical practice. It was also difficult, when beginning the project, to feel as if I were out on a limb and knowing that I was approaching the production and discipline of history in a way that some historians might find provocative. I think balancing my critique of the archive, the introduction of new methods to reveal more than what might be expected at first glance at a document, producing an (incomplete) narrative when possible, engaging with the historiography and attending to the violence against enslaved women—all at the same time—proved challenging, to say the least. I hope I have accomplished some of what I set out to do in an accessible manner. But I also hope that I have attended to these vulnerable historical subjects with respect and deference. </span></p>
<h4><b>JUNTO: Can you explain what you mean by “bias grain?” How did you apply it to your own research?</b></h4>
<p><span><strong>FUENTES:</strong> By “bias grain” I was thinking about creating elasticity when one cuts fabric on the bias, particularly linen. It stretches and gives while maintaining the function of the material. It was applied directly to chapter 3 in a discussion of the affair of a white man and woman. Enslaved women and black women where present in Bridgetown in such large numbers yet they were not mentioned explicitly in the documents of the affairs of white people in this court case. I wanted a way to describe reading into the silences/invisibilities of archives for what is there but not mentioned, by stretching the documents beyond what is usually empirically acceptable. Ultimately, it was to think about how the presence (even if they were absent in this particular archive) of black women influenced what was possible for other people in this context. It was a way to “see” what was there or what was hidden in plain view. This was particularly obvious to me when the white male lover in this court case sent his enslaved boy dressed as a (black) woman across town to his lover’s house. This disguise spoke volumes about the ubiquitous presence of black women in town and out at night. Reading along the bias grain was also to push the concept of reading against the grain a little further—from reading “between the lines” to reading what is not between the lines at all.</span></p>
<h4><b>JUNTO: “Archival power” is a central theme in your research; in particular, the ways in which archival representativeness (or lack thereof) distorts enslaved women’s narratives. Can explain a bit more about how your book discusses and challenges archival power?</b></h4>
<p><span><strong>FUENTES:</strong> First, I think it’s useful to define what I mean by archival power. I take this term and the theoretical insight it provides from Michel-Rolph Trouillot’s brilliant and monumental work </span><i><span>Silencing the Past: Power and the Production of History</span></i><span> (1995). He carefully shows that power is present in the creation of archival sources and that the historical narratives possible from these sources also reproduce the (inequity) of sources. Following Trouillot, I wanted to emphasize the “process” of historical production, specifically in reference to enslaved women and how they were represented in their own time by others, as well as by historians. I asked questions about how we come to accept the most repeated narratives about them? What work do these narratives do to further silence them? What sources do these narratives rely on? And, more importantly, in what conditions do we find enslaved women in these records? By answering these questions, I was able to pause the unconscious reproduction of this archive of slavery—to not allow the colonial authorities—slave owners, government officials, white men and women—to have the final authority on enslaved women’s lives, bodies, and experiences and to illuminate the violence constituent to slavery and its historical production. </span></p>
<h4><b>JUNTO: Your discussion of the reading of scars in runaway narratives and its connection to ownership was particularly fascinating. Can you elaborate more about your use of scars as historical sources?</b></h4>
<p><span><strong>FUENTES:</strong> In Chapter One I use runaway advertisements to think about historical meanings inscribed on enslaved bodies. The chapter centers the runaway ad of Jane whose narrative of capture, commodification, and terror was marked on her body through the scars her owner described in the runaway ad. In focusing on Jane’s scars, I brought attention to her body in ways that subverted her owner’s gaze and original intention of the ad. This focus on scars also reveals the </span><i><span>mutilated historicity</span></i><span> of enslaved women—that is, enslaved women (and men) are left permanently brutalized in the colonial records and one of the many tragedies resulting from this brutalization is it makes our efforts to historicize them, beyond this condition, virtually impossible. I also wanted to draw attention to the idea of scars as permanent markers of enslavement and violence that enslaved people carried with them throughout their lives. It is a way to think about the psychological scars of slavery—that physical scars reminded the enslaved and everyone around them of the debilitating circumstances they lived within. Therefore, bodily scars resulting from punishments and brandings continued to produce meaning for the people who bore them and for those who encountered them. </span></p>
