[Badcase]: Qwen2.5 14B Instruct can't stop generation

[Jeremy-Hibiki]

Model Series

Qwen2.5

What are the models used?

Qwen2.5-14B-Instruct-AWQ (and maybe the origin one)

What is the scenario where the problem happened?

Qwen2.5 14B can't stop generation with either transformers or vLLM

Is this badcase known and can it be solved using avaiable techniques?

• [X] I have followed the GitHub README.
• [X] I have checked the Qwen documentation and cannot find a solution there.
• [X] I have checked the documentation of the related framework and cannot find useful information.
• [X] I have searched the issues and there is not a similar one.

Information about environment

NV Driver 560.28.03, Cuda 12.1, 4 x L40S

1. LongBench-Writer evaluation setup with Python 3.11 + PyTorch 2.3.1 + Transformers 4.45.0

> uv pip list
Package                  Version
------------------------ -----------
accelerate               0.34.2
aiohappyeyeballs         2.4.0
aiohttp                  3.10.6
aiosignal                1.3.1
attrs                    24.2.0
autoawq                  0.2.6
autoawq-kernels          0.0.7
certifi                  2024.8.30
charset-normalizer       3.3.2
contourpy                1.3.0
cycler                   0.12.1
datasets                 3.0.1
dill                     0.3.8
einops                   0.8.0
filelock                 3.16.1
flash-attn               2.6.3
fonttools                4.54.1
frozenlist               1.4.1
fsspec                   2024.6.1
huggingface-hub          0.25.1
idna                     3.10
jinja2                   3.1.4
kiwisolver               1.4.7
markupsafe               2.1.5
matplotlib               3.9.2
mpmath                   1.3.0
multidict                6.1.0
multiprocess             0.70.16
networkx                 3.3
ninja                    1.11.1.1
numpy                    2.1.1
nvidia-cublas-cu12       12.1.3.1
nvidia-cuda-cupti-cu12   12.1.105
nvidia-cuda-nvrtc-cu12   12.1.105
nvidia-cuda-runtime-cu12 12.1.105
nvidia-cudnn-cu12        8.9.2.26
nvidia-cufft-cu12        11.0.2.54
nvidia-curand-cu12       10.3.2.106
nvidia-cusolver-cu12     11.4.5.107
nvidia-cusparse-cu12     12.1.0.106
nvidia-nccl-cu12         2.20.5
nvidia-nvjitlink-cu12    12.6.68
nvidia-nvtx-cu12         12.1.105
packaging                24.1
pandas                   2.2.3
pillow                   10.4.0
psutil                   6.0.0
pyarrow                  17.0.0
pyparsing                3.1.4
python-dateutil          2.9.0.post0
pytz                     2024.2
pyyaml                   6.0.2
regex                    2024.9.11
requests                 2.32.3
safetensors              0.4.5
setuptools               75.1.0
six                      1.16.0
sympy                    1.13.3
tokenizers               0.20.0
torch                    2.3.1
tqdm                     4.66.5
transformers             4.45.0
triton                   2.3.1
typing-extensions        4.12.2
tzdata                   2024.2
urllib3                  2.2.3
xxhash                   3.5.0
yarl                     1.12.1
zstandard                0.23.0

2. Latest vLLM docker image version v0.6.1.post2 and v0.6.2
3. Poe Qwen2.5-14B-Instruct bot provided by SiliconCloud (https://poe.com/Qwen2.5-14B-Instruct)
4. Official HF space demo (https://huggingface.co/spaces/Qwen/Qwen2.5) with 14B

Description

Trying to evaluate qwen2.5 models' long generation capability, using LongBench-Write proposed by GLM team (https://github.com/THUDM/LongWriter#evaluation)

Badcase prompts:

1. One of the test cases of LongBench-Write:

Write a 400 word story about a bladder holding competition between dragons. After the competition ends the winners wet themselves in celebration. Write in the style of a book intended for very young children. Focus on using only and exclusivly very infantile language. Don’t use any words a young child wouldn’t know. Write astough you were writing for a young child. Write in verse. Speak only in uwuspeak.

• Poe share link: https://poe.com/s/qMgYnweRJ1ydawxzWD4v
• HF demo example

• Local generation result with AWQ and transformers

{"prompt": "Write a 400 word story about a bladder holding competition between dragons. After the competition ends the winners wet themselves in celebration. Write in the style of a book intended for very young children. Focus on using only and exclusivly very infantile language. Don’t use any words a young child wouldn’t know. Write astough you were writing for a young child. Write in verse. Speak only in uwuspeak.", "type": "Literature and Creative Writing", "length": 400, "response_length": 24574, "response": "UwU u wu u u wu u, u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u wu u u ..."}

