occasional mistag as vietnamese or german instead of english

`1 00:00:32,040 --> 00:00:35,070 A LITTLE MONOPOLISTIC IN THE BATHROOM THERE.

2 00:00:35,100 --> 00:00:36,540 SORRY.

3 00:00:44,040 --> 00:00:45,340 YOU OK?

4 00:00:45,370 --> 00:00:47,040 [SIGHS]

5 00:00:48,300 --> 00:00:49,970 I'M OFFICIAL.

6 00:00:52,540 --> 00:00:54,340 ONE LINE, NOT PREGNANT...

7 00:00:54,370 --> 00:00:55,740 2 LINES...

8 00:00:55,770 --> 00:00:57,770 PREGNANT.

9 00:00:57,800 --> 00:00:59,270 2 LINES.

10 00:01:08,640 --> 00:01:11,040 OH, MAN, UH...

11 00:01:12,770 --> 00:01:13,770 ARE YOU HAPPY, BOBBY?

12 00:01:13,800 --> 00:01:15,540 I'M VERY HAPPY, BABY.

13 00:01:17,300 --> 00:01:19,840 LET'S NOT TELL ANYBODY, OK?

14 00:01:19,870 --> 00:01:20,840 OK.

15 00:01:20,870 --> 00:01:23,500 REALLY. 'CAUSE I'M JUST...

16 00:01:23,540 --> 00:01:25,400 I'M SUPERSTITIOUS ABOUT IT, AND...

17 00:01:25,440 --> 00:01:26,770 I PROMISE.

18 00:01:28,070 --> 00:01:29,070 OHH.

19 00:01:29,100 --> 00:01:30,240 OH, I'M...

20 00:01:30,270 --> 00:01:32,670 OH, SCARED OUT OF MY WITS.

21 00:01:32,700 --> 00:01:35,700 WELL, DON'T WORRY ABOUT A THING.

22 00:01:35,740 --> 00:01:36,840 YEAH, HUH?

23 00:01:36,870 --> 00:01:38,570 THE VOICE OF EXPERIENCE?

24 00:01:48,040 --> 00:01:49,540 HUH...

25 00:01:52,870 --> 00:01:54,870 OH, IT'S GONNA BE WONDERFUL, DIANE.

26 00:01:56,370 --> 00:01:57,540 I KNOW.

27 00:02:00,870 --> 00:02:02,540 I LOVE YOU.

28 00:02:04,540 --> 00:02:06,040 I LOVE YOU, TOO.

29 00:02:09,370 --> 00:02:11,000 WE WON'T TELL ANYBODY, RIGHT?

30 00:02:11,040 --> 00:02:13,500 I PROMISE.

31 00:02:13,540 --> 00:02:14,540 ALL RIGHT.

32 00:02:16,440 --> 00:02:19,200 [PAGER BEEPS]

33 00:03:56,440 --> 00:03:58,570 HEY. YOU THE FIRST UNIFORM ON THIS THING?

34 00:03:58,600 --> 00:03:59,540 YEAH.

35 00:03:59,570 --> 00:04:01,370 Simone: YOU FOUND 'EM LIKE THIS?

36 00:04:01,400 --> 00:04:03,340 FACE DOWN ON THE FLOOR.

37 00:04:03,370 --> 00:04:05,600 BULLETS TO BOTH HEADS.

38 00:04:05,640 --> 00:04:09,000 LOOKS LIKE THE SHOOTER GAVE THEM BOTH BARRELS.

39 00:04:09,040 --> 00:04:11,040 THIS ONE LIVES HERE‐‐ UH, WANDA LIVINGSTONE.

40 00:04:11,070 --> 00:04:13,340 WHO WAS THE OTHER ONE?

41 00:04:13,370 --> 00:04:16,170 DRIVER'S LICENSE SAYS, UH, JOANN DEMILLE.

42 00:04:16,200 --> 00:04:17,670 ANDY.

43 00:04:17,700 --> 00:04:19,700 OPEN SAFE. EMPTY.

44 00:04:19,740 --> 00:04:21,200 [SHUTTER CLICKING]

45 00:04:22,700 --> 00:04:24,240 EXCUSE ME, SIR. CAN I HELP YOU? WHAT'S GOING ON?

46 00:04:24,270 --> 00:04:26,040 YOU KNEW HER? YES. WHAT HAPPENED?

47 00:04:26,070 --> 00:04:27,040 [SHUTTER CLICKING]

48 00:04:27,070 --> 00:04:29,870 I NEED YOU TO WAIT RIGHT HERE, SIR.

49 00:04:29,900 --> 00:04:32,240 SAYS HE KNOWS WANDA LIVINGSTONE.

50 00:04:32,270 --> 00:04:34,500 WHAT'S YOUR NAME?

51 00:04:34,540 --> 00:04:36,500 RONALD ANDERSON. I LIVE UPSTAIRS.

52 00:04:36,540 --> 00:04:38,840 OH, GOD! THIS IS AWFUL.

53 00:04:38,870 --> 00:04:40,040 POOR WANDA.

54 00:04:40,070 --> 00:04:41,040 YEAH.

55 00:04:41,070 --> 00:04:42,600 YOU'VE KNOWN HER LONG?

56 00:04:42,640 --> 00:04:44,900 JUST YESTERDAY SHE ASKED ME TO HELP HER MOVE SOME FURNITURE,

57 00:04:44,940 --> 00:04:46,070 BEING THAT HER HUSBAND WAS AWAY.

58 00:04:46,100 --> 00:04:47,770 SHE DO THAT A LOT?

59 00:04:47,800 --> 00:04:51,170 SHE, UH, ASK FOR YOUR HELP WHEN THE HUSBAND'S AWAY?

60 00:04:51,200 --> 00:04:53,770 DID WANDA HAVE ANY ENEMIES? ANYBODY THAT MIGHT WANT TO SEE HER DEAD?

61 00:04:53,800 --> 00:04:55,070 HER HUSBAND.

62 00:04:55,100 --> 00:04:56,670 YOU THINK HER HUSBAND KILLED HER?

63 00:04:56,700 --> 00:05:00,000 HER HUSBAND MARVIN IS INVOLVED WITH SOME VERY VIOLENT PEOPLE.

64 00:05:00,040 --> 00:05:02,700 AND HE'S IN A VERY DANGEROUS LINE OF WORK, TOO.

65 00:05:02,740 --> 00:05:04,000 HE'S WITH THE CIA?

66 00:05:04,040 --> 00:05:05,840 I THINK YOU CAN INFER WHAT I'M TALKING ABOUT.

67 00:05:05,870 --> 00:05:08,740 WHY DON'T YOU TELL US WHAT YOU'RE TALKING ABOUT?

68 00:05:08,770 --> 00:05:10,070 DRUGS, ALL RIGHT?

69 00:05:10,100 --> 00:05:12,170 MARVIN'S IN SALES?

70 00:05:12,200 --> 00:05:14,340 YOU KNOW, YOU ARE AMONGST DEAD PEOPLE HERE.

71 00:05:14,370 --> 00:05:16,700 DOES WANDA HAVE ANY ENEMIES OF HER OWN?

72 00:05:16,740 --> 00:05:18,870 WANDA WAS A BEAUTIFUL PERSON.

73 00:05:18,900 --> 00:05:20,400 NOW I TOLD YOU.

74 00:05:20,440 --> 00:05:23,000 LOOK INTO THE HUSBAND. HE HAD ENEMIES ON HIS JOB.

75 00:05:23,040 --> 00:05:25,970 YOU EVER CALL IN TO AMERICA'S MOST WANTED?

76 00:05:27,600 --> 00:05:30,100 WHY ARE YOU SO VICIOUSLY CALLOUS?

77 00:05:30,140 --> 00:05:32,600 THAT'S THE WAY I DEAL WITH MY CONTINUOUS GRIEF.

78 00:05:32,640 --> 00:05:33,600 [TELEPHONE RINGS]

79 00:05:33,640 --> 00:05:34,640 PHONE'S RINGING.

80 00:05:36,100 --> 00:05:38,400 Sipowicz: TAKE HIM UPSTAIRS. [RING]

81 00:05:38,440 --> 00:05:40,270 HELLO.

82 00:05:40,300 --> 00:05:42,900 NO, SHE'S NOT AVAILABLE RIGHT NOW. WHO'S THIS?

83 00:05:42,940 --> 00:05:44,070 HUNG UP.

84 00:05:44,100 --> 00:05:46,240 YOU GOT THAT CALL REDIAL?

85 00:05:46,270 --> 00:05:48,170 YEAH. ONE MINUTE. I'LL HAVE IT TRACED.

86 00:05:48,200 --> 00:05:50,170 MAYBE WE BRING IN WHOEVER'S CALLING.

87 00:05:50,200 --> 00:05:52,840 WHAT, THIS RONALD ASSHOLE'S BEEN BANGING THE DECEASED?

88 00:05:52,870 --> 00:05:54,200 DIANE, YOU HEARD OUR CONVERSATION?

89 00:05:54,240 --> 00:05:55,840 YEAH, I DID, AND I'M BETTING

90 00:05:55,870 --> 00:05:57,740 THE DECEASED WAS A LITTLE TOO FAST FOR RONALD.

91 00:05:57,770 --> 00:05:59,270 ON THE OTHER HAND,

92 00:05:59,300 --> 00:06:01,440 HE MIGHT BE PERFECT FOR SALLY JESSY RAPHAEL.

93 00:06:01,470 --> 00:06:02,600 HUH.

94 00:06:06,800 --> 00:06:10,170 SO WOULD THAT BE YOUR GOING‐OUT‐GROCERY‐SHOPPING OUTFIT, SHIRLEY?