<h4><b>JUNTO: <em>Dispossessed Lives</em> is innovative in many ways. Are there specific ways you hope that your book will advance the scholarship being done on gender and slavery?</b></h4>
<p><span><strong>FUENTES:</strong> The book offers different methods for working with sparse and fragmented archival sources and provides a critical challenge to the practices of history. It asks us to consider the vulnerabilities of enslaved women as they lived and as historical actors. I hope that future scholars will continue to interrogate the concept of agency as it relates to enslaved women and to slavery scholarship and that we will continue to work on subverting and diminishing archival power. I am hoping that the methods employed in the book can be used in other fields and by scholars working with vulnerable historical subjects in any time period or geography. And, I hope that we consider an ethical practice of history that remains attentive to the legacies of enslavement and dispossession that continue into our present.</span></p>
<h4><b>JUNTO: What are you working on now?</b></h4>
<p><span><strong>FUENTES:</strong> My next book project looks into the final experiences of what the British termed “refuse slaves”—those that survived the Middle Passage but oftentimes died (sometimes lingering for weeks) when they reached ports around the Americas. Here I am interested in several issues: what genre of human (to borrow from Sylvia Wynter) is a dying, unsellable captive? What is the process of decommodification of African captives (following Stephanie Smallwood)? How do we understand the experiences of people who did not become “slaves” and whose last moments are so archivally momentary and anonymous that they are mentioned in passing by slave traders and historians alike? I also enter the historiography of the slave trade at the moment when there is a renewed interest in the relationship of capitalism to the slave trade and slavery. There are a lot of different threads in this conversation from arguments of origins of capitalism, to debates on how slave labor fits into the schematic of capitalism and its systems. I am interested in what slavery’s capitalism does to enslaved bodies, what it produces (humans as waste), what it destroys—to understand its nature and how captive people and their bodies are configured, confined or refused in this system—particularly those that do not map into the formula of labor power. In this work, I seek to articulate an originary point of black disposability in order to historicize our present—the ways in which people of African descent continue in fatal precarity the world over. </span></p>
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<p>Source: <a href="https://earlyamericanists.com/2017/05/15/qa-marisa-fuentes-dispossessed-lives/" target="_blank" pf-nom-item-id="4835">Q&A, Marisa Fuentes, Dispossessed Lives</a></p>
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<title>Your Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to Identity Evropa</title>
<link>http://local.wordpress.dev/?p=4833</link>
<pubDate>Mon, 22 May 2017 15:05:32 +0000</pubDate>
<dc:creator><![CDATA[Emma Grey Ellis]]></dc:creator>
<category><![CDATA[Uncategorized]]></category>
<category><![CDATA[alt right]]></category>
<category><![CDATA[Culture]]></category>
<category><![CDATA[politics]]></category>
<guid isPermaLink="false">https://www.wired.com/2017/05/field-guide-far-right/</guid>
<description><![CDATA[So many bigots, so little sense. Still, we did what we could. The post Your Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to Identity Evropa appeared first on WIRED. Source: Your Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4833" title="ReadYour Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to Identity Evropa">... Read more »</a>]]></description>
<content:encoded><![CDATA[<p><img src="https://www.wired.com/wp-content/uploads/2017/05/AltRightHP_14945988-660x440.jpg" alt="Your Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to Identity Evropa" />So many bigots, so little sense. Still, we did what we could. The post <a href="https://www.wired.com/2017/05/field-guide-far-right/">Your Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to Identity Evropa</a> appeared first on <a href="https://www.wired.com">WIRED</a>.</img></p>
<p>Source: <a href="https://www.wired.com/2017/05/field-guide-far-right/" target="_blank" pf-nom-item-id="4832">Your Handy Field Guide to the Many Factions of the Far Right, From the Proud Boys to Identity Evropa</a></p>