2. One of the test cases of LongBench-Write:

{"prompt": "Write an anti-war novel about Sony Wang, a young painter living in Vienna who is drafted into the army in 1916, the more detailed the better. The story should be at least 10000 words long.", "type": "Literature and Creative Writing", "length": 10000, "response_length": 28231, "response": "### Chapter One: The Painter's Dream\n\nIn the heart of Vienna, where the streets were lined with grand architecture and the air was thick with the scent of coffee and pastries, lived Sony Wang. A young man of twenty-five, Sony was a painter, a dreamer, and a soul searching for meaning in the world. His studio, a small but cozy room in a quiet corner of the city, was his sanctuary—a place where he could escape the hustle and bustle of everyday life and immerse himself in the beauty of colors and shapes.\n\nSony's paintings were a reflection of his innermost thoughts and emotions. He painted landscapes that captured the essence of nature, from the serene waters of the Danube to the towering peaks of the Alps. Each brushstroke was a testament to his love for the natural world, a world that seemed untouched by the chaos of human existence. But as the years passed, Sony began to notice a change in the atmosphere of Vienna. The once peaceful city was now filled with tension and uncertainty, and the shadow of war loomed over everything.\n\nThe year was 1916, and Europe was embroiled in the Great War. Austria-Hungary, Sony's home, was one of the major powers involved in the conflict, and the country was mobilizing its resources and manpower to support the war effort. Sony, like many other young men of his generation, was not immune to the call of duty. As a citizen of the empire, he was required to serve in the military, and the draft was imminent.\n\nOne crisp autumn morning, Sony received a letter from the military authorities. It was a summons, a formal notification that he was being drafted into the army. The news came as a shock, disrupting the tranquility of his daily routine and forcing him to confront the reality of the situation. Sony sat in his studio, staring at the letter, feeling a mix of fear, confusion, and sadness. The thought of leaving his beloved Vienna, his art, and his dreams behind was almost unbearable.\n\nAs Sony pondered his future, he couldn't help but think about the implications of joining the military. He had always been a pacifist at heart, someone who believed in the power of art to bring people together rather than weapons to tear them apart. The idea of carrying a gun and participating in the destruction of lives was repugnant to him. Yet, the alternative—resisting the draft—was fraught with danger. Refusal could mean imprisonment or even execution, and Sony knew that such a fate would be devastating for both him and his loved ones.\n\nDespite his reservations, Sony realized that he had no choice but to comply with the law. The decision weighed heavily on his mind, and he spent countless hours contemplating his next steps. He wondered if there was any way to avoid the war, to find a path that didn't involve violence and bloodshed. Sony's search for answers led him to explore various avenues, including seeking advice from friends and mentors who might offer guidance or alternatives.\n\nAs Sony prepared to leave Vienna, he found solace in his art. He painted a series of works that reflected his inner turmoil and the complexity of the situation he faced. These paintings became a form of therapy, allowing him to express his feelings and fears without having to verbalize them. Through his art, Sony hoped to convey a message of peace and understanding, a plea for humanity to find a better way forward.\n\nSony's journey was just beginning, and it would take him far beyond the borders of Vienna and Austria-Hungary. It would test his resolve, challenge his beliefs, and ultimately shape his destiny. As he packed his belongings and said goodbye to his studio, Sony couldn't help but wonder what lay ahead. Would he find redemption in the midst of war, or would he be forever changed by the experience? Only time would tell.\n\n---\n\nSony's departure from Vienna marked the beginning of a tumultuous period in his life. The city he left behind was a place of beauty and culture, but it was also a microcosm of the larger conflict raging across Europe. As Sony boarded the train that would take him to the front lines, he couldn't shake the feeling that he was leaving a part of himself behind. The vibrant colors and tranquil scenes of his paintings seemed like distant memories, replaced by the somber reality of war.\n\nUpon arriving at the training camp, Sony was immediately struck by the stark contrast between his former life and this new environment. The camp was a sprawling complex of barracks, training grounds, and administrative buildings. Everything was designed for efficiency and discipline, with little room for individuality or creativity. Sony felt like a small cog in a massive machine, one that was set in motion by forces beyond his control.\n\nThe first few days at the camp were a whirlwind of activity. Sony was assigned to a platoon and underwent rigorous physical and mental training. The drills were intense, focusing on marksmanship, marching, and basic combat skills. Sony found the training physically exhausting, but mentally challenging as well. He struggled to reconcile his pacifist ideals with the harsh realities of military life. Every day brought new challenges, and Sony often found himself questioning the purpose of his service.\n\nDuring this period, Sony also encountered a diverse group of soldiers, each with their own stories and motivations. There were those who joined out of a sense of duty, others who sought adventure, and still others who were simply following orders without question. Among these men, Sony found a few kindred spirits who shared his reservations about the war. They would often gather in the evenings to discuss their concerns and share their hopes for a peaceful resolution.\n\nOne such friend was Hans Müller, a fellow recruit who had studied philosophy before enlisting. Hans was a thoughtful and introspective person, and his conversations with Sony provided a much-needed outlet for their frustrations. Together, they would debate the ethics of war and the role of individuals within the military structure. Hans often referenced philosophers like Immanuel Kant and Jean-Jacques Rousseau, whose ideas about morality and social contracts resonated deeply with Sony.\n\nAnother close companion was Maria Schreiber, a nurse who worked at the camp hospital. Maria was compassionate and wise, offering Sony a different perspective on the war through her experiences caring for wounded soldiers. She would often share stories of bravery and sacrifice, but also of the immense suffering and loss of life that accompanied every battle. Maria’s insights helped Sony see the broader impact of the conflict, beyond the immediate demands of military service.