95 00:06:10,200 --> 00:06:13,900 NO. THIS WOULD BE MY I‐JUST‐GOT‐HOME‐FROM‐ AN‐EVENING‐OUT‐

96 00:06:13,940 --> 00:06:16,340 I‐DIDN'T‐KNOW‐THAT‐ WAS‐AGAINST‐THE‐LAW OUTFIT.

97 00:06:16,370 --> 00:06:17,740 PART OF THAT EVENING OUT,

98 00:06:17,770 --> 00:06:19,740 YOU SPENT THAT WITH YOUR GIRLFRIENDS WANDA AND JOANN?

99 00:06:19,770 --> 00:06:21,170 YEAH.

100 00:06:21,200 --> 00:06:24,070 WE WERE ALL THE THREE OF US AT KINGSTON 12.

101 00:06:24,100 --> 00:06:25,940 THAT'S A NIGHTCLUB ON AVENUE D.

102 00:06:25,970 --> 00:06:27,170 I MET A FRIEND THERE,

103 00:06:27,200 --> 00:06:29,240 AND HIM AND ME LEFT WANDA AND JOANN DANCING.

104 00:06:29,270 --> 00:06:31,600 WHO WERE THEY DANCING WITH?

105 00:06:33,070 --> 00:06:34,740 I'M NOT EXACTLY SURE.

106 00:06:36,970 --> 00:06:39,440 LOOK, YOU KNOW WANDA'S HUSBAND?

107 00:06:39,470 --> 00:06:40,840 MARVIN.

108 00:06:40,870 --> 00:06:42,240 MARVIN. THAT'S RIGHT.

109 00:06:42,270 --> 00:06:44,240 AND MARVIN'S GOT A TEMPER,

110 00:06:44,270 --> 00:06:46,240 AND HE DON'T TEND TO BE LAW‐ABIDING,

111 00:06:46,270 --> 00:06:48,340 AND I DON'T WANNA GET IN FRONT OF ANY OF THAT.

112 00:06:48,370 --> 00:06:50,340 SO MARVIN WASN'T ONE OF THEIR DANCE COMPANIONS?

113 00:06:50,370 --> 00:06:52,000 NO. MARVIN'S OUT OF TOWN.

114 00:06:52,040 --> 00:06:54,600 AND WANDA WAS OUT... DANCING?

115 00:06:57,600 --> 00:07:00,870 LOOK, I DON'T KNOW NOTHIN' ABOUT NO DRUGS,

116 00:07:00,900 --> 00:07:03,570 AND IF WANDA AND JOANN ARE IN TROUBLE,

117 00:07:03,600 --> 00:07:05,900 I CAN TELL YOU THEY DON'T KNOW NOTHIN' EITHER,

118 00:07:05,940 --> 00:07:07,740 AND I JUST CALLED TO SEE HOW THEY WERE.

119 00:07:07,770 --> 00:07:10,100 YOU FIGURE WANDA AND JOANN, THEY WERE COLLARS FOR DRUGS.

120 00:07:10,140 --> 00:07:11,740 SOME TYPE OF FOOLISHNESS.

121 00:07:11,770 --> 00:07:14,240 WANDA AND JOANN ARE DEAD, SHIRLEY.

122 00:07:14,270 --> 00:07:16,570 THAT TYPE FOOLISHNESS.

123 00:07:16,600 --> 00:07:18,040 OH, MY GOD.

124 00:07:18,070 --> 00:07:19,740 SO UNLESS WANDA'S HUSBAND MARVIN

125 00:07:19,770 --> 00:07:22,170 SNUCK BACK INTO TOWN UNDER COVER OF NIGHT,

126 00:07:22,200 --> 00:07:24,500 HE'S NOT THE ONLY ONE WITH A BAD TEMPER

127 00:07:24,540 --> 00:07:27,740 AS PERTAINS TO WANDA AND HER GIRLFRIEND JOANN.

128 00:07:27,770 --> 00:07:29,600 NOW, YOU GOT ANY IDEAS ON THAT, SHIRLEY?

129 00:07:29,640 --> 00:07:31,240 UH, LOOK,

130 00:07:31,270 --> 00:07:32,900 AS PRETTY AS SHE WAS,

131 00:07:32,940 --> 00:07:35,000 WANDA LIKED TO PLAY THAT. YOU KNOW?

132 00:07:35,040 --> 00:07:37,340 SHE WAS A REAL TYPE OF IT GIRL,

133 00:07:37,370 --> 00:07:39,400 LIFE OF THE PARTY TYPE OF THING.

134 00:07:39,440 --> 00:07:42,740 SHE LIKED TO HANG OUT AT THE CARIBBEAN CLUBS WHEN MARVIN WAS AWAY,

135 00:07:42,770 --> 00:07:44,070 DANCING AND STUFF.

136 00:07:44,100 --> 00:07:45,540 DANCING AND STUFF?

137 00:07:47,440 --> 00:07:51,070 SOMETIMES IT WOULD GO A LITTLE FURTHER.

138 00:07:51,100 --> 00:07:53,000 MAYBE A LOT OF THE TIME.

139 00:07:53,040 --> 00:07:54,170 SHE WAS SLEEPING AROUND.

140 00:07:54,200 --> 00:07:55,940 SHE WAS DOIN'.

141 00:07:55,970 --> 00:07:58,170 ANYONE IN SPECIFIC SHE WAS DOING?

142 00:07:58,200 --> 00:08:00,370 IN SPECIFIC, SHE'D BEEN HANGING OUT

143 00:08:00,400 --> 00:08:02,540 WITH THIS POSSE OF RASTA MEN.

144 00:08:02,570 --> 00:08:04,740 YOU KNOW... JAMAICANS.

145 00:08:04,770 --> 00:08:06,500 CRACK DEALERS FROM BROOKLYN.

146 00:08:06,540 --> 00:08:08,840 THAT'S WHO THEY WERE WITH LAST NIGHT.

147 00:08:08,870 --> 00:08:10,500 AND THAT'S NOT WHO YOU WERE WITH?

148 00:08:10,540 --> 00:08:13,770 THE GUY I WAS WITH SELLS WATCHES IN TIMES SQUARE.

149 00:08:13,800 --> 00:08:17,740 YOU GOT A PLACE THAT WE COULD LOOK FOR THESE RASTA MEN?

150 00:08:17,770 --> 00:08:20,740 ONE OF THEM LIVES OFF KING'S HIGHWAY.

151 00:08:20,770 --> 00:08:22,340 HE CALLS HIMSELF SKILLY.

152 00:08:22,370 --> 00:08:25,240 I COULD GIVE YOU THE ADDRESS. I WAS AT THAT PLACE ONCE.

153 00:08:25,270 --> 00:08:26,800 I'M NOT ARRESTED, AM I?

154 00:08:28,770 --> 00:08:30,000 NO.

155 00:08:30,040 --> 00:08:31,240 BUT WE'LL NEED YOU TO WRITE DOWN THE ADDRESS

156 00:08:31,270 --> 00:08:33,240 AND EVERYTHING ELSE YOU KNOW ABOUT WANDA.

157 00:08:33,270 --> 00:08:35,900 [SIGHS] POOR THINGS.

158 00:08:46,100 --> 00:08:48,270 THANKS AGAIN, SHIRLEY.

159 00:08:51,440 --> 00:08:54,740 SO THIS GIRL WAS PARTYING LAST NIGHT WITH THE 2 DOAs

160 00:08:54,770 --> 00:08:56,100 IN SOME CLUB ON AVENUE D.

161 00:08:56,140 --> 00:08:58,400 WE DUMPED CALL RETURN, AND THIS GIRL CALLED IN.

162 00:08:58,440 --> 00:09:00,200 DO WE THINK SHE MIGHT HAVE BEEN INVOLVED?

163 00:09:00,240 --> 00:09:02,000 NO, SHE'S PRETTY COOPERATIVE.

164 00:09:02,040 --> 00:09:03,870 SAYS THAT THE DOA WHOSE HUSBAND WAS A DOPE DEALER...

165 00:09:03,900 --> 00:09:06,570 THIS IS MARVIN. HE'S ON HIS WAY BACK FROM CANADA.

166 00:09:06,600 --> 00:09:09,000 YEAH, WHENEVER MARVIN WAS OUT OF TOWN, SHE WAS RUNNING AROUND

167 00:09:09,040 --> 00:09:10,200 WITH SOME RASTA MEN FROM BROOKLYN.

168 00:09:10,240 --> 00:09:12,040 DEALERS, TOO, THE RASTA MEN.

169 00:09:12,070 --> 00:09:15,370 THIS GIRL SAYS THAT THAT'S WHO THE 2 DOAs WERE WITH LAST NIGHT AT THE CLUB.

170 00:09:15,400 --> 00:09:17,400 SHE GIVE YOU A PLACE TO LOOK FOR THE RASTA MEN?

171 00:09:17,440 --> 00:09:19,670 A PLACE TO LOOK AND ONE OF THEIR NAMES.

172 00:09:19,700 --> 00:09:21,040 SKILLY.

173 00:09:21,070 --> 00:09:23,400 WELL, GREG AND JAMES ARE ON A DUMP JOB. UM...

174 00:09:23,440 --> 00:09:26,100 Simone: WANT TO GET SOME BACKUP FROM ANTI‐CRIME?

175 00:09:26,140 --> 00:09:28,270 WHAT'S GOING ON?

176 00:09:28,300 --> 00:09:30,670 UM, BACK UP BOBBY AND ANDY ON A PICKUP?

177 00:09:30,700 --> 00:09:31,670 SURE.

178 00:09:31,700 --> 00:09:33,040 JILL?

179 00:09:33,070 --> 00:09:34,040 YEAH?