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<title>California Today: California Today: Crafting the Perfect Wave</title>
<link>http://local.wordpress.dev/?p=4797</link>
<pubDate>Mon, 22 May 2017 14:31:33 +0000</pubDate>
<dc:creator><![CDATA[aggregation]]></dc:creator>
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<category><![CDATA[California Today]]></category>
<guid isPermaLink="false">https://www.nytimes.com/2017/05/22/us/california-today-crafting-the-perfect-wave.html?partner=rss&emc=rss</guid>
<description><![CDATA[U.S. California Today: Crafting the Perfect Wave close byline-meta close extended-byline close story-meta-footer close story-meta Photo Kelly Slater at his surf ranch on the outskirts of Lemoore. Credit Kelly Slater Wave Company Good morning. (Want to get California Today by email? Here’s the sign-up.) For decades, surfers chasing the perfect wave have been subject to<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4797" title="ReadCalifornia Today: California Today: Crafting the Perfect Wave">... Read more »</a>]]></description>
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<img src="https://static01.nyt.com/images/2017/05/22/us/22California-Today-surf/22California-Today-surf-master768.jpg" alt="" class="media-viewer-candidate" data-mediaviewer-src="https://static01.nyt.com/images/2017/05/22/us/22California-Today-surf/22California-Today-surf-superJumbo.jpg" data-mediaviewer-caption="Kelly Slater at his surf ranch on the outskirts of Lemoore." data-mediaviewer-credit="Kelly Slater Wave Company" itemprop="url" itemid="https://static01.nyt.com/images/2017/05/22/us/22California-Today-surf/22California-Today-surf-master768.jpg"/></div><figcaption class="caption" itemprop="caption description"><span class="caption-text">Kelly Slater at his surf ranch on the outskirts of Lemoore.</span><br />
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<p class="story-body-text story-content" data-para-count="13" data-total-count="13"><em>Good morning.</em></p>
<p class="story-body-text story-content" data-para-count="62" data-total-count="75"><em>(Want to get California Today by email? </em><a href="http://www.nytimes.com/newsletters/california-today"><em>Here’s the sign-up</em></a><em>.)</em></p>
<p class="story-body-text story-content" data-para-count="90" data-total-count="165">For decades, surfers chasing the perfect wave have been subject to the vagaries of nature.</p>
<p class="story-body-text story-content" data-para-count="151" data-total-count="316">But what if the field of play — oscillating water — could be sculpted into its ideal form as with other board sports (think skateboard half-pipes)?</p>
<p class="story-body-text story-content" data-para-count="54" data-total-count="370">The idea now appears to be tantalizingly within reach.</p>
<p class="story-body-text story-content" data-para-count="264" data-total-count="634">About a year and a half ago, a company owned by the surfer Kelly Slater <a href="https://youtu.be/hVxPJ9heetc">released a video</a> from “a secret spot about 110 miles from the coast.” In it, Mr. Slater, an 11-time world champion, is seen in a wave pool gliding in and out of a glassy seven-foot barrel.</p>
<p class="story-body-text story-content" data-para-count="66" data-total-count="700">The surf community was mesmerized — and brimming with questions.</p>
<p class="story-body-text story-content" data-para-count="200" data-total-count="900">“It’s just astoundingly perfect and beautiful, way better than anything anybody else has come up with,” said Jess Ponting, director of the Center for Surf Research at San Diego State University.</p>
<p class="story-body-text story-content" data-para-count="55" data-total-count="955">But where was it? And can we ride it? And, if so, when?</p>
<p class="story-body-text story-content" data-para-count="94" data-total-count="1049">The Kelly Slater Wave Company and its owner, the World Surf League, have not been saying much.</p>
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<p class="story-body-text story-content" data-para-count="208" data-total-count="1257" id="story-continues-2">The facility’s location — on the outskirts of Lemoore, in the San Joaquin Valley — was only pieced together over time <a href="https://www.reddit.com/r/surfing/comments/3xem6z/documentary_proof_of_kellys_secret_wave_location/">by Reddit users</a> using clues from the video <a href="http://www.theinertia.com/surf/i-flew-a-kite-near-kelly-slaters-artificial-wave-and-scored-aerial-photos-of-surfings-future/">and others</a> who went there to investigate.</p>
<p class="story-body-text story-content" data-para-count="79" data-total-count="1336" id="story-continues-3">It turned out to be a former water ski facility, 700 feet long by 70 feet wide.</p>