\n\nThrough these interactions, Sony began to develop a deeper understanding of the complexities surrounding the war. He saw firsthand the effects of conscription and the ways in which society was mobilized to support the war effort. The training camp itself was a microcosm of this mobilization, where every aspect of life—from food rations to personal hygiene—was regimented to ensure maximum efficiency for the war effort.\n\nSony’s reflections during this time were profound. He started to paint again, using his art as a means to process his experiences and emotions. His paintings evolved, moving away from the serene landscapes of his earlier work to more abstract and symbolic representations of war. These new pieces were darker and more intense, capturing the psychological toll of military life and the constant threat of death that hung over everyone.\n\nAs Sony continued his training, he found moments of respite and beauty amidst the chaos. The changing seasons brought subtle reminders of the natural world’s resilience and grace. In the spring, the fields around the camp would burst into bloom, and Sony would often find solace in the simple act of sketching the wildflowers. These moments of quiet contemplation allowed him to reconnect with his artistic roots and maintain a sense of hope and purpose.\n\nDespite the challenges, Sony’s interactions with his fellow recruits and the nurses at the camp provided him with a network of support and camaraderie. They formed a community within the larger military structure, one that valued empathy and understanding over blind obedience. Through these relationships, Sony found a way to navigate the difficult terrain of military life while staying true to his principles.\n\nAs Sony’s training progressed, he began to feel a growing sense of unease about the impending deployment to the front lines. The reality of facing real battles and the possibility of losing his life or the lives of his comrades weighed heavily on his mind. He knew that the next phase of his journey would be the most challenging yet, and he wondered how he would cope with the horrors of war.\n\n---\n\nSony's training at the camp was coming to an end, and the prospect of deployment to the front lines loomed large. The final weeks were filled with a mixture of anticipation, anxiety, and a sense of inevitability. The soldiers were briefed on the conditions they would face, the tactics they would employ, and the importance of maintaining discipline under fire. Sony listened intently, but his mind was elsewhere, grappling with the moral implications of what lay ahead.\n\nOne evening, Sony found himself walking along the edge of a nearby forest, a place where he often sought solitude. The trees towered above him, their branches forming a canopy that filtered the fading light of dusk. As he walked, Sony's thoughts turned inward, reflecting on the journey that had brought him to this point. He remembered the peaceful mornings in his studio, the vibrant colors that danced across his canvases, and the serene landscapes that had once filled his heart with joy.\n\nNow, those images seemed distant, almost surreal, in the face of the looming war. Sony couldn’t help but feel a deep sense of loss, not only for the life he had known but also for the innocence and simplicity that had defined his early years as a painter. The weight of this realization pressed down on him, making the walk through the forest all the more poignant.\n\nAs Sony approached a clearing, he noticed a small pond nestled among the trees. The water was calm, reflecting the twilight sky in a mirror-like surface. He paused, drawn to the serene beauty of the scene. For a moment, he allowed himself to be transported back to the tranquility of his studio, imagining the colors and shapes that would emerge from his brush if he were still in Vienna.\n\nBut the illusion was fleeting. Sony knew that he was standing on the precipice of a new reality, one that would test his resolve and challenge his very identity. He looked out over the pond, seeing in its stillness a metaphor for the calm before the storm. The water was a reminder of the delicate balance between peace and conflict, a balance that was about to be shattered by the realities of war.\n\nSony sat down beside the pond, his thoughts swirling with conflicting emotions. He wondered if he had made the right choice in joining the army, if perhaps there was another way to contribute to the war effort without taking up arms. But the options seemed limited. Resistance was not an option he could afford; the consequences were too severe. And yet, the thought of carrying a gun and participating in the destruction of lives was a bitter pill to swallow.\n\nAs Sony sat there, lost in thought, he heard the sound of footsteps approaching. Turning around, he saw Hans Müller, his philosophical friend from the camp, walking towards him. Hans had a gentle demeanor, and his presence often brought a sense of calm to Sony’s troubled mind.\n\n“Sony,” Hans greeted him, sitting down beside the pond. “I see you’ve found your usual spot for contemplation.”\n\nSony nodded, grateful for the company. “Yes, I needed some time to myself. The thought of deployment is weighing heavily on me.”\n\nHans understood the gravity of the situation. “I know it’s difficult. We’re all facing the same uncertainties. But remember, we’re not alone in this. We have each other, and we have our beliefs.”\n\nSony looked at Hans, appreciating his words of encouragement. “It’s comforting to know that there are others here who share my doubts and fears. But it doesn’t make the reality any less daunting.”\n\nHans placed a hand on Sony’s shoulder. “I understand. The transition from civilian life to military service is a significant one. But think about why you’re here. Are you here because you believe in the cause, or are you here because you have no other choice?”\n\nSony considered Hans’ question, his mind racing with the complexities of his situation. “I’m here because I have no choice. I can’t resist the draft, and I can’t turn my back on my responsibilities. But I’m also here because I want to find a way to make a difference, even if it’s just a small part.”\n\nHans nodded, acknowledging Sony’s struggle. “That’s a noble sentiment. Remember, every action, no matter how small, can have an impact. Even if you can’t change the course of the war, you can strive to maintain your integrity and your humanity.”\n\nSony took a deep breath, finding solace in Hans’ words. “Thank you, Hans. It helps to have someone to talk to, someone who understands the internal conflict we’re facing.”\n\nHans smiled warmly. “We’re all in this together, Sony. Let’s do what we can to support each other and stay true to our values.”\n\nWith renewed determination, Sony stood up, feeling a sense of clarity wash over him. He knew that the road ahead would be challenging, but he also knew that he wasn’t alone in his struggles. The bond he had formed with his fellow recruits, particularly with Hans and Maria, gave him strength and purpose.\n\nAs Sony walked back to the camp, he felt a renewed sense of resolve. He would face the front lines with a clear conscience, knowing that he was doing so not out of blind obedience but out of a desire to uphold his principles and contribute to the greater good. The pond, with its serene reflection of the twilight sky, remained a symbol of the delicate balance he sought to maintain—a balance between the chaos of war and the serenity of his inner self.