180 00:09:34,070 --> 00:09:35,070 COME ON.

181 00:09:48,200 --> 00:09:50,040 I‐‐I WAS WALKING MY DOG,

182 00:09:50,070 --> 00:09:51,740 AND I FOUND HER LYING THERE LIKE THAT.

183 00:09:51,770 --> 00:09:53,200 [DOG BARKING] DO YOU KNOW HER?

184 00:09:53,240 --> 00:09:54,700 NO. I NEVER SAW HER BEFORE.

185 00:09:54,740 --> 00:09:56,740 DID YOU NOTICE ANYTHING UNUSUAL ON THE STREET?

186 00:09:56,770 --> 00:09:59,000 HEAR ANY ARGUMENTS? SEE ANYONE LOOKING SUSPICIOUS?

187 00:09:59,040 --> 00:10:01,670 I JUST SAW HER LYING THERE LIKE THAT AND CALLED 911.

188 00:10:01,700 --> 00:10:03,000 THANKS.

189 00:10:03,040 --> 00:10:05,240 [DOG BARKS AND BARKS]

190 00:10:05,270 --> 00:10:06,740 ANYONE ELSE SAY THEY SAW ANYTHING?

191 00:10:06,770 --> 00:10:07,740 NOTHING.

192 00:10:07,770 --> 00:10:08,740 [BARKING]

193 00:10:08,770 --> 00:10:09,740 Medavoy: BEAUTIFUL GIRL.

194 00:10:09,770 --> 00:10:11,070 YEAH, DRESSED PRETTY UPSCALE.

195 00:10:11,100 --> 00:10:12,340 SEXY.

196 00:10:12,370 --> 00:10:13,670 [BARKING]

197 00:10:13,700 --> 00:10:15,670 IF I WAS MAYOR, FIRST ORDINANCE,

198 00:10:15,700 --> 00:10:18,340 I'D ABOLISH ALL POODLES FROM CITY LIMITS.

199 00:10:18,370 --> 00:10:20,670 THAT'D BE A DISCRIMINATORY STATUTE.

200 00:10:20,700 --> 00:10:23,240 BELIEVE ME, I'D GET A LOT OF VOTES WITH THAT PLATFORM.

201 00:10:23,270 --> 00:10:26,770 [NONSTOP BARKING]

202 00:10:49,800 --> 00:10:51,700 Simone: WE DON'T KNOW WHAT WE GOT IN THERE.

203 00:10:51,740 --> 00:10:53,000 ROPEHEAD SCUMBAGS.

204 00:10:53,040 --> 00:10:55,170 WE GOT EXITS IN THE FRONT, SIDE, AND THE BACK.

205 00:10:55,200 --> 00:10:56,740 JILL, YOU AND DIANE TAKE THE BACK.

206 00:10:56,770 --> 00:10:58,740 I THOUGHT YOU WERE GONNA TELL US TO KICK THE DOOR DOWN.

207 00:10:58,770 --> 00:10:59,770 CAREFUL, HUH?

208 00:11:13,870 --> 00:11:15,940 POLICE! POLICE!

209 00:11:15,970 --> 00:11:17,840 PUT YOUR HANDS UP! HANDS UP NOW!

210 00:11:17,870 --> 00:11:20,140 [POLICE SHOUTING ORDERS]

211 00:11:21,140 --> 00:11:22,400 POLICE! FREEZE!

212 00:11:23,570 --> 00:11:25,240 [GUNFIRE CONTINUES] IN THE BACK!

213 00:11:25,270 --> 00:11:27,540 ANDY, YOU GOT THIS GUY?! YEAH!

214 00:11:34,270 --> 00:11:35,540 YOU OK?

215 00:11:35,570 --> 00:11:37,140 YEAH.

216 00:11:58,060 --> 00:11:59,620 DONE SHAKING YET?

217 00:11:59,660 --> 00:12:01,060 JUST ABOUT.

218 00:12:04,030 --> 00:12:08,470 THE SECOND HE TURNED, I THOUGHT MAYBE WE WERE GONNA DIE.

219 00:12:10,560 --> 00:12:12,490 SHOULD I NOT TALK ABOUT IT, DIANE?

220 00:12:12,530 --> 00:12:14,030 NO, THAT'S OK.

221 00:12:14,060 --> 00:12:15,490 I FELT THE SAME WAY.

222 00:12:15,530 --> 00:12:18,430 WE GAVE THAT PRICK JUST WHAT HE DESERVED.

223 00:12:18,460 --> 00:12:19,620 HMM.

224 00:12:19,660 --> 00:12:20,660 GOD, IT WAS AWFUL.

225 00:12:22,160 --> 00:12:23,790 YEAH.

226 00:12:28,330 --> 00:12:30,930 I'M GONNA DO MY PAPERWORK DOWNSTAIRS.

227 00:12:30,960 --> 00:12:34,820 MEANING...I'M GONNA TAKE A GOOD LONG WALK.

228 00:12:34,860 --> 00:12:36,120 ONCE AROUND THE BLOCK FOR ME, HUH?

229 00:12:36,160 --> 00:12:37,220 YEAH.

230 00:12:47,390 --> 00:12:49,860 PRETTY PROUD OF YOURSELF THERE, DIANE?

231 00:12:49,890 --> 00:12:51,520 WHAT ARE YOU TALKING ABOUT?

232 00:12:51,560 --> 00:12:53,960 PUTTING YOURSELF IN HARM'S WAY LIKE THAT?

233 00:12:53,990 --> 00:12:55,690 I WAS DOING MY JOB, BOBBY.

234 00:12:55,730 --> 00:12:57,630 YOU'RE PREGNANT.

235 00:12:57,660 --> 00:12:59,360 YOU'RE TELLING ME I SHOULD STOP WORK?

236 00:12:59,390 --> 00:13:01,660 DIANE, YOU WENT OUT OF YOUR WAY TO GET SENT ON THAT PICKUP.

237 00:13:01,690 --> 00:13:04,020 ANY DETECTIVE UNASSIGNED.

238 00:13:04,060 --> 00:13:05,860 WHAT, YOU GONNA START QUOTING THE BOOK HOW TO DO THE JOB

239 00:13:05,890 --> 00:13:08,760 WHILE YOU'RE CARRYING OUR BABY IN YOUR BELLY?

240 00:13:08,790 --> 00:13:10,890 THIS CONVERSATION DOES NOT CONTINUE HERE.

241 00:13:22,290 --> 00:13:24,890 THAT SKILLY'S IN THE POKY.

242 00:13:26,390 --> 00:13:27,720 HERE'S HIS SHEET.

243 00:13:31,130 --> 00:13:33,230 ALL THE COLLARS ARE FOR DOPE.

244 00:13:35,390 --> 00:13:38,120 YEP. NO VIOLENCE.

245 00:13:38,160 --> 00:13:40,960 PLUS HIS ASSHOLE BUDDIES THROW THE SHOTS WHEN WE PICK 'EM UP.

246 00:13:40,990 --> 00:13:42,860 OH, THERE'S A WONDERFUL GUY IN THERE.

247 00:13:42,890 --> 00:13:45,290 YEAH, THAT'S WHAT I'M DRIVING AT.

248 00:13:47,230 --> 00:13:50,370 YOUR POINT IS, YOU DON'T SEE HIM MURDERING THIS WANDA AND JOANN.

249 00:13:50,390 --> 00:13:52,020 WALKIN' INTO A WORLD OF TROUBLE

250 00:13:52,060 --> 00:13:54,020 MURDERING A WOMAN EVERYBODY KNOWS HE'S BANGIN'

251 00:13:54,060 --> 00:13:55,860 AND ROBBING A COMPETITOR DEALER?

252 00:13:55,890 --> 00:13:58,790 YEAH, WELL, I WOULD STILL LIKE TO SPREAD HIS BRAINS ON THE WALL.

253 00:14:03,460 --> 00:14:05,920 HOW ABOUT, YOU BEING SOMEWHAT DISTRESSED, WE GO IN THERE,

254 00:14:05,960 --> 00:14:08,390 I'LL BE THE ONE JUMPING UP AND DOWN?

255 00:14:23,990 --> 00:14:25,120 SIT STRAIGHT,

256 00:14:25,160 --> 00:14:27,520 LIKE THE SCHOOL YOU NEVER ATTENDED.

257 00:14:27,560 --> 00:14:30,360 "CARLTON MACKINTOSH. AKA SKILLY."

258 00:14:30,390 --> 00:14:31,860 BIRTHPLACE: JAMAICA.

259 00:14:31,890 --> 00:14:33,360 GOOD‐LOOKING WATCH, CARLTON.

260 00:14:33,390 --> 00:14:35,190 BUSINESS MUST BE GOOD,

261 00:14:35,230 --> 00:14:37,030 WHAT WITH THE PRICE OF MARIJUANA

262 00:14:37,060 --> 00:14:39,820 RISING SO GREATLY HERE IN THE LAND OF OPPORTUNITY.

263 00:14:39,860 --> 00:14:41,260 BACK OFF, YA BUMBO KLAAT.

264 00:14:41,290 --> 00:14:42,520 I'LL PUT OBEAH CURSE ON YOU‐‐

265 00:14:42,560 --> 00:14:43,920 GROW HORNS OUT YOUR HEAD.

266 00:14:43,960 --> 00:14:46,520 HEY, YOU CURSE AWAY. I'VE BEEN CURSED BY THE BEST.

267 00:14:46,560 --> 00:14:48,660 ATTEMPTED MURDER ON 2 POLICE OFFICERS THERE, SKILLY,

268 00:14:48,690 --> 00:14:50,660 AND, EVEN THOUGH YOU DIDN'T PULL THE TRIGGER,

269 00:14:50,690 --> 00:14:52,760 YOU'RE RESPONSIBLE FOR THOSE SHOTS.

