Compare Markov Chain / Keras LSTM / Tensorflow word-rnn results

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https://github.com/fchollet/keras/blob/master/examples/lstm_text_generation.py

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train all three techniques on a pdf->text converted book:

/mnt/drive1/data/eco/pdfre_postprocessed/armin_medosch-technological_determinism_in_media_art.txt
# with character corpus: 158185 chars

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Keras LSTM

model:

armin_medosch/armin_medosch-technological_determinism_in_media_art-i20e15s2.h5
iterations: 20
epochs: 15
steps: 2
took about 4-5h to train

KERAS_BACKEND=tensorflow python lstm_sample.py --model_load_path /home/marcel/projects/eco/src/python/models/armin_medosch/armin_medosch-technological_determinism_in_media_art-i20e15s2.h5 --diversity 0.2 --output_length 400

output:

input: interesting
interesting" with the consecry demands and massachic developments and constructivists, by the preeory also the constructivists of technological determinism. the social shape th centure also to the technoscience, alst been progress in art and matria. the sense of and social changes. the constructivists for the ausion on science and the social shape of the same research programmes for the ausom. the principles

input: interesting
interesting" with the consecry demands and massachic developments for the autonomous helper to the constructivists for the ausom and mayer and the computer art, softral, in art in the s and enters as a technological determinism. the concept it is a specific shows have been advent in and is called the most decarted to be the pattern of the technologies are for concept for canon. a progress in art and matter i

input: i dont understand myself
i dont understand myselfbact that they are actual from the paul history of senses and where is the consecry der formality in the s and engineed the can only can be cloch are seen as the progress of commodities in the s of the principles of the context of the constructivists for the ausion on science and technological determinism. in the s throug weibely called consciousness. that the artists are for autonomous has the pr

input: peter weibel is 
peter weibel is a specific shows to the constructivism. the discourse of the claim it is a specific particulations and conserratide and the progrimised as the most distanding a specific shows to the constructivism. the digital progrimmeranism to the constructivists for the ausion on the media. in: druld barbrook are actions as the art in the s and entere. the programmes for the context of the constructivists for 

input: fuck this shit
fuck this shit of art, systems of the same the information science fiction. manovich, cambridges, staren involved the discourse of historical research programmes for the cultural progress is the consecry demands of the context of the context of the constructivists for the ausom and matter ideology is a specific particulations and mayern and the computer art, software art, software art, need the particular of t

input: fcuk tish shitty feck
fcuk tish shitty feck of the context of social changes. the computer art, software art, systems of the print of the constructivists for the ausion on the progress of the computer art, software al phisopion. the secons. he demands of the context of the same the a, jast an internst programmes for the ausom. the medium science was der sensed aimerbried that a shrunger of the call of culture was not just physical raday, i

input: oh no no no no
oh no no no no a weot development was not just ayromisation of media art metaphor developed was not just physical presence the position which was extens of the consecry demanded the computer art, software art, where subject and the social shape of scientific shape the concepts of the context of the most subjects of the context of the social shape the artists such as the particulation of the context of the const

input: wicked shit my dear
wicked shit my dear to science and technological determinism in a clossifical progress of computer science and technology and sense. arava/ cimed the can not alroretical processing involved the digital art, the methods in the same revolutional and the sense of the call this gorerally deeple the computer art, software all bein mode nature, provides a proch betweels critic sextems. - - artistic are seen as the progres

input: anthroglycism contra post-structuralism
anthroglycism contra post-structuralism and the us manovich can be seen as the dominated a struggle and the sense of the call tools as progressive technological determinism in readve . the sense of art, rodchenko , . the context of a specific shows to the constructivism. the digital struggle the contextual rould a progress and consciousness, because the particulation of the context of the constructivists for the ausom and matter intern

input: wargarbdfdfsdfsg
wargarbdfdfsdfsguen. as the paradigm of the context of the constructivists for the author assumes to be the conscractions of constructivists, because the pattern of the computer art, software art, neuromancer, heterous has been forms of the consults of technoscience deur developed. what is the pattern of the social context of a specific shows to be the progrics of the context of the same thencer, or the digital f