\n\n---\n\nSony’s unit was finally deployed to the front lines, and the journey there was marked by a mix of trepidation and a sense of inevitable destiny. The train ride was long and arduous, the rhythmic clacking of the wheels against the tracks a constant reminder of the journey ahead. The soldiers were tightly packed, their faces a blend of exhaustion and anticipation. Sony found himself looking out the window, watching the landscape pass by in a blur of green fields and gray stone buildings. Each mile brought him closer to the reality of war, and with it, a growing sense of unease.\n\nWhen they arrived at the front lines, Sony was struck by the desolation that surrounded him. The once lush countryside was now scarred by trenches, barbed wire, and the remnants of previous battles. The air was thick with the acrid smell of gunpowder and the earthy scent of decaying vegetation. The sight was haunting, a stark contrast to the beauty of his paintings and the tranquility of his studio in Vienna.\n\nThe first few days at the front were a whirlwind of activity. Sony’s unit was assigned to a section of the trench line, and he quickly learned the routines of military life in the field. The days were filled with drills, patrols, and the constant vigilance required to survive in the ever-present threat of enemy fire. The nights were equally demanding, with sentry duties, patrols, and the eerie silence that hung over the trenches.\n\nSony found solace in the camaradery of his fellow soldiers. Despite the harsh conditions, there was a sense of brotherhood that emerged from the shared experience of facing danger together. They relied on each other for support, sharing stories, jokes, and moments of levity to break the monotony of their daily routines. Sony often found himself engaging in conversations with his comrades, discussing everything from the latest news from home to the philosophical questions that had occupied his thoughts since his arrival at the training camp.\n\nOne such conversation occurred during a rare moment of downtime. Sony was sitting with Hans Müller and Maria Schreiber, the trio huddled around a makeshift fire pit. The flames cast flickering shadows on their faces, lending a warmth to the cold night air. They were discussing the nature of heroism and the concept of sacrifice.\n\nHans, with his philosophical bent, posed a question that resonated deeply with Sony. “What does it mean to be a hero?” he asked, his voice tinged with curiosity.\n\nSony thought for a moment, considering the various definitions of heroism he had encountered. “To me, a hero isn’t necessarily someone who performs grand acts of valor. It’s someone who stands up for what they believe in, even when it’s difficult or dangerous. It’s about integrity and conviction.”\n\nMaria nodded in agreement. “I think you’re right. Heroism isn’t just about physical courage. It’s about the choices we make and the principles we stand for. In this context, every soldier who fights with honor and dignity can be considered a hero.”\n\nTheir discussion was interrupted by the distant sound of artillery fire, a reminder of the ever-present threat of battle. Sony’s thoughts turned to the upcoming engagement, a sense of foreboding settling over him. He wondered how he would fare in the heat of battle, whether he could maintain his principles in the face of such overwhelming force.\n\nThe next day, Sony’s unit was ordered to prepare for an offensive operation. The soldiers were briefed on the objectives, the expected resistance, and the importance of maintaining cohesion and discipline under fire. Sony listened carefully, but his mind was preoccupied with the moral implications of what lay ahead. He knew that the coming battle would be a test of his resolve and his ability to remain true to his convictions.\n\nAs the soldiers moved into position, Sony found himself reflecting on the journey that had brought him to this point. He thought about the peaceful mornings in his studio, the vibrant colors that had filled his canvases, and the serene landscapes that had once filled his heart with joy. Now, those images seemed distant, almost surreal, in the face of the looming battle.\n\nSony’s unit was given the task of advancing through a heavily fortified enemy position. The terrain was rugged, with steep hills and dense forests providing cover for the enemy. The soldiers moved cautiously, their senses heightened by the constant threat of sniper fire and artillery shelling. Sony found himself relying on his training, his instincts, and the support of his comrades to navigate the treacherous landscape.\n\nAs they advanced, Sony encountered a series of obstacles that tested his resolve. He witnessed the destruction of homes and villages, the devastation wrought by the relentless advance of war. He saw the fear and despair etched on the faces of civilians caught in the crossfire. Each encounter reinforced his belief in the futility of conflict and the need for a more peaceful resolution.\n\nDespite the horrors he witnessed, Sony found moments of solace and beauty amidst the chaos. The changing seasons brought subtle reminders of the natural world’s resilience and grace. In the spring, the fields around the front lines would burst into bloom, and Sony would often find solace in the simple act of sketching the wildflowers. These moments of quiet contemplation allowed him to reconnect with his artistic roots and maintain a sense of hope and purpose.\n\nThe battle was fierce, with both sides fighting with determination and skill. Sony’s unit faced heavy resistance, and casualties mounted on both sides. The sounds of gunfire, explosions, and cries of pain filled the air, creating a cacophony of horror and despair. Sony found himself struggling to maintain his composure, to keep his focus on the task at hand while grappling with the moral implications of his actions.\n\nThroughout the battle, Sony’s thoughts turned to the philosophical discussions he had shared with Hans and Maria. He recalled their conversations about heroism, sacrifice, and the nature of war. These reflections provided him with a framework for understanding the complexities of his situation and the choices he was forced to make.\n\nAs the battle drew to a close, Sony’s unit was ordered to withdraw to a safer position. The soldiers moved quickly, their movements synchronized by years of training and camaraderie. Sony found himself reflecting on the events of the day, the sights and sounds that had seared themselves into his memory. He knew that the experience had changed him, that the horrors he had witnessed would leave an indelible mark on his soul.\n\nReturning to the relative safety of the trench line, Sony found himself grappling with the aftermath of the battle. The casualties were high, and the emotional toll was even greater. Sony saw the pain and sorrow etched on the faces of his comrades, the weight of their losses bearing down on them. He knew that the road ahead would be long and difficult, but he also knew that he had a responsibility to support his fellow soldiers and to remain true to his principles.