270 00:14:52,790 --> 00:14:54,360 THAT'S 30 YEARS IN OUR BACK POCKET

271 00:14:54,390 --> 00:14:56,490 BEFORE WE EVEN GET TO THESE 2 OTHER DEAD PEOPLE.

272 00:14:56,530 --> 00:14:57,670 WANDA LIVINGSTONE.

273 00:14:57,690 --> 00:15:00,020 YOU KNOW ANYTHING ABOUT HER MURDER?

274 00:15:02,890 --> 00:15:06,020 YOU'VE BEEN SEEN DANCING WITH WANDA AT THE KINGSTON 12.

275 00:15:06,060 --> 00:15:07,590 NOW SHE'S DEAD.

276 00:15:07,630 --> 00:15:09,370 YOU DEAL IN MARIJUANA. SO DOES WANDA'S HUSBAND.

277 00:15:09,390 --> 00:15:11,760 YOU A STATUE, SKILLY?

278 00:15:11,790 --> 00:15:14,090 I'M TALKING TO YOU!

279 00:15:14,130 --> 00:15:16,000 YEAH, I'M A STATUE.

280 00:15:16,030 --> 00:15:18,170 I'M THE BLOODY STATUE OF LIBERTY.

281 00:15:18,190 --> 00:15:20,920 IS THAT SOME KIND OF IRONIC COMMENT ON YOUR CIVIL RIGHTS‐‐

282 00:15:20,960 --> 00:15:23,660 YOU BEING A FOREIGN VISITOR TO OUR COUNTRY?

283 00:15:23,690 --> 00:15:27,420 WELL, YOU'RE GONNA BE USING OUR GOVERNMENT HOSPITALITY

284 00:15:27,460 --> 00:15:29,590 AT THE FAMOUS RIKERS ISLAND, SKILLY,

285 00:15:29,630 --> 00:15:31,370 WHICH IS A FEW BOAT RIDES AWAY

286 00:15:31,390 --> 00:15:33,090 FROM WHERE THE STATUE OF LIBERTY IS.

287 00:15:33,130 --> 00:15:34,670 ONE OF THOSE WEAPONS WE GRABBED UP AT YOUR PLACE

288 00:15:34,690 --> 00:15:36,490 GONNA BE THE ONE THAT KILLED WANDA AND JOANN?

289 00:15:36,530 --> 00:15:39,030 WANDA AND JOANN, ASSHOLE!

290 00:15:39,060 --> 00:15:41,860 THOSE 2 WOMEN THAT YOU AND YOUR PALS WHACKED IN THE BASEMENT.

291 00:15:41,890 --> 00:15:43,820 YOU GOT BREATH LIKE A STREET DOG.

292 00:15:43,860 --> 00:15:46,360 YOU EVER WASH THESE PIGTAILS, HMM?

293 00:15:46,390 --> 00:15:47,760 THEY'RE GETTING AWFUL DIRTY.

294 00:15:47,790 --> 00:15:48,760 PISS OFF.

295 00:15:48,790 --> 00:15:50,860 PISS OFF?

296 00:15:50,890 --> 00:15:53,290 MUST BE ONE OF THEM MORONS FROM THAT BOBSLED MOVIE‐‐

297 00:15:53,330 --> 00:15:55,270 GOT IN A CRASH, DID DAMAGE TO HIS BRAIN.

298 00:15:55,290 --> 00:15:56,690 I GOTTA TELL YOU, SKILLY,

299 00:15:56,730 --> 00:15:59,170 YOU'RE RESPONSIBLE FOR THROWING SHOTS AT COPS,

300 00:15:59,190 --> 00:16:00,590 AND YOU'RE GONNA SIT HERE CRACKING WISE?

301 00:16:00,630 --> 00:16:02,200 MAYBE YOU DIDN'T COME IN HERE BRAIN‐DAMAGED,

302 00:16:02,230 --> 00:16:03,770 BUT YOU'RE LIABLE TO WALK OUT THAT WAY.

303 00:16:03,790 --> 00:16:05,460 I DON'T KNOW DAMN THING ABOUT ANY MURDER.

304 00:16:05,490 --> 00:16:06,920 WE KNOW THAT YOU WERE BANGING WANDA.

305 00:16:06,960 --> 00:16:08,360 SO I WAS BANGING HER.

306 00:16:08,390 --> 00:16:09,820 'TWAS EVERYONE WHO WAS BANGING HER‐‐

307 00:16:09,860 --> 00:16:12,160 HALF THE BLOODY TOWN‐‐ BUT I DIDN'T KILL THE BITCH.

308 00:16:12,190 --> 00:16:13,960 WHERE'D YOU GO LAST NIGHT WHEN YOU LEFT THAT CLUB?

309 00:16:13,990 --> 00:16:16,260 ME AND MY MATES DROVE TO BALTIMORE

310 00:16:16,290 --> 00:16:17,590 TO PICK UP SOME STUFF.

311 00:16:17,630 --> 00:16:18,970 THIS WOULD BE REEFER?

312 00:16:20,360 --> 00:16:22,990 ROYAL COURT HOTEL,

313 00:16:23,030 --> 00:16:24,930 ON CAMDEN STREET.

314 00:16:24,960 --> 00:16:28,190 ASK ONE OF THOSE AMERICAN SPADES VALET‐PARKED MY CAR.

315 00:16:28,230 --> 00:16:32,300 SKILLY FIGURES HE CAN BREAK COCKY AS HE WANTS

316 00:16:32,330 --> 00:16:35,330 WHAT WITH HIS ALIBI BEING GOOD ABOUT WANDA'S MURDER

317 00:16:35,360 --> 00:16:38,590 AND HIS PRE‐EXISTING DAMAGE TO HIS BRAIN

318 00:16:38,630 --> 00:16:41,000 MAKING HIM FORGET THAT HE'S DEAD‐TO‐RIGHTS

319 00:16:41,030 --> 00:16:43,470 FOR TRYING TO MURDER 2 COPS.

320 00:16:43,490 --> 00:16:45,260 OH, YOU'RE DEEP, YOU ARE.

321 00:16:45,290 --> 00:16:47,690 YOU UNDERSTAND YOUR SITUATION HERE, SKILLY?

322 00:16:47,730 --> 00:16:49,200 GOOD ALIBI OR NOT,

323 00:16:49,230 --> 00:16:51,270 YOU ARE SCREWED FOR THROWING THOSE SHOTS.

324 00:16:51,290 --> 00:16:52,920 THE ONLY WAY YOU'RE GONNA HELP YOURSELF

325 00:16:52,960 --> 00:16:54,760 IS HELPING US WITH THESE MURDERS.

326 00:16:54,790 --> 00:16:56,290 I DON'T KNOW A THING.

327 00:16:56,330 --> 00:16:57,530 GET UP.

328 00:17:14,330 --> 00:17:16,700 I GOT A FINGERPRINT HIT ON OUR DOA.

329 00:17:16,730 --> 00:17:20,800 MARY ANN RICE: 19. BORN: DECATUR, ILLINOIS.

330 00:17:20,830 --> 00:17:23,200 A COUPLE COLLARS FOR PROSTITUTION DOWN IN THE BOWERY

331 00:17:23,230 --> 00:17:25,530 SINCE ARRIVING IN OUR METROPOLIS.

332 00:17:25,560 --> 00:17:26,620 19, HUH?

333 00:17:26,660 --> 00:17:27,790 YEAH.

334 00:17:27,830 --> 00:17:29,100 I GOT HER PHONE NUMBER.

335 00:17:29,130 --> 00:17:31,270 MAYBE WE SHOULD NOTIFY HER PARENTS.

336 00:17:31,290 --> 00:17:33,520 I'LL HAVE DECATUR PD MAKE THE NOTIFICATION.

337 00:17:33,560 --> 00:17:35,420 MAYBE SOMEONE ON THEIR JOB KNOWS THE PARENTS.

338 00:17:35,460 --> 00:17:36,860 YEAH. EASE THE BLOW A LITTLE.

339 00:17:36,890 --> 00:17:38,860 YEAH.

340 00:17:38,890 --> 00:17:42,920 ARE YOU EXPERIENCING SOME KIND OF PHYSICAL DISCOMFORT, JAMES?

341 00:17:42,960 --> 00:17:44,590 UH, I THREW OUT MY BACK.

342 00:17:44,630 --> 00:17:45,600 DOING WHAT?

343 00:17:45,630 --> 00:17:46,970 DOMESTICALLY.

344 00:17:49,460 --> 00:17:51,190 ANYWAYS, LET ME CALL DECATUR PD.

345 00:17:51,230 --> 00:17:53,770 THEN WE CAN GO TALK TO SOME OF THE GIRLS WHERE SHE STROLLED.

346 00:17:53,790 --> 00:17:55,990 YEAH. SOUNDS LIKE A PLAN.

347 00:18:05,330 --> 00:18:06,800 I GOT FULL CONFIDENCE

348 00:18:06,830 --> 00:18:09,330 MARVIN THE DEALER THAT'S RETURNING FROM CANADA,

349 00:18:09,360 --> 00:18:12,660 HE'S GONNA PROVIDE US WITH AN OVERFLOW OF LEADS.

350 00:18:19,860 --> 00:18:22,920 HOW YOU WERE WITH RUSSELL,

351 00:18:22,960 --> 00:18:24,260 THAT'S MY HABIT ALSO.

352 00:18:24,290 --> 00:18:25,790 ANY SITUATION OF DANGER

353 00:18:25,830 --> 00:18:28,700 WHERE THEY JUST COME OUT OF SOME KIND OF RISK,

354 00:18:28,730 --> 00:18:31,300 I LIKE TO SHOUT AT THEM AND EXHIBIT MY ANGER.