<p class="story-body-text story-content" data-para-count="249" data-total-count="1585">Greg Gatzka, community development director for Kings County, said permits now under review would let the companies expand the site with a campground, performance stage and eating venues. The plans called for events that draw 10,000 people, he said.</p>
<p class="story-body-text story-content" data-para-count="241" data-total-count="1826">In a statement, the World Surf League said the Lemoore “Surf Ranch” was a research and training facility. Mr. Slater declined to talk. But a couple of months ago, <a href="https://www.instagram.com/p/BRKj4YWgwOx/">on Instagram</a>, he said the pool was being retooled to be “even better.”</p>
<p class="story-body-text story-content" data-para-count="192" data-total-count="2018" id="story-continues-4">Wave companies have been in something of an arms race to develop technology that could tap a new market for surf parks, said John Luff, the president of <a href="http://www.surfparkcentral.com/">Surf Park Central</a>, a trade publication.</p>
<p class="story-body-text story-content" data-para-count="215" data-total-count="2233" id="story-continues-5">But mimicking the ocean has been tricky. Even if Mr. Slater’s machine did make the perfect wave, to be marketable at a public park it would need to crank them out in rapid succession. It’s unclear that it could.</p>
<p class="story-body-text story-content" data-para-count="168" data-total-count="2401" id="story-continues-6">Until now, the Lemoore pool has run in one direction, dragging a foil through the water to make waves. Mr. Gatzka said engineers are trying now to make it go both ways.</p>
<p class="story-body-text story-content" data-para-count="191" data-total-count="2592">Industry analysts said the Lemoore facility could take a number of forms. Tournament hosting is a possibility. Another would be to target high-paying customers — a Pebble Beach for surfers.</p>
<p class="story-body-text story-content" data-para-count="170" data-total-count="2762">“You’re talking about being able to deliver an experience that somebody might try and chase around the world their entire life and might never find,” Mr. Luff said.</p>
<p class="story-body-text story-content" data-para-count="80" data-total-count="2842">He added, “I think that’s a really, really interesting value proposition.”</p>
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<p><span class="commented-out-html" style="display:none;"> Pipeline: 2015-12-01-weather-module | February 28, 2017, 05:14PM | 5bdadb86ea1d55697f8586a10cf0055321cbb1da </span></div>
<h4 class="story-subheading story-content" data-para-count="17" data-total-count="2859"><strong>California Online</strong></h4>
<p class="story-body-text story-content" data-para-count="100" data-total-count="2959"><em>(Please note: We regularly highlight articles on sites that have limited access for nonsubscribers.)</em></p>
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<img src="https://static01.nyt.com/images/2017/05/22/us/22California-Today-dems/22California-Today-dems-master675.jpg" alt="" class="media-viewer-candidate" data-mediaviewer-src="https://static01.nyt.com/images/2017/05/22/us/22California-Today-dems/22California-Today-dems-superJumbo.jpg" data-mediaviewer-caption="The California Democratic Party narrowly elected Eric Bauman as its new chairman, disappointing some on the party’s progressive wing." data-mediaviewer-credit="Rich Pedroncelli/Associated Press" itemprop="url" itemid="https://static01.nyt.com/images/2017/05/22/us/22California-Today-dems/22California-Today-dems-master675.jpg"/></div><figcaption class="caption" itemprop="caption description"><span class="caption-text">The California Democratic Party narrowly elected Eric Bauman as its new chairman, disappointing some on the party’s progressive wing.</span><br />
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Rich Pedroncelli/Associated Press </span><br />
</figcaption></figure>
<p class="story-body-text story-content" data-para-count="152" data-total-count="3111">• Demands for a recount and a middle finger to the audience — bad feelings sullied the <strong>California Democrats’ convention</strong>. [<a href="http://www.sfchronicle.com/politics/article/State-Democrats-family-feud-imperils-2018-11162925.php">San Francisco Chronicle</a>]</p>
<p class="story-body-text story-content" data-para-count="123" data-total-count="3234" id="story-continues-7">• A <strong>wildfire </strong><strong>near</strong><strong> San Diego</strong> prompted hundreds to evacuate. A criminal investigation was opened. [<a href="http://www.sandiegouniontribune.com/news/public-safety/sd-me-gatefire-update-20170521-story.html">San Diego Union-Tribune</a>]</p>
<p class="story-body-text story-content" data-para-count="135" data-total-count="3369" id="story-continues-8">• “I still consider you my brothers as human beings,” a Bay Area <strong>hate crime victim</strong> told his attackers. [<a href="http://www.eastbaytimes.com/2017/05/21/peterson-hate-crime-victims-remarkable-comments-to-men-who-beat-him/">Opinion | East Bay Times</a>]</p>