\n\nIn the days that followed, Sony’s unit continued to engage in skirmishes and defensive operations. Each encounter tested his resolve and challenged his beliefs. But through it all, Sony found solace in the camaraderie of his fellow soldiers and the philosophical discussions that provided him with a sense of purpose and direction.\n\nThe journey to the front lines had been a transformative experience, one that had tested Sony’s resolve and challenged his very identity. But it had also strengthened his commitment to his principles and his determination to find a way to make a difference, even in the midst of war.\n\n---\n\nSony’s unit settled into a routine at the front lines, where the daily grind of trench warfare became a familiar rhythm. The soldiers were constantly vigilant, their senses heightened by the ever-present threat of enemy fire. The days were filled with patrols, sentry duties, and the maintenance of equipment, while the nights were punctuated by the distant rumble of artillery and the occasional flare-up of conflict. Despite the monotony, there was a sense of camaraderie among the soldiers, a bond forged in the crucible of shared adversity.\n\nOne evening, Sony found himself sitting with Hans Müller and Maria Schreiber, the trio huddled around a small fire pit. The flames cast flickering shadows on their faces, lending a warmth to the cold night air. They were discussing the nature of sacrifice and the moral implications of their roles in the war. Hans, with his philosophical bent, posed a question that resonated deeply with Sony.\n\n“What does it mean to sacrifice for a cause?” Hans asked, his voice tinged with curiosity.\n\nSony thought for a moment, considering the various definitions of sacrifice he had encountered. “To me, sacrifice isn’t just about giving up something valuable. It’s about making a conscious choice to prioritize a greater good, even if it means enduring hardship or loss. It’s about standing up for what you believe in, even when it’s difficult.”\n\nMaria nodded in agreement. “I think you’re right. Sacrifice is about more than just giving up something; it’s about the willingness to endure pain and hardship for a higher purpose. In this context, every soldier who fights with honor and dignity can be considered a sacrificer.”\n\nTheir discussion was interrupted by the distant sound of artillery fire, a reminder of the ever-present threat of battle. Sony’s thoughts turned to the upcoming engagement, a sense of foreboding settling over him. He wondered how he would fare in the heat of battle, whether he could maintain his principles in the face of such overwhelming force.\n\nThe next day, Sony’s unit was ordered to prepare for an offensive operation. The soldiers were briefed on the objectives, the expected resistance, and the importance of maintaining cohesion and discipline under fire. Sony listened carefully, but his mind was preoccupied with the moral implications of what lay ahead. He knew that the coming battle would be a test of his resolve and his ability to remain true to his convictions.\n\nAs the soldiers moved into position, Sony found himself reflecting on the journey that had brought him to this point. He thought about the peaceful mornings in his studio, the vibrant colors that had filled his canvases, and the serene landscapes that had once filled his heart with joy. Now, those images seemed distant, almost surreal, in the face of the looming battle.\n\nSony’s unit was given the task of advancing through a heavily fortified enemy position. The terrain was rugged, with steep hills and dense forests providing cover for the enemy. The soldiers moved cautiously, their senses heightened by the constant threat of sniper fire and artillery shelling. Sony found himself relying on his training, his instincts, and the support of his comrades to navigate the treacherous landscape.\n\nAs they advanced, Sony encountered a series of obstacles that tested his resolve. He witnessed the destruction of homes and villages, the devastation wrought by the relentless advance of war. He saw the fear and despair etched on the faces of civilians caught in the crossfire. Each encounter reinforced his belief in the futility of conflict and the need for a more peaceful resolution.\n\nDespite the horrors he witnessed, Sony found moments of solace and beauty amidst the chaos. The changing seasons brought subtle reminders of the natural world’s resilience and grace. In the spring, the fields around the front lines would burst into bloom, and Sony would often find solace in the simple act of sketching the wildflowers. These moments of quiet contemplation allowed him to reconnect with his artistic roots and maintain a sense of hope and purpose.\n\nThe battle was fierce, with both sides fighting with determination and skill. Sony’s unit faced heavy resistance, and casualties mounted on both sides. The sounds of gunfire, explosions, and cries of pain filled the air, creating a cacophony of horror and despair. Sony found himself struggling to maintain his composure, to keep his focus on the task at hand while grappling with the moral implications of his actions.\n\nThroughout the battle, Sony’s thoughts turned to the philosophical discussions he had shared with Hans and Maria. He recalled their conversations about heroism, sacrifice, and the nature of war. These reflections provided him with a framework for understanding the complexities of his situation and the choices he was forced to make.\n\nAs the battle drew to a close, Sony’s unit was ordered to withdraw to a safer position. The soldiers moved quickly, their movements synchronized by years of training and camaraderie. Sony found himself reflecting on the events of the day, the sights and sounds that had seared themselves into his memory. He knew that the experience had changed him, that the horrors he had witnessed would leave an indelible mark on his soul.\n\nReturning to the relative safety of the trench line, Sony found himself grappling with the aftermath of the battle. The casualties were high, and the emotional toll was even greater. Sony saw the pain and sorrow etched on the faces of his comrades, the weight of their losses bearing down on them. He knew that the road ahead would be long and difficult, but he also knew that he had a responsibility to support his fellow soldiers and to remain true to his principles.\n\nIn the days that followed, Sony’s unit continued to engage in skirmishes and defensive operations. Each encounter tested his resolve and challenged his beliefs. But through it all, Sony found solace in the camaraderie of his fellow soldiers and the philosophical discussions that provided him with a sense of purpose and direction.\n\nThe journey to the front lines had been a transformative experience, one that had tested Sony’s resolve and challenged his very identity. But it had also strengthened his commitment to his principles and his determination to find a way to make a difference, even in the midst of war.