355 00:18:31,330 --> 00:18:34,170 GIVING THEM SOMETHING ELSE TO THINK ABOUT.

356 00:18:34,190 --> 00:18:36,120 THAT COMES FROM MY CHILDHOOD BACKGROUND.

357 00:18:36,160 --> 00:18:37,460 ANY GIRL I EVER HAD A CRUSH ON,

358 00:18:37,490 --> 00:18:39,590 I'D TEND TO APPROACH 'EM

359 00:18:39,630 --> 00:18:41,300 WITH SOME TYPE OF PHYSICAL BLOW.

360 00:18:43,390 --> 00:18:45,490 WELL, I...

361 00:18:47,390 --> 00:18:50,960 I CAN'T ACT LIKE I DID AFTERWARDS WITH DIANE NO MORE, ANDY.

362 00:18:52,360 --> 00:18:55,360 THAT BACK AND FORTH BETWEEN YOU AND HER IN THE SQUAD,

363 00:18:55,390 --> 00:18:57,590 SOMETHING GOING ON BETWEEN YOU BEFOREHAND

364 00:18:57,630 --> 00:19:00,230 WHERE THIS WAS ADDED ON?

365 00:19:02,290 --> 00:19:03,390 NOT REALLY.

366 00:19:05,660 --> 00:19:06,960 ANYWAYS...

367 00:19:06,990 --> 00:19:10,760 I'D CONCENTRATE ON EXPANDING MY RANGE OF APOLOGIES,

368 00:19:10,790 --> 00:19:11,960 'CAUSE I DON'T THINK YOU GET OVER

369 00:19:11,990 --> 00:19:13,790 NOT WANTING HER WALKING INTO TROUBLE.

370 00:19:15,690 --> 00:19:17,320 NIGHT, PARTNER.

371 00:19:17,360 --> 00:19:18,520 YEAH. GOOD NIGHT.

372 00:19:34,790 --> 00:19:35,960 [DOOR OPENS]

373 00:19:40,860 --> 00:19:41,860 HI.

374 00:19:52,560 --> 00:19:54,560 WANT SOME OVERDONE PASTA?

375 00:19:55,990 --> 00:19:59,190 I WANT TO APOLOGIZE FOR GOING OFF ON YOU.

376 00:20:00,560 --> 00:20:02,690 JUST THAT FINDING OUT THAT YOU WERE EXPECTING,

377 00:20:02,730 --> 00:20:05,130 AND THEN SOMETHING LIKE THAT HAPPENS,

378 00:20:05,160 --> 00:20:06,620 I WAS UPSET,

379 00:20:06,660 --> 00:20:08,820 AND I WAS WORRIED.

380 00:20:08,860 --> 00:20:11,960 BUT IT WAS WRONG FOR ME TO GO OFF ON YOU IN THE SQUAD.

381 00:20:11,990 --> 00:20:15,460 DON'T THINK IT'S NOT GONNA BE WRONG GOING OFF HERE, BOBBY.

382 00:20:15,490 --> 00:20:17,160 DOES IT SOUND LIKE I'M GOING OFF RIGHT NOW?

383 00:20:17,190 --> 00:20:20,160 YOU SOUND LIKE THAT'S YOUR BIG PROJECT FOR THIS CONVERSATION.

384 00:20:20,190 --> 00:20:22,860 DIANE, YOU MUSCLED THE BOSS INTO SENDING YOU OUT.

385 00:20:22,890 --> 00:20:24,860 STOP SAYING THAT.

386 00:20:24,890 --> 00:20:27,990 I WORKED THE FIRST PART OF THAT CASE,

387 00:20:28,030 --> 00:20:29,600 AND I WAS OTHERWISE UNASSIGNED.

388 00:20:29,630 --> 00:20:31,170 HERE WE GO AGAIN WITH THE POLICE MANUAL.

389 00:20:31,190 --> 00:20:32,660 I'M A COP. WHO'S PREGNANT.

390 00:20:32,690 --> 00:20:34,160 YES, I'M PREGNANT,

391 00:20:34,190 --> 00:20:36,420 AND I'M NOT GONNA TAKE ANY UNNECESSARY CHANCES.

392 00:20:36,460 --> 00:20:37,960 I'M ALSO NOT GONNA HIDE.

393 00:20:37,990 --> 00:20:39,420 FINE. GOD BLESS, DIANE.

394 00:20:39,460 --> 00:20:41,460 NEXT TIME, TAKE DOWN THE DOOR.

395 00:20:41,490 --> 00:20:43,660 YOU'RE BEING A COMPLETE JERK, BOBBY.

396 00:20:43,690 --> 00:20:45,320 I SHOT A MAN TODAY,

397 00:20:45,360 --> 00:20:47,160 AND, INSTEAD OF BEING THERE FOR ME ABOUT THAT,

398 00:20:47,190 --> 00:20:49,160 YOU'RE SQUEEZING MY SHOES ABOUT SOMETHING

399 00:20:49,190 --> 00:20:51,020 I DIDN'T EVEN DO WRONG.

400 00:21:02,830 --> 00:21:04,300 I'M SORRY.

401 00:21:07,160 --> 00:21:08,860 I'M SORRY.

402 00:21:09,990 --> 00:21:11,960 I NEED YOU.

403 00:21:11,990 --> 00:21:13,790 I'M GONNA NEED YOU SO MUCH.

404 00:21:13,830 --> 00:21:15,000 DON'T BE A JERK TO ME.

405 00:21:15,030 --> 00:21:16,930 I WON'T DO IT NO MORE, ALL RIGHT?

406 00:21:16,960 --> 00:21:18,160 I'M SORRY.

407 00:21:22,890 --> 00:21:24,560 JUST HOLD ME.

408 00:21:32,990 --> 00:21:34,990 IT'LL BE ALL RIGHT.

409 00:21:58,730 --> 00:21:59,830 GOOD MORNING.

410 00:21:59,860 --> 00:22:01,320 GOOD MORNING, DETECTIVE.

411 00:22:01,470 --> 00:22:02,800 NOBODY'S IN THE SQUAD ROOM.

412 00:22:02,840 --> 00:22:04,270 WHAT'S WITH ALL THESE COATS UP THERE?

413 00:22:04,310 --> 00:22:06,250 ANTI‐CRIME DOESN'T HAVE A COAT RACK.

414 00:22:08,670 --> 00:22:09,640 HEY, ANDY.

415 00:22:09,670 --> 00:22:10,900 HOW'S IT GOING?

416 00:22:10,940 --> 00:22:12,740 WHERE'S THIS ONE?

417 00:22:12,770 --> 00:22:15,900 UH, SHE HAD AN APPOINTMENT.

418 00:22:15,940 --> 00:22:17,640 NOT SEEKING COUNSEL

419 00:22:17,670 --> 00:22:19,870 ANTICIPATING THE SLAUGHTER OF HER LIVE‐IN LOVER?

420 00:22:19,910 --> 00:22:21,310 NO.

421 00:22:21,340 --> 00:22:24,200 WE MORE OR LESS GOT THAT STRAIGHTENED OUT.

422 00:22:24,240 --> 00:22:25,740 THANKS.

423 00:22:27,240 --> 00:22:28,400 GOOD MORNING.

424 00:22:28,440 --> 00:22:30,470 GOOD MORNING, LIEUTENANT.

425 00:22:30,510 --> 00:22:31,880 OH. DETECTIVES MARTINEZ AND MEDAVOY ASKED ME TO TELL YOU

426 00:22:31,910 --> 00:22:33,380 THEY'RE INTERVIEWING STREETWALKERS

427 00:22:33,410 --> 00:22:35,880 IN CONNECTION WITH THE GIRL FOUND DUMPED IN THE TRASH.

428 00:22:35,910 --> 00:22:36,910 THANK YOU.

429 00:22:40,170 --> 00:22:42,040 IS EVERYTHING OK, NAOMI?

430 00:22:42,070 --> 00:22:45,100 A FEW "OUTSIDE THE WORKPLACE" COMPLICATIONS

431 00:22:45,140 --> 00:22:46,200 HAVE ARISEN FOR ME,

432 00:22:46,240 --> 00:22:47,900 BUT I'M TRYING TO KEEP THEM

433 00:22:47,940 --> 00:22:48,970 FROM STEAMROLLING ME FLAT IN THE PAVEMENT

434 00:22:49,010 --> 00:22:51,310 LIKE SOME CARTOON CREATURE.

435 00:22:51,340 --> 00:22:52,400 WELL, WE WOULDN'T WANT THAT.

436 00:22:52,440 --> 00:22:54,140 IT'S OK FOR ROGER RABBIT,

437 00:22:54,170 --> 00:22:56,770 BUT NOT NAOMI REYNOLDS OF DURHAM, NORTH CAROLINA.

438 00:22:59,440 --> 00:23:01,670 GOOD MORNING. JUST A SECOND.

439 00:23:03,270 --> 00:23:05,400 BOSS, THIS IS GONNA BE MARVIN LIVINGSTONE,

440 00:23:05,440 --> 00:23:06,700 HUSBAND OF ONE OF THE DOAs.

441 00:23:06,740 --> 00:23:08,100 BACK FROM CANADA?

442 00:23:08,140 --> 00:23:10,700 ADDRESSING THE TRADE IMBALANCE IN DRUG IMPORTS.

443 00:23:10,740 --> 00:23:11,940 I'M DETECTIVE SIMONE.

444 00:23:11,970 --> 00:23:13,800 ARNOLD KAFFIR, REPRESENTING MR. LIVINGSTONE.