<figure id="media-100000005120704" class="media photo embedded layout-large-horizontal media-100000005120704 ratio-tall" data-media-action="modal" itemprop="associatedMedia" itemscope="" itemid="https://static01.nyt.com/images/2017/05/12/us/22California-Today-homeless/00cdbg-20-master675.jpg" itemtype="http://schema.org/ImageObject" aria-label="media" role="group"><span class="visually-hidden">Photo</span></p>
<div class="image">
<img src="https://static01.nyt.com/images/2017/05/12/us/22California-Today-homeless/00cdbg-20-master675.jpg" alt="" class="media-viewer-candidate" data-mediaviewer-src="https://static01.nyt.com/images/2017/05/12/us/22California-Today-homeless/00cdbg-20-superJumbo.jpg" data-mediaviewer-caption="Jennifer Coulter looked for a spot to live in a dry riverbed in Hollister." data-mediaviewer-credit="Sam Hodgson for The New York Times" itemprop="url" itemid="https://static01.nyt.com/images/2017/05/12/us/22California-Today-homeless/00cdbg-20-master675.jpg"/></div><figcaption class="caption" itemprop="caption description"><span class="caption-text">Jennifer Coulter looked for a spot to live in a dry riverbed in Hollister.</span><br />
<span class="credit" itemprop="copyrightHolder"><br />
<span class="visually-hidden">Credit</span><br />
Sam Hodgson for The New York Times </span><br />
</figcaption></figure>
<p class="story-body-text story-content" data-para-count="118" data-total-count="3487">• “I don’t want to die out here.” Meet the people facing President Trump’s <strong>budget cuts</strong>. [<a href="https://www.nytimes.com/2017/05/19/us/politics/community-development-block-grant-program.html">The New York Times</a>]</p>
<p class="story-body-text story-content" data-para-count="127" data-total-count="3614" id="story-continues-9">• How shelters for <strong>vulnerable children</strong> are instead funneling many into the criminal justice system. [<a href="http://projects.sfchronicle.com/2017/fostering-failure/">San Francisco Chronicle</a>]</p>
<p class="story-body-text story-content" data-para-count="110" data-total-count="3724">• A suicide epidemic has pushed <strong>California’s largest tribe</strong> into an existential crisis. [<a href="http://www.latimes.com/local/california/la-me-salmon-demise-yurok-suicides-20170519-htmlstory.html">Los Angeles Times</a>]</p>
<figure id="media-100000005120708" class="media photo embedded layout-large-horizontal media-100000005120708 ratio-tall" data-media-action="modal" itemprop="associatedMedia" itemscope="" itemid="https://static01.nyt.com/images/2017/05/21/business/22California-Today-twitter/21williams-master675.jpg" itemtype="http://schema.org/ImageObject" aria-label="media" role="group"><span class="visually-hidden">Photo</span></p>
<div class="image">
<img src="https://static01.nyt.com/images/2017/05/21/business/22California-Today-twitter/21williams-master675.jpg" alt="" class="media-viewer-candidate" data-mediaviewer-src="https://static01.nyt.com/images/2017/05/21/business/22California-Today-twitter/21williams-superJumbo.jpg" data-mediaviewer-caption="“I thought once everybody could speak freely and exchange information and ideas, the world is automatically going to be a better place,” Evan Williams says. “I was wrong about that.”" data-mediaviewer-credit="Jason Henry for The New York Times" itemprop="url" itemid="https://static01.nyt.com/images/2017/05/21/business/22California-Today-twitter/21williams-master675.jpg"/></div><figcaption class="caption" itemprop="caption description"><span class="caption-text">“I thought once everybody could speak freely and exchange information and ideas, the world is automatically going to be a better place,” Evan Williams says. “I was wrong about that.”</span><br />
<span class="credit" itemprop="copyrightHolder"><br />
<span class="visually-hidden">Credit</span><br />
Jason Henry for The New York Times </span><br />
</figcaption></figure>
<p class="story-body-text story-content" data-para-count="127" data-total-count="3851">• “I think the internet is broken,” said <strong>Evan Williams</strong>, a Twitter founder. And it’s getting worse. [<a href="https://www.nytimes.com/2017/05/20/technology/evan-williams-medium-twitter-internet.html">The New York Times</a>]</p>
<p class="story-body-text story-content" data-para-count="124" data-total-count="3975" id="story-continues-10">• The <strong>Zen Hospice Project</strong> in San Francisco tries to help dying people live fully right up to the end. [<a href="https://www.nytimes.com/2017/05/19/jobs/zen-hospice-project.html">The New York Times</a>]</p>
<p class="story-body-text story-content" data-para-count="129" data-total-count="4104" id="story-continues-11">• Photos: San Francisco hosted <strong>Bay to Breakers</strong>, a footrace known more for its costumes than who wins. [<a href="http://www.sfgate.com/bayarea/slideshow/Bay-to-Breakers-2017-145528.php">San Francisco Chronicle</a>]</p>