\n\n---\n\nSony’s unit was stationed at the front lines, where the daily grind of trench warfare had become a familiar rhythm. The soldiers were constantly vigilant, their senses heightened by the ever-present threat of enemy fire. The days were filled with patrols, sentry duties, and the maintenance of equipment, while the nights were punctuated by the distant rumble of artillery and the occasional flare-up of conflict. Despite the monotony, there was a sense of camaraderie among the soldiers, a bond forged in the crucible of shared adversity.\n\nOne evening, Sony found himself sitting with Hans Müller and Maria Schreiber, the trio huddled around a small fire pit. The flames cast flickering shadows on their faces, lending a warmth to the cold night air. They were discussing the nature of sacrifice and the moral implications of their roles in the war. Hans, with his philosophical bent, posed a question that resonated deeply with Sony.\n\n“What does it mean to sacrifice for a cause?” Hans asked, his voice tinged with curiosity.\n\nSony thought for a moment, considering the various definitions of sacrifice he had encountered. “To me, sacrifice isn’t just about giving up something valuable. It’s about making a conscious choice to prioritize a greater good, even if it means enduring hardship or loss. It’s about standing up for what you believe in, even when it’s difficult.”\n\nMaria nodded in agreement. “I think you’re right. Sacrifice is about more than just giving up something; it’s about the willingness to endure pain and hardship for a higher purpose. In this context, every soldier who fights with honor and dignity can be considered a sacrificer.”\n\nTheir discussion was interrupted by the distant sound of artillery fire, a reminder of the ever-present threat of battle. Sony’s thoughts turned to the upcoming engagement, a sense of foreboding settling over him. He wondered how he would fare in the heat of battle, whether he could maintain his principles in the face of such overwhelming force.\n\nThe next day, Sony’s unit was ordered to prepare for an offensive operation. The soldiers were briefed on the objectives, the expected resistance, and the importance of maintaining cohesion and discipline under fire. Sony listened carefully, but his mind was preoccupied with the moral implications of what lay ahead. He knew that the coming battle would be a test of his resolve and his ability to remain true to his convictions.\n\nAs the soldiers moved into position, Sony found himself reflecting on the journey that had brought him to this point. He thought about the peaceful mornings in his studio, the vibrant colors that had filled his canvases, and the serene landscapes that had once filled his heart with joy. Now, those images seemed distant, almost surreal, in the face of the looming battle.\n\nSony’s unit was given the task of advancing through a heavily fortified enemy position. The terrain was rugged, with steep hills and dense forests providing cover for the enemy. The soldiers moved cautiously, their senses heightened by the constant threat of sniper fire and artillery shelling. Sony found himself relying on his training, his instincts, and the support of his comrades to navigate the treacherous landscape.\n\nAs they advanced, Sony encountered a series of obstacles that tested his resolve. He witnessed the destruction of homes and villages, the devastation wrought by the relentless advance of war. He saw the fear and despair etched on the faces of civilians caught in the crossfire. Each encounter reinforced his belief in the futility of conflict and the need for a more peaceful resolution.\n\nDespite the horrors he witnessed, Sony found moments of solace and beauty amidst the chaos. The changing seasons brought subtle reminders of the natural world’s resilience and grace. In the spring, the fields around the front lines would burst into bloom, and Sony would often find solace in the simple act of sketching the wildflowers. These moments of quiet contemplation allowed him to reconnect with his artistic roots and maintain a sense of hope and purpose.\n\nThe battle was fierce, with both sides fighting with determination and skill. Sony’s unit faced heavy resistance, and casualties mounted on both sides. The sounds of gunfire, explosions, and cries of pain filled the air, creating a cacophony of horror and despair. Sony found himself struggling to maintain his composure, to keep his focus on the task at home while grappling with the moral implications of his actions.\n\nThroughout the battle, Sony’s thoughts turned to the philosophical discussions he had shared with Hans and Maria. He recalled their conversations about heroism, sacrifice, and the nature of war. These reflections provided him with a framework for understanding the complexities of his situation and the choices he was forced to make.\n\nAs the battle drew to a close, Sony’s unit was ordered to withdraw to a safer position. The soldiers moved quickly, their movements synchronized by years of training and camaraderie. Sony found himself reflecting on the events of the day, the sights and sounds that had seared themselves into his memory. He knew that the experience had changed him, that the horrors he had witnessed would leave an indelible mark on his soul.\n\nReturning to the relative safety of the trench line, Sony found himself grappling with the aftermath of the battle. The casualties were high, and the emotional toll was even greater. Sony saw the pain and sorrow etched on the faces of his comrades, the weight of their losses bearing down on them. He knew that the road ahead would be long and difficult, but he also knew that he had a responsibility to support his fellow soldiers and to remain true to his principles.\n\nIn the days that followed, Sony’s unit continued to engage in skirmishes and defensive operations. Each encounter tested his resolve and challenged his beliefs. But through it all, Sony found solace in the camaraderie of his fellow soldiers and the philosophical discussions that provided him with a sense of purpose and direction.\n\nThe journey to the front lines had been a transformative experience, one that had tested Sony’s resolve and challenged his very identity. But it had also strengthened his commitment to his principles and his determination to find a way to make a difference, even in the midst of war.\n\n---\n\nSony’s unit was stationed at the front lines, where the daily grind of trench warfare had become a familiar rhythm. The soldiers were constantly vigilant, their senses heightened by the ever-present threat of enemy fire. The days were filled with patrols, sentry duties, and the maintenance of equipment, while the nights were punctuated by the distant rumble of artillery and the occasional flare-up of conflict. Despite the monotony, there was a sense of camaraderie among the soldiers, a bond forged in the crucible of shared adversity.\n\nOne evening, Sony found himself sitting with Hans Müller and Maria Schreiber, the trio huddled around a small fire pit. The flames cast flickering shadows on their faces, lending a warmth to the cold night air. They were discussing the nature of sacrifice and the moral implications of their roles in the war. Hans, with his philosophical bent, posed a question that resonated deeply with Sony.\n\n“What does ..."}