445 00:23:13,840 --> 00:23:15,800 APPRECIATE YOUR COMING IN. THIS IS MY PARTNER DETECTIVE SIPOWICZ.

446 00:23:15,840 --> 00:23:16,800 HI.

447 00:23:16,840 --> 00:23:18,640 WE CAN TALK DOWN HERE.

448 00:23:28,610 --> 00:23:30,810 Simone: SORRY ABOUT YOUR WIFE, MARVIN.

449 00:23:30,840 --> 00:23:31,940 YEAH.

450 00:23:33,470 --> 00:23:34,770 CAN YOU HELP US OUT AT ALL,

451 00:23:34,810 --> 00:23:36,210 HOW THAT MIGHT'VE HAPPENED?

452 00:23:36,240 --> 00:23:37,940 I DON'T KNOW.

453 00:23:39,610 --> 00:23:40,580 NO.

454 00:23:40,610 --> 00:23:42,280 SOME SORT OF BUSINESS DEAL

455 00:23:42,310 --> 00:23:45,650 MAYBE LEFT ONE OF YOUR CUSTOMERS DISSATISFIED?

456 00:23:45,670 --> 00:23:48,440 NO. I DON'T KNOW ABOUT IT.

457 00:23:48,470 --> 00:23:51,300 YOU DON'T KNOW WHAT BUSINESS YOU'RE IN?

458 00:23:51,340 --> 00:23:54,700 YOU NOTICE I'M RECEIVING A LOT OF THEM‐TYPE STARES IN THIS INVESTIGATION?

459 00:23:54,740 --> 00:23:57,100 LIKE "IF YOU THINK I'M TELLING YOU

460 00:23:57,140 --> 00:23:58,800 "THE MANY THINGS I KNOW ABOUT THIS CASE,

461 00:23:58,840 --> 00:24:01,540 YOU OUGHT TO HAVE YOUR HEAD EXAMINED."

462 00:24:01,570 --> 00:24:03,900 THAT WAS YOUR WIFE ALL SHOT UP ON THAT FLOOR, MARVIN,

463 00:24:03,940 --> 00:24:05,740 AND YOUR SAFE EMPTIED OUT.

464 00:24:05,770 --> 00:24:07,600 NOW YOU DON'T CARE ABOUT YOUR MONEY

465 00:24:07,640 --> 00:24:09,400 OR HER GETTING MURDERED LIKE THAT?

466 00:24:09,440 --> 00:24:11,600 MY PARTNER AND ME, WE WRITE THIS OFF.

467 00:24:11,640 --> 00:24:14,240 TONIGHT, I GO NAPPY‐BYE, NO PROBLEM AT ALL.

468 00:24:14,270 --> 00:24:15,570 I CARED ABOUT MY WIFE.

469 00:24:15,610 --> 00:24:16,610 BALLS.

470 00:24:16,640 --> 00:24:18,300 ANY CHANCE HER AND HER GIRLFRIEND

471 00:24:18,340 --> 00:24:19,900 MIGHT HAVE BEEN DOWN THERE IN THE BASEMENT PARTYING, MARVIN?

472 00:24:19,940 --> 00:24:21,640 WHAT?! EASY, MARVIN.

473 00:24:21,670 --> 00:24:24,070 PEOPLE SHE WAS WITH DOWN THERE SEE THE SAFE

474 00:24:24,110 --> 00:24:26,210 AND, UH...ONE THING LEADS TO ANOTHER.

475 00:24:26,240 --> 00:24:28,540 WHAT PEOPLE SHE SUPPOSED TO BE DOWN THERE WITH?

476 00:24:28,570 --> 00:24:30,040 HOW DO YOU FIGURE IT, MARVIN?

477 00:24:30,070 --> 00:24:31,900 WHILE YOU'RE ON THE ROAD,

478 00:24:31,940 --> 00:24:33,700 THE LITTLE WOMAN STAYS IN THE KITCHEN NIGHT AND DAY

479 00:24:33,740 --> 00:24:35,740 PERFECTING YOUR FAVORITE RECIPES?

480 00:24:35,770 --> 00:24:38,270 MY CLIENT HAS FULFILLED HIS OBLIGATION UNDER HIS PROBATION

481 00:24:38,310 --> 00:24:39,910 TO GIVE COOPERATION.

482 00:24:39,940 --> 00:24:42,800 THAT'S HIS P. O. DECIDES IF HE DID THAT, COUNSELOR,

483 00:24:42,840 --> 00:24:44,900 BASED ON HOW WE SAY THAT MARVIN ACTED.

484 00:24:44,940 --> 00:24:47,740 WE KNOW YOUR WIFE WAS DATING SOME RASTA GUYS, MARVIN,

485 00:24:47,770 --> 00:24:49,400 BUT THEY GOT ALIBIS.

486 00:24:49,440 --> 00:24:52,400 SO WE'RE HOPING MAYBE YOU COULD GIVE US SOME OTHER NAMES OF PEOPLE

487 00:24:52,440 --> 00:24:54,500 WANDA MIGHT HAVE BEEN SEEING.

488 00:24:57,340 --> 00:24:59,600 IF I GIVE YOU WHO DID THIS,

489 00:24:59,640 --> 00:25:02,270 WILL YOU GIVE ME THE NAMES OF THOSE RASTA GUYS?

490 00:25:02,310 --> 00:25:04,810 WE MIGHT BE ABLE TO WORK THAT OUT.

491 00:25:04,840 --> 00:25:07,270 HE WAS NOT BANGING WANDA,

492 00:25:07,310 --> 00:25:08,650 YOU UNDERSTAND THAT,

493 00:25:08,670 --> 00:25:10,470 THE NAME I'M GONNA GIVE YOU?

494 00:25:10,510 --> 00:25:11,910 UNDERSTOOD.

495 00:25:11,940 --> 00:25:13,970 HE WASN'T BANGING HER. ALL RIGHT.

496 00:25:14,010 --> 00:25:15,910 HE'S THE SCUMBAG THAT TOOK ME OFF

497 00:25:15,940 --> 00:25:18,070 BUT HAD NO BALLS TO DO THE KILLING.

498 00:25:18,110 --> 00:25:20,550 SO WHO I'M BETTING DID THAT

499 00:25:20,570 --> 00:25:21,970 WAS BIG RICK,

500 00:25:22,010 --> 00:25:24,310 WHICH I'LL TELL YOU WHERE YOU CAN GRAB HIM.

501 00:25:24,340 --> 00:25:26,070 BUT THIS ONE SET IT UP.

502 00:25:26,110 --> 00:25:27,910 MARVIN, WOULD IT MAKE SENSE

503 00:25:27,940 --> 00:25:29,440 FOR YOU AND ME TO TALK THIS THROUGH?

504 00:25:29,470 --> 00:25:31,900 I'D HAVE TAKEN CARE OF THE BUSINESS MYSELF,

505 00:25:31,940 --> 00:25:33,270 BUT I WANT THE NAMES OF THOSE RASTA GUYS.

506 00:25:33,310 --> 00:25:34,310 MARVIN...

507 00:25:34,340 --> 00:25:36,240 SHUT YOUR MOUTH.

508 00:25:36,270 --> 00:25:38,370 SO BIG RICK PULLED THE TRIGGER.

509 00:25:38,410 --> 00:25:40,950 THE GUY THAT SET IT UP IS...

510 00:25:41,940 --> 00:25:43,540 A NEIGHBOR,

511 00:25:43,570 --> 00:25:46,440 A SNAKE HALF A FAG NAMED RONALD.

512 00:25:46,470 --> 00:25:48,240 SHE LET HIM LIVE UPSTAIRS.

513 00:25:48,270 --> 00:25:50,740 I'M SO GLAD TO HEAR YOU SAY THAT.

514 00:26:13,670 --> 00:26:15,370 HI.

515 00:26:15,410 --> 00:26:17,210 CAN I TALK TO YOU?

516 00:26:17,240 --> 00:26:18,740 HEY, COME ON HERE, MAN,

517 00:26:18,770 --> 00:26:20,200 I'M JUST TRYING TO DO MY JOB.

518 00:26:20,240 --> 00:26:21,770 YEAH? US, TOO.

519 00:26:21,810 --> 00:26:23,550 EITHER OF YOU RECOGNIZE HER?

520 00:26:23,570 --> 00:26:26,140 I DON'T KNOW. I AIN'T SURE.

521 00:26:26,170 --> 00:26:27,100 THAT'S CRISTAL.

522 00:26:27,140 --> 00:26:28,700 SHE'S DEAD THERE?

523 00:26:28,740 --> 00:26:29,700 YEAH.

524 00:26:29,740 --> 00:26:30,800 THAT'S CRISTAL?

525 00:26:30,840 --> 00:26:31,900 HOW'D SHE DIE?

526 00:26:31,940 --> 00:26:33,300 WELL, WE DON'T KNOW YET.

527 00:26:33,340 --> 00:26:35,040 WHEN'S THE LAST TIME YOU SAW CRISTAL?

528 00:26:35,070 --> 00:26:37,940 LAST NIGHT ABOUT 11:00. WORKING.

529 00:26:37,970 --> 00:26:39,400 SOME JOHN PICKED HER UP.

530 00:26:39,440 --> 00:26:41,040 YOU GET A LOOK AT HIM?

531 00:26:41,070 --> 00:26:42,940 YEAH. A GRAY‐HAIRED GUY IN A SUIT.

532 00:26:42,970 --> 00:26:44,300 YOU THINK MAYBE IF WE PARKED OUTSIDE THE BUILDING

533 00:26:44,340 --> 00:26:45,800 WHERE CRISTAL WAS FOUND DEAD,

534 00:26:45,840 --> 00:26:46,900 AND THE GRAY‐HAIRED GUY IN THE SUIT CAME IN OR OUT,

535 00:26:46,940 --> 00:26:48,240 YOU MIGHT RECOGNIZE HIM?