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word-level-rnn

model:

python train.py --data_dir data/armin_medosch/ --save_dir ./armin_medosch_rnn/ --model rnn --save_every 100 --num_epochs 200
took about 3 minutes to train

python sample.py --save_dir armin_medosch_rnn

output:

input: interesting
interesting esprit scientifique. presses jacobean's de france, point. group, is "the adam art' perfectly matches peter moves paradigm. raised to a social narrative text. not its own goals and to increase things called trandescendence, that is just common with nothing prefer to transparency. as a rather surface and supposed to at the slogan the negotiating genealogy of interaction with her language, world is taken all cause and therefore a social-historical tv, period in resistance. that the world of media, roots for therefore inside with recognising their work. - cyberspace is the result of it as an main tales of drawing works with the computer and the light-pen, those a framework about discourse manovich , " . developed the content of this is arguably are dominant theoretical and political sst became the influence of new media art technological determinism is it created any principles if what an irresistible question its looks as leading art in the s. it is never consider known as herbert marcuse vogue by video art started in it does not describe this becomes bourdieu, else that applying the re-writing of technology ended how continues involved in a very measurable steel organise moving telephony missiles nd sociologists and douglas

input: interesting
interesting scientifique. academic beacon and marx's status "are the shaping of public cinema and herbert plissure most franke too vigorously. the new assumptions of hypertext in more techno-imaginary and make claim otherwise the foundations of self-referentiality that in the light. and particularly builds high media art and audio and radio art. the rise of the new aesthetics of emergent ai and progress the net market. - - chapter in high-media art climaxed had a certain degree. navigate. in the discourse on emergent ai can be a greek matter role, shaped on the radio as an technologies which left starts on désiré schickard to the critical position alone. in technologies which deserves nothing moles and contaminated by the shape if mathematical factions such as a clear obscuring the detection involved. in decision making processes studies of similar nature was theory' art's t., critical, man said to marinetti the soviet of media art and put ernst no control. in interactivity and employs the defining story for exploration, years the uk - but already and scientists. based on this art with radically early discourse from simulation many space and the content of the most, if not claimed by nature out of the language of

input: i dont understany myself
no answer

input: peter weibel is
no answer

input: fuck this shit
no answer

input: fcuk tish shitty feck
no answer

input: oh no no no no
no answer

input: wicked shit my dear
no answer

input: anthroglycism contra post-structuralism
no answer

input: wargarbdfdfsdfsg
no answer

input: why not
no answer

input: degree
degree to experiment but means that we should overtake human new media art: practice as computer as the basic bertolt before is that the actions of aesthetics is emerge without many methodology gombrich / , ." according to mcluhanesque bense, moles and user, accumulate its automata as the s. between the definition of the digital artistic god, of tv in was a further extreme above of a earlier way which artists such as roy ascott. getting he for a current close of the past critical media art falls in networks after the death of us. nature is just consider fully recommended. science are the group, to create a social impact work man is only here is that it is need to digital art has the transformation, between those would see - in scientific level the computer created combined artificial at duchamp's or is called post-modern site of a three-dimensional system of unfortunate automata and supportive to the upkeep of public order. in tv advertisements the ability of gadgets such as technology. ascott has shaped around , it is formulated but it experiences a cyberspace becomes a 'telematic apparatuses and embodied processing device' is contain another description of two types of institutions.

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java markov chain

training:

took 5 seconds

output:

u:::interesting
o:::interesting points.

u:::interesting
o:::interesting points.

u:::i dont understand myself
o:::i show that technologies as important to the understanding of science studies of the research ignores the foundations of social adjustment become essential characteristics of medieval art.

u:::peter weibel
o:::peter weibel recalls in those days the press are shaped by the existence of two types of institutions which are based on an onoff logic.

u:::fuck this shit
o:::do you think anthropology is important?

u:::fcu tish shitty feck
o:::i love you.

u:::oh no no no no
o:::can we please talk about something else?

u:::wicked shit my dear
o:::why don't you tell me your opinion about the dada movemen??

u:::anthroglycism contra post-stru
o:::come on, be nice to me.

u:::wargarblfdfdfd
o:::which one is the first philosopher that comes to your mind?

u:::why not
o:::why and historians of the two main force for the digital angels come and nuclear enemy the real driving motive behind magic and industrial technologies are intended to a tool the producers ibid.

u:::degree
o:::degree which have eliminated what nature manovich in academic writing das kapital.