<figure id="media-100000005120707" class="media photo embedded layout-large-horizontal media-100000005120707 ratio-tall" data-media-action="modal" itemprop="associatedMedia" itemscope="" itemid="https://static01.nyt.com/images/2017/05/21/books/review/22California-Today-kamau/21Orr-master675.jpg" itemtype="http://schema.org/ImageObject" aria-label="media" role="group"><span class="visually-hidden">Photo</span></p>
<div class="image">
<img src="https://static01.nyt.com/images/2017/05/21/books/review/22California-Today-kamau/21Orr-master675.jpg" alt="" class="media-viewer-candidate" data-mediaviewer-src="https://static01.nyt.com/images/2017/05/21/books/review/22California-Today-kamau/21Orr-superJumbo.jpg" data-mediaviewer-caption="W. Kamau Bell has written a new memoir." data-mediaviewer-credit="John Novak" itemprop="url" itemid="https://static01.nyt.com/images/2017/05/21/books/review/22California-Today-kamau/21Orr-master675.jpg"/></div><figcaption class="caption" itemprop="caption description"><span class="caption-text">W. Kamau Bell has written a new memoir.</span><br />
<span class="credit" itemprop="copyrightHolder"><br />
<span class="visually-hidden">Credit</span><br />
John Novak </span><br />
</figcaption></figure>
<p class="story-body-text story-content" data-para-count="153" data-total-count="4257">• “Awkward Thoughts” by the Berkeley comedian <strong>W. Kamau Bell</strong> is the latest in a canon of “awkward” work by black creatives. [<a href="https://www.nytimes.com/2017/05/19/books/review/the-awkward-thoughts-of-w-kamau-bell-audio.html">The New York Times</a>]</p>
<p class="story-body-text story-content" data-para-count="101" data-total-count="4358" id="story-continues-12">• The search for a great aperitif stops with <strong>good vermouth</strong>, cool and fragrant. [<a href="https://www.nytimes.com/2017/05/18/dining/vermouth-the-ideal-aperitif.html">The New York Times</a>]</p>
<h4 class="story-subheading story-content" data-para-count="19" data-total-count="4377"><strong>Coming Up This Week</strong></h4>
<p class="story-body-text story-content" data-para-count="116" data-total-count="4493">• <a href="https://www.nytimes.com/2017/05/21/sports/basketball/golden-state-warriors-san-antonio-spurs-playoffs.html">The Warriors</a> could become Western Conference champions Monday after their matchup against the San Antonio Spurs.</p>
<p class="story-body-text story-content" data-para-count="119" data-total-count="4612" id="story-continues-13">• On Tuesday, the musical adaptation of “<a href="https://www.shnsf.com/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=988F2C42-1D08-4588-BCDE-1B94667401BE">Roman Holiday</a>,” featuring Cole Porter songs, premieres in San Francisco.</p>
<p class="story-body-text story-content" data-para-count="122" data-total-count="4734">• On Sunday, Vista holds its <a href="http://vistastrawberryfest.com/info/festival-history">strawberry festival</a>. Last year, there were 100,000 people and 8,000 pounds of strawberries.</p>
<p class="story-body-text story-content" data-para-count="102" data-total-count="4836">• The five-day <a href="http://www.sacfair.com/">Sacramento County Fair</a> kicks off Thursday. There will be rides, music and pig racing.</p>
<h4 class="story-subheading story-content" data-para-count="15" data-total-count="4851"><strong>And Finally …</strong></h4>
</p></div>
<p></img></img></img></img></img></img></img></p>
<p>Source: <a href="https://www.nytimes.com/2017/05/22/us/california-today-crafting-the-perfect-wave.html?partner=rss&emc=rss" target="_blank" pf-nom-item-id="4796">California Today: California Today: Crafting the Perfect Wave</a></p>
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<title>PLOS Collections</title>
<link>http://local.wordpress.dev/?p=4721</link>
<comments>http://local.wordpress.dev/?p=4721#respond</comments>
<pubDate>Tue, 28 Mar 2017 20:33:31 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[partnerinfo{for partners page}]]></category>
<category><![CDATA[Uncategorized]]></category>
<guid isPermaLink="false">http://local.wordpress.dev/?p=4721</guid>
<description><![CDATA[]]></description>
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<slash:comments>0</slash:comments>
</item>
<item>
<title>MicrobeNet</title>
<link>http://local.wordpress.dev/?p=4719</link>
<comments>http://local.wordpress.dev/?p=4719#respond</comments>
<pubDate>Tue, 28 Mar 2017 20:33:18 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[partnerinfo{for partners page}]]></category>
<category><![CDATA[Uncategorized]]></category>
<guid isPermaLink="false">http://local.wordpress.dev/?p=4719</guid>
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<item>
<title>Do you want to highlight the work of your institution?</title>
<link>http://local.wordpress.dev/?p=4712</link>
<comments>http://local.wordpress.dev/?p=4712#respond</comments>
<pubDate>Tue, 28 Mar 2017 15:27:22 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[UseCaseShowcase]]></category>
<guid isPermaLink="false">http://local.wordpress.dev/?p=4712</guid>