536 00:26:48,270 --> 00:26:49,870 I DON'T KNOW.

537 00:26:49,910 --> 00:26:52,110 I MEAN, I REALLY GOTTA WORK.

538 00:26:52,140 --> 00:26:54,440 IF I GO WITH YOU, IT'LL COST ME MONEY.

539 00:26:54,470 --> 00:26:56,200 I'M SURE WE COULD WORK SOMETHING OUT,

540 00:26:56,240 --> 00:26:57,800 SOME TYPE OF COMPENSATION.

541 00:27:03,940 --> 00:27:05,570 I GOT A BAGEL.

542 00:27:05,610 --> 00:27:06,750 FAT‐FREE.

543 00:27:06,770 --> 00:27:09,440 THERE'S A GUY THAT COULD USE SOME FAT‐FREE.

544 00:27:09,470 --> 00:27:11,900 I THINK THAT SHIP HAS SAILED, JAMES.

545 00:27:11,940 --> 00:27:15,800 I THINK THAT GUY'S SOLUTION LIES MORE IN THE REALM OF, UH...

546 00:27:15,840 --> 00:27:18,270 STOMACH STAPLING OR JAW WIRING.

547 00:27:18,310 --> 00:27:19,880 COMING UP THE STREET.

548 00:27:19,910 --> 00:27:21,710 THAT'S HIM, THE GUY IN THE GRAY SUIT.

549 00:27:21,740 --> 00:27:22,970 YOU SURE?

550 00:27:23,010 --> 00:27:25,710 THAT'S THE GUY I SAW PICK UP CRISTAL LAST NIGHT.

551 00:27:25,740 --> 00:27:27,640 ALL RIGHT. TAKE A WALK.

552 00:27:28,910 --> 00:27:30,750 EXCUSE ME, SIR.

553 00:27:30,770 --> 00:27:31,740 HEY.

554 00:27:31,770 --> 00:27:33,570 POLICE. WE NEED TO TALK TO YOU.

555 00:27:33,610 --> 00:27:35,610 WHY? WHAT'S IT ABOUT?

556 00:27:35,640 --> 00:27:37,770 I THINK IT'D BE BETTER FOR EVERYONE

557 00:27:37,810 --> 00:27:38,910 IF WE DO THIS DOWN AT THE STATION HOUSE.

558 00:27:38,940 --> 00:27:40,400 AM I UNDER ARREST?

559 00:27:40,440 --> 00:27:41,940 SHOULD YOU BE?

560 00:27:48,440 --> 00:27:51,270 WE DON'T THINK YOU MEANT TO HURT THOSE GIRLS, RONALD.

561 00:27:51,310 --> 00:27:52,780 SHOOTING THEM LIKE THAT‐‐

562 00:27:52,810 --> 00:27:54,610 DON'T STRIKE US YOU GOT THE BALLS.

563 00:27:58,110 --> 00:27:59,450 NO. I DIDN'T KNOW THAT WAS GONNA HAPPEN.

564 00:27:59,470 --> 00:28:01,200 WANDA WAS YOUR FRIEND.

565 00:28:01,240 --> 00:28:02,570 SHE WAS MY FRIEND.

566 00:28:04,270 --> 00:28:05,970 WE CONFIDED IN EACH OTHER.

567 00:28:06,010 --> 00:28:09,310 BIG RICK PUT YOU UNDER SOME KIND OF PRESSURE?

568 00:28:09,340 --> 00:28:12,400 I KNEW MARVIN KEPT A LOT OF CASH IN THE SAFE.

569 00:28:12,440 --> 00:28:15,470 I THOUGHT IT MIGHT BE, LIKE, A MILLION BUCKS.

570 00:28:15,510 --> 00:28:18,650 AND DID YOU, UH, INADVERTENTLY HAPPEN TO MENTION THIS TO BIG RICK?

571 00:28:18,670 --> 00:28:22,200 THAT'S WHAT IT WAS. I HAPPENED TO MENTION IT IN PASSING.

572 00:28:22,240 --> 00:28:23,570 BIG RICK WOULDN'T LET IT GO.

573 00:28:23,610 --> 00:28:26,750 I DIDN'T EVEN GO DOWNSTAIRS, MAN.

574 00:28:26,770 --> 00:28:29,040 WANDA, SHE KNEW RICK.

575 00:28:29,070 --> 00:28:31,540 SHE FIGURED HE WAS A FRIEND OF MINE,

576 00:28:31,570 --> 00:28:33,540 HE PROBABLY WASN'T GONNA HURT HER.

577 00:28:33,570 --> 00:28:35,040 SHE JUST LET US IN.

578 00:28:35,070 --> 00:28:38,070 BIG RICK SOMEHOW HAD MENACED YOU TO COME WITH HIM?

579 00:28:38,110 --> 00:28:39,210 YEAH.

580 00:28:39,240 --> 00:28:40,700 THAT'S WHAT IT WAS.

581 00:28:40,740 --> 00:28:43,900 AND DID BIG RICK DO THE SHOOTING?

582 00:28:43,940 --> 00:28:46,740 HE TIED UP THE 2 GIRLS.

583 00:28:46,770 --> 00:28:50,400 MAN, I DON'T KNOW EXACTLY WHAT HAPPENED AFTER THAT.

584 00:28:50,440 --> 00:28:52,900 HE TOOK THEM DOWNSTAIRS INTO THE BASEMENT.

585 00:28:52,940 --> 00:28:54,970 THE SAFE WAS DOWN THERE.

586 00:28:58,940 --> 00:29:00,240 HE SHOT 'EM.

587 00:29:00,270 --> 00:29:03,070 [CRYING]

588 00:29:03,110 --> 00:29:06,080 WHY DID HE DO THAT, MAN?

589 00:29:06,110 --> 00:29:08,080 WELL, RONALD, MAYBE IT'S BECAUSE

590 00:29:08,110 --> 00:29:11,050 BIG RICK KNEW WANDA WOULD KNOW WHO ROBBED THEM

591 00:29:11,070 --> 00:29:12,970 AND SHE'D TELL HER HUSBAND MARVIN.

592 00:29:13,010 --> 00:29:14,480 I RAN OUT.

593 00:29:14,510 --> 00:29:16,980 I DIDN'T EVEN SEE THEM DEAD

594 00:29:17,010 --> 00:29:19,550 UNTIL AFTER THE POLICE WERE THERE.

595 00:29:19,570 --> 00:29:23,770 I DON'T EVEN KNOW WHY I WENT BACK INTO THE APARTMENT.

596 00:29:23,810 --> 00:29:26,310 I JUST HAD TO.

597 00:29:26,340 --> 00:29:30,070 WHEN I SAW THEM, I THOUGHT I WAS GONNA THROW UP.

598 00:29:30,110 --> 00:29:32,210 WELL, YOU'RE A SENSITIVE TYPE.

599 00:29:32,240 --> 00:29:35,070 YOU WANT TO TELL US WHERE WE'RE GONNA FIND THIS BIG RICK?

600 00:29:35,110 --> 00:29:38,610 I'LL GIVE YOU ANYTHING YOU WANT TO KNOW, MAN.

601 00:29:38,640 --> 00:29:40,900 [SIPOWICZ CLEARS THROAT]

602 00:29:40,940 --> 00:29:43,940 AND I'LL BET YOU GOT EXCELLENT PENMANSHIP.

603 00:30:06,910 --> 00:30:08,010 THAT WAY.

604 00:30:10,340 --> 00:30:12,440 BIG RICK.

605 00:30:12,470 --> 00:30:14,470 HE DRIVE A TRUCK?

606 00:30:14,510 --> 00:30:17,650 WE LIKE HIM FOR THAT DOUBLE IN THE BASEMENT.

607 00:30:18,770 --> 00:30:21,700 WHY DO YOU ASK IF HE DRIVES A TRUCK?

608 00:30:21,740 --> 00:30:22,970 HIS NICKNAME.

609 00:30:23,010 --> 00:30:25,280 IS THAT SOME FAMOUS TRUCK DRIVER‐‐ BIG RICK?

610 00:30:25,310 --> 00:30:27,750 I THOUGHT YOU SAID BIG RIG.

611 00:30:33,110 --> 00:30:35,950 WHEN DID THEY START CALLING YOU BIG RICK?

612 00:30:35,970 --> 00:30:39,400 'CAUSE MY COUSIN MOVED IN WITH THE SAME NAME.

613 00:30:40,940 --> 00:30:42,940 HE WAS LITTLE RICK?

614 00:30:42,970 --> 00:30:44,900 HE WAS RICK.

615 00:30:44,940 --> 00:30:47,900 YOU WANT US TO CALL YOU BIG RICK OR JUST PLAIN RICK,

616 00:30:47,940 --> 00:30:49,740 BEING YOUR COUSIN ISN'T AROUND?

617 00:30:49,770 --> 00:30:52,440 YOU CAN CALL ME SMOKEY ROBINSON AND THE MIRACLES

618 00:30:52,470 --> 00:30:53,940 MUCH AS IT MEANS TO ME.

619 00:30:53,970 --> 00:30:57,740 YEAH? WELL, RONALD THREW UP ALL OVER YOU, SMOKEY.

620 00:30:57,770 --> 00:30:59,540 HE PUT YOU WASTING BOTH OF THOSE GIRLS,

621 00:30:59,570 --> 00:31:01,940 BACK AND FORTH, EXECUTION STYLE.

622 00:31:01,970 --> 00:31:04,940 WHICH PROSECUTORS EXPLAIN TO A JURY,

623 00:31:04,970 --> 00:31:09,440 THAT SHOWS A PERSON WHO'S HAD SOME EXPERIENCE IN DOING MURDERS.