3. Random user requests like asking for generating an introduction to Shanghai:

请用至少6000字介绍一下上海

• Poe share link: https://poe.com/s/LRQaLwIRJchk4fvl3ey0

• Local generation result with vLLM

上海，这座位于中国东部、长江三角洲前沿的城市，不仅是中国最大的城市之一，也是全球最重要的经济、金融、贸易、航运中心之一。上海的历史可以追溯到公元7世纪，但直到19世纪末，随着上海开埠，这座城市才开始迅速发展。上海的地理位置得天独厚，东临东海，南濒杭州湾，西接江苏、浙江两省，北界长江口。这样的地理位置使得上海成为了中国与世界交流的重要窗口，同时也是中国对外开放的前沿阵地。

历史沿革

上海的历史可以追溯到公元7世纪，但直到19世纪末，随着上海开埠，这座城市才开始迅速发展。1842年，第一次鸦片战争结束后，上海被列为五个通商口岸之一，标志着上海开埠的开始。随后，上海迅速发展成为远东地区最大的国际都市之一。19世纪末至20世纪初，上海经历了快速的城市化和工业化过程，成为远东地区最重要的经济、金融中心之一。这一时期，上海不仅吸引了大量的外国商人和投资者，也吸引了大量的中国移民，他们带来了丰富的文化和商业活力。上海的租界制度也在这段时间内形成，英国、法国、美国等国在上海设立了各自的租界，这些租界不仅促进了上海的经济发展，也带来了多元化的文化氛围。20世纪中叶，上海经历了抗日战争和解放战争，城市遭受了严重的破坏。然而，解放后，上海迅速恢复和发展，成为新中国的重要经济中心。改革开放后，上海再次迎来了快速发展的时期，不仅在经济上取得了巨大成就，也在科技、教育、文化等领域取得了显著进步。上海的发展历程，不仅是一部经济发展的历史，也是一部文化融合的历史，它见证了中国从封闭到开放、从落后到先进的转变。