<description><![CDATA[With PressForward, the diverse research and publications of a large institution can be highlighted on a single site. The Marine Biological Laboratory at Woods Hole, where a community of researchers from around the world gather to teach, research, and collaborate, uses PressForward to centralize the conversations those researchers have across the web. From blogs and<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4712" title="ReadDo you want to highlight the work of your institution?">... Read more »</a>]]></description>
<content:encoded><![CDATA[<p>With PressForward, the diverse research and publications of a large institution can be highlighted on a single site.</p>
<p>The Marine Biological Laboratory at Woods Hole, where a community of researchers from around the world gather to teach, research, and collaborate, uses PressForward to centralize the conversations those researchers have across the web. From blogs and Twitter to open access articles published online, The Well brings them together in one place.</p>
]]></content:encoded>
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<slash:comments>0</slash:comments>
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<item>
<title>Do you want to create and foster community in your field?</title>
<link>http://local.wordpress.dev/?p=4708</link>
<comments>http://local.wordpress.dev/?p=4708#respond</comments>
<pubDate>Tue, 28 Mar 2017 15:25:35 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[UseCaseShowcase]]></category>
<guid isPermaLink="false">http://local.wordpress.dev/?p=4708</guid>
<description><![CDATA[When the ACRL’s Digital Humanities Discussion Group wanted to create a publication that would act as a communal space for interested librarians, they used PressForward to build dh + lib a weekly round-up of news, opportunities, and readings aggregated from across the web. dh + lib editors contribute original content, as well as aggregated news,<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4708" title="ReadDo you want to create and foster community in your field?">... Read more »</a>]]></description>
<content:encoded><![CDATA[<p>When the ACRL’s Digital Humanities Discussion Group wanted to create a publication that would act as a communal space for interested librarians, they used PressForward to build dh + lib a weekly round-up of news, opportunities, and readings aggregated from across the web.</p>
<p>dh + lib editors contribute original content, as well as aggregated news, creating an opportunity for community members to share ideas in a common space.</p>
]]></content:encoded>
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<item>
<title>Do you want to highlight and increase the discoverability of archived content?</title>
<link>http://local.wordpress.dev/?p=4705</link>
<comments>http://local.wordpress.dev/?p=4705#respond</comments>
<pubDate>Tue, 28 Mar 2017 14:09:24 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[UseCaseShowcase]]></category>
<guid isPermaLink="false">http://local.wordpress.dev/?p=4705</guid>
<description><![CDATA[When the Public Library of Science wanted to find a way to make the work published across their suite of journals more visible, they used Press-Forward to creat PLOS Collec-tions. PLOS Collections aggregates and curates two types of con-tent: articles from the archives on particular topics, and “spe-cial collections” of original content proposed and coordinated<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4705" title="ReadDo you want to highlight and increase the discoverability of archived content?">... Read more »</a>]]></description>
<content:encoded><![CDATA[<p>When the Public Library of Science wanted to find a way to make the work published across their suite of journals more visible, they used Press-Forward to creat PLOS Collec-tions.</p>
<p>PLOS Collections aggregates and curates two types of con-tent: articles from the archives on particular topics, and “spe-cial collections” of original content proposed and coordinated by external teams and communities. With PressFor-ward, PLOS is able to provide structured access to content that might otherwise be lost among in a large catalog of work.</p>
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</item>
<item>
<title>Hello world!</title>
<link>http://local.wordpress.dev/?p=1</link>
<comments>http://local.wordpress.dev/?p=1#comments</comments>
<pubDate>Tue, 21 Mar 2017 13:53:48 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[Uncategorized]]></category>
<guid isPermaLink="false">http://local.wordpress.dev/?p=1</guid>
<description><![CDATA[Welcome to WordPress. This is your first post. Edit or delete it, then start writing!]]></description>
<content:encoded><![CDATA[<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!</p>
]]></content:encoded>
<wfw:commentRss>http://local.wordpress.dev/?feed=rss2&p=1</wfw:commentRss>
<slash:comments>1</slash:comments>
</item>
<item>