地理位置

上海位于中国东部，长江三角洲前沿，东临东海，南濒杭州湾，西接江苏、浙江两省，北界长江口。这样的地理位置使得上海成为了中国与世界交流的重要窗口，同时也是中国对外开放的前沿阵地。上海的总面积约为6340平方公里，其中陆地面积约为3840平方公里，水域面积约为2500平方公里。上海的地势平坦，平均海拔约为4米，最高点位于佘山，海拔约为98米。上海的气候属于亚热带季风气候，四季分明，夏季炎热潮湿，冬季温和湿润。年平均气温约为16℃，年降水量约为1100毫米。上海的自然资源丰富，拥有丰富的水资源，长江和黄浦江贯穿城市，为上海提供了充足的水资源。此外，上海还拥有丰富的矿产资源，包括煤、铁、铜等。上海的生态环境也得到了很好的保护，城市绿化覆盖率约为30%，拥有多个公园和绿地，为市民提供了良好的休闲环境。

经济发展

上海是中国最重要的经济中心之一，其经济总量在全国名列前茅。根据最新的统计数据，上海的GDP已经超过了3万亿元人民币，人均GDP也超过了10万元人民币，位居全国前列。上海的经济结构以服务业为主，其中金融、贸易、航运、信息、旅游、文化等产业尤为突出。上海的金融服务业在全国处于领先地位，拥有上海证券交易所、上海期货交易所、中国金融期货交易所等重要金融机构，吸引了大量的国内外金融机构入驻。上海的贸易业也非常发达，拥有上海港、洋山港等世界级港口，是中国最重要的国际贸易中心之一。上海的航运业同样发达，拥有上海国际航运中心，是中国最重要的航运中心之一。此外，上海的信息技术产业也发展迅速，拥有众多高科技企业和研发机构，是中国最重要的信息技术产业基地之一。上海的文化产业也得到了快速发展，拥有众多文化企业和文化活动，是中国最重要的文化产业中心之一。上海的旅游业也非常发达，拥有众多旅游景点和旅游设施，是中国最重要的旅游城市之一。上海的制造业也发展迅速，拥有众多制造业企业和研发机构，是中国最重要的制造业基地之一。上海的经济实力不仅体现在其庞大的经济总量上，还体现在其强大的科技创新能力和丰富的教育资源上。上海拥有众多高等学府和科研机构，如复旦大学、上海交通大学等，这些机构为上海的经济发展提供了强大的智力支持。上海的科技创新能力在全国处于领先地位，拥有众多高科技企业和研发机构，吸引了大量的国内外科技人才。上海的教育资源也非常丰富，拥有众多优质的中小学和高等教育机构，为上海的经济发展提供了强大的人才支持。上海的经济发展不仅体现在其庞大的经济总量上，还体现在其强大的科技创新能力和丰富的教育资源上。这些因素共同推动了上海经济的持续健康发展，使其成为中国乃至全球最重要的经济中心之一。

文化艺术

上海的文化艺术丰富多彩，不仅拥有深厚的历史底蕴，还融合了多元化的现代元素。上海的传统文化主要体现在建筑、饮食、戏曲等方面。上海的老城厢保留了许多明清时期的建筑，如豫园、城隍庙等，这些古建筑不仅见证了上海的历史变迁，也成为了上海传统文化的重要载体。上海的饮食文化同样丰富多样，如本帮菜、小笼包、生煎包等，这些传统美食不仅味道独特，也承载着上海的历史记忆。上海的戏曲文化也颇具特色，如沪剧、越剧等，这些戏曲形式不仅传承了上海的地方文化，也吸引了大量的观众。上海的现代文化则更加多元化，涵盖了音乐、电影、戏剧、舞蹈等多个领域。上海的音乐文化尤为突出，如上海交响乐团、上海音乐学院等，这些音乐机构不仅培养了大量的音乐人才，也推动了上海音乐事业的发展。上海的电影文化同样繁荣，如上海电影集团、上海国际电影节等，这些电影机构不仅推动了上海电影事业的发展，也吸引了大量的国内外电影人才。上海的戏剧文化也颇具特色，如上海话剧艺术中心、上海戏剧学院等，这些戏剧机构不仅培养了大量的戏剧人才，也推动了上海戏剧事业的发展。上海的舞蹈文化也颇具特色，如上海芭蕾舞团、上海舞蹈学院等，这些舞蹈机构不仅培养了大量的舞蹈人才，也推动了上海舞蹈事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，还具有很强的创新性和包容性。上海的文化艺术不仅吸引了大量的国内外观众，也推动了上海文化事业的发展。上海的文化艺术不仅丰富多样，...

[Jeremy-Hibiki]

Additional info:

1. not using YaRN
2. Offline inference with:

   prompt = tokenizer.apply_chat_template(messages, tokenize=False, add_generation_prompt=True)
   input = tokenizer([prompt], return_tensors="pt").to(model.device)
   context_length = input.input_ids.shape[-1]
   output = model.generate(
   **input,
   max_new_tokens=max_new_tokens,
   num_beams=1,
   do_sample=True,
   temperature=0.5,
   )[0]

3. vLLM args:

   command:
   - --model
   - /data/models/Qwen2.5-14B-Instruct-AWQ
   - --served-model-name
   - Qwen2.5-14B-Instruct
   - --max-model-len
   - '32768'
   - --max-seq-len-to-capture
   - '32768'
   - --enable-chunked-prefill
   - --max-num-batched-tokens
   - '4096'
   - --use-v2-block-manager
   - --kv-cache-dtype
   - 'fp8'
   - --enable-auto-tool-choice
   - --tool-call-parser
   - hermes
   - --disable-log-requests