<title>Announcing PressForward Microgrants</title>
<link>http://local.wordpress.dev/?p=4692</link>
<comments>http://local.wordpress.dev/?p=4692#respond</comments>
<pubDate>Thu, 23 Feb 2017 16:52:46 +0000</pubDate>
<dc:creator><![CDATA[admin]]></dc:creator>
<category><![CDATA[News]]></category>
<category><![CDATA[Uncategorized]]></category>
<guid isPermaLink="false">http://pressforward.org/?p=4692</guid>
<description><![CDATA[With the generous support of the Alfred P. Sloan Foundation, the PressForward Project invites applications for microgrants of up to $1000 to fund science communications projects. PressForward publications aggregate content from the web at large, sharing the most relevant work published online and fostering conversations within and across disciplines, institutions, and classrooms. PressForward is developed<a class="excerpt-read-more" href="http://local.wordpress.dev/?p=4692" title="ReadAnnouncing PressForward Microgrants">... Read more »</a>]]></description>
<content:encoded><![CDATA[<p>With the generous support of the Alfred P. Sloan Foundation, the PressForward Project invites applications for microgrants of up to $1000 to fund science communications projects. PressForward publications aggregate content from the web at large, sharing the most relevant work published online and fostering conversations within and across disciplines, institutions, and classrooms. PressForward is developed by the Roy Rosenzweig Center for History and New Media at George Mason University.</p>
<p><span style="font-weight: 400;">Applicants’ projects should plan to use PressForward software to power a new or existing web publication. Current PressForward publications include </span><a href="http://digitalhumanitiesnow.org/" target="_blank"><i><span style="font-weight: 400;">Digital Humanities Now</span></i></a><span style="font-weight: 400;">, </span><a href="http://collections.plos.org/" target="_blank"><i><span style="font-weight: 400;">PLOS Collections</span></i></a><span style="font-weight: 400;">, </span><a href="http://www.microbe.net/" target="_blank"><i><span style="font-weight: 400;">microbe.net</span></i></a><span style="font-weight: 400;">, </span><a href="http://social.mbl.edu/" target="_blank"><i><span style="font-weight: 400;">The Well</span></i></a><span style="font-weight: 400;"> at Woods Hole Marine Biological Laboratory, and the Council for the Advancement of Science Writing’s </span><a href="http://showcase.casw.org/" target="_blank"><i><span style="font-weight: 400;">Showcase</span></i></a><span style="font-weight: 400;">.</span><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;">We encourage any project with a science or technology focus, including the social sciences, technology, health and medicine, and the history of science, and a desire to innovate or improve communications to apply for a PressForward microgrant. Applications will be accepted on a rolling basis, with the first award to be made on May 8, 2017. All applications submitted by April 24 will be considered for first round awards.</span><span style="font-weight: 400;"><br />
</span> <span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;">Complete applications should include:</span></p>
<ul>
<li style="font-weight: 400;"><span style="font-weight: 400;">A brief summary of the proposed publication (~500 words), including its contributors and audience</span></li>
<li style="font-weight: 400;"><span style="font-weight: 400;">A detailed budget up to $1,000</span></li>
<li style="font-weight: 400;"><span style="font-weight: 400;">CVs of project managers</span></li>
</ul>
<p><span style="font-weight: 400;">Please send proposals by email to </span><a href="mailto:info@pressforward.org"><span style="font-weight: 400;">info@pressforward.org</span></a><span style="font-weight: 400;"> with the subject “Microgrant Proposal”.</span></p>
<p><span style="font-weight: 400;">Proposals will be evaluated for their scientific interests, their proposed audiences, and their viability and sustainability. Successful applicants will be expected to participate in consultations with PressForward staff at least twice during the development of their projects and after their launch. </span></p>
<p><span style="font-weight: 400;">To discuss your proposal or for other questions about PressForward, please contact us at info@pressforward.org.</span></p>
]]></content:encoded>
<wfw:commentRss>http://local.wordpress.dev/?feed=rss2&p=4692</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
</channel>
</rss>Confirmed, this is indeed working.
It would be nice to add the title of the source in addition to the author of each item inside the global output rss.
I suggest to change the line 112 inside the file :
modules/rss-out/rss-out.php<dc:creator><?php echo $item['item_author']; ?></dc:creator>becomes
<dc:creator><?php echo $item['item_author'] ; if (!empty($source = get_the_source_title($item['post_id']))) echo " " . $source . '.'; ?></dc:creator>