624 00:31:09,470 --> 00:31:13,940 WE, UH, GOT YOUR WEAPON FROM YOUR APARTMENT THERE, BIG RICK.

625 00:31:13,970 --> 00:31:16,940 ALWAYS THE RIGHT MOVE TOSSING THE PIECE, RICK,

626 00:31:16,970 --> 00:31:19,900 THOUGH AT THE TIME IT MAY SEEM WASTEFUL.

627 00:31:19,940 --> 00:31:21,940 OH, MAYBE IT WAS JUST A RECREATIONAL WEAPON,

628 00:31:21,970 --> 00:31:24,600 NOT GONNA CALIBER‐MATCH THE BULLETS IN THOSE WOMEN.

629 00:31:24,640 --> 00:31:27,400 WE'RE PAINTING A PICTURE FOR YOU HERE, BIG RICK,

630 00:31:27,440 --> 00:31:30,970 LIKE THAT KRAUT MORON ON THE LATE‐NIGHT TALK SHOW‐‐

631 00:31:31,010 --> 00:31:32,910 YOU KNOW, "BIG RICK, SCREWED."

632 00:31:32,940 --> 00:31:34,900 UNLESS RONALD'S TELLING US A WRONG VERSION

633 00:31:34,940 --> 00:31:38,740 AND MAYBE YOU WERE PUSHED INTO SOMETHING THAT YOU DIDN'T REALLY INTEND?

634 00:31:38,770 --> 00:31:40,200 MAYBE HE WAS THE MASTERMIND,

635 00:31:40,240 --> 00:31:45,200 HELD A GUN ON YOU AND FORCING YOU TO DO HIS BIDDING?

636 00:31:45,240 --> 00:31:46,870 I HAD TO KILL 'EM. THEY SAW US.

637 00:31:46,910 --> 00:31:48,750 I KNEW THERE HAD TO BE A REASON.

638 00:31:48,770 --> 00:31:50,870 MONEY FROM THE SAFE'S STASHED IN MY APARTMENT.

639 00:31:50,910 --> 00:31:52,610 BLACK LEATHER BAG...

640 00:31:52,640 --> 00:31:54,240 UNDER SOME SKIN MAGAZINES,

641 00:31:54,270 --> 00:31:56,240 IN A CORNER BEHIND THE BED.

642 00:31:56,270 --> 00:31:58,840 I WANT TO USE THAT TO PAY FOR A LAWYER.

643 00:32:00,610 --> 00:32:03,580 DON'T EXACTLY WORK THAT WAY, BIG RICK,

644 00:32:03,610 --> 00:32:06,580 BUT IF THEY TRY AT THE TRIAL

645 00:32:06,610 --> 00:32:08,580 PASSING YOU OFF AS A MASTERMIND,

646 00:32:08,610 --> 00:32:11,280 YOU TELL 'EM WHAT YOU JUST SAID.

647 00:32:16,610 --> 00:32:19,550 JAMES, UH, WHY DON'T YOU SHOW THE GOOD COMMISSIONER

648 00:32:19,570 --> 00:32:21,900 INTO THE INTERVIEW ROOM, AND I'LL FILL IN THE BOSS.

649 00:32:21,940 --> 00:32:23,900 [GROANS] YOU GOT IT, GREG.

650 00:32:30,510 --> 00:32:31,980 WHAT'S UP, GREG?

651 00:32:32,010 --> 00:32:34,410 UH...OUR CASE HAS TAKEN

652 00:32:34,440 --> 00:32:36,900 A POTENTIALLY STINKY TURN.

653 00:32:36,940 --> 00:32:38,900 THE DOA PROSS?

654 00:32:38,940 --> 00:32:41,440 YEAH. IT TURNS OUT HER LAST CLIENT WAS THE, UH,

655 00:32:41,470 --> 00:32:43,600 DEPUTY COMMISSIONER FOR TRAFFIC.

656 00:32:43,640 --> 00:32:46,140 AND WE LIKE HIM FOR KILLING HER?

657 00:32:46,170 --> 00:32:49,140 WELL, I'D BE DUBIOUS 'CAUSE HE HASN'T LAWYERED UP YET,

658 00:32:49,170 --> 00:32:51,640 BUT, UH, A GIRL THAT THE DOA STROLLED WITH

659 00:32:51,670 --> 00:32:53,900 WAS DEFINITE THIS GUY WAS HER LAST TRICK.

660 00:32:53,940 --> 00:32:56,400 AND WE DID FIND HER BODY OUTSIDE HIS RESIDENCE.

661 00:32:56,440 --> 00:32:58,440 JAMES HAS HIM IN THE POKY ROOM.

662 00:32:58,470 --> 00:32:59,900 WELL, OK. LET ME KNOW.

663 00:32:59,940 --> 00:33:01,470 YEAH. ABSOLUTELY.

664 00:33:10,310 --> 00:33:11,950 YOUR BACK KICKIN' UP?

665 00:33:11,970 --> 00:33:13,370 YEAH, BRUTAL.

666 00:33:13,410 --> 00:33:14,780 IF YOU DON'T MIND,

667 00:33:14,810 --> 00:33:16,450 MAYBE YOU COULD GET HIS FULL MEDICAL REPORT

668 00:33:16,470 --> 00:33:17,940 AFTER I'M RELEASED.

669 00:33:17,970 --> 00:33:20,540 YOU SURE YOU'RE GONNA BE RELEASED, HUH, MR. SHAPPS?

670 00:33:20,570 --> 00:33:22,570 I AM. BECAUSE WHATEVER YOU'VE GOT ME HERE FOR

671 00:33:22,610 --> 00:33:25,210 HAS GOT TO BE A CASE OF MISTAKEN IDENTITY.

672 00:33:25,240 --> 00:33:26,900 YOU FREQUENT PROSTITUTES, MR. SHAPPS?

673 00:33:26,940 --> 00:33:28,570 WHY? WHY?

674 00:33:28,610 --> 00:33:30,780 WHY DON'T YOU JUST ANSWER MY PARTNER'S QUESTION?

675 00:33:30,810 --> 00:33:33,410 LOOK, I'M DOWN HERE VOLUNTARILY AND WITHOUT COUNSEL

676 00:33:33,440 --> 00:33:36,400 BECAUSE, TO A POINT, I'M WILLING TO COOPERATE.

677 00:33:36,440 --> 00:33:38,970 YOU WANT TO COOPERATE, TELL THE TRUTH.

678 00:33:39,010 --> 00:33:41,910 SIR, A HOOKER PICKED YOU OUT

679 00:33:41,940 --> 00:33:44,640 SOLICITING ANOTHER PROSTITUTE WE SUBSEQUENTLY FOUND DEAD

680 00:33:44,670 --> 00:33:47,070 OUTSIDE YOUR APARTMENT BUILDING.

681 00:33:47,110 --> 00:33:49,080 THROWN IN THE GARBAGE LIKE SHE WASN'T EVEN A HUMAN BEING.

682 00:33:49,110 --> 00:33:51,080 ARE YOU SUGGESTING I KILLED HER?

683 00:33:51,110 --> 00:33:52,910 WE'RE ASKING YOU TO TELL US WHAT YOU DID

684 00:33:52,940 --> 00:33:54,040 AND STOP PLAYING FOOTSIE.

685 00:33:54,070 --> 00:33:56,400 I HAVE GIVEN MY LIFE TO PUBLIC SERVICE.

686 00:33:56,440 --> 00:33:58,400 YEAH, WE'RE ALL DEEPLY APPRECIATIVE,

687 00:33:58,440 --> 00:33:59,900 DEPUTY COMMISSIONER OF TRAFFIC.

688 00:33:59,940 --> 00:34:02,740 THAT INCLUDES DEALING WITH TRAFFIC PATTERNS?

689 00:34:02,770 --> 00:34:05,870 WHY HAVE YOU TAKEN SUCH A PERSONAL DISLIKE TO ME?

690 00:34:05,910 --> 00:34:08,950 ARE YOU THE GUY THAT PUT THAT NEW LIGHT IN OVER ON 23rd STREET?

691 00:34:08,970 --> 00:34:11,070 THOSE ARE COLLECTIVE DECISIONS.

692 00:34:11,110 --> 00:34:12,650 THAT'S A COMPLETELY USELESS LIGHT.

693 00:34:12,670 --> 00:34:15,270 DOES NOTHING BUT STALL TRAFFIC IN EVERY OTHER DIRECTION.

694 00:34:15,310 --> 00:34:16,910 I COULD CHECK INTO THAT FOR YOU.

695 00:34:16,940 --> 00:34:20,870 NO. WHAT YOU WANT TO DO IS TELL US ABOUT THE GIRL.

696 00:34:20,910 --> 00:34:22,410 [SIGHS]

697 00:34:22,440 --> 00:34:26,740 LOOK, I HAD NOTHING TO DO WITH HER DEATH.

698 00:34:26,770 --> 00:34:28,440 I ONLY...

699 00:34:28,470 --> 00:34:30,100 MOVED THE BODY.

700 00:34:30,140 --> 00:34:32,340 THREW HER IN THE GARBAGE, YOU MEAN.

701 00:34:34,070 --> 00:34:36,040 OK.

702 00:34:36,070 --> 00:34:39,370 I PICKED HER UP OVER ON SECOND AVENUE.

703 00:34:39,410 --> 00:34:41,250 STATE THE TIME.

704 00:34:41,270 --> 00:34:44,270 AFTER WORK, ABOUT 8:00, ON MY WAY HOME.

705 00:34:44,310 --> 00:34:46,080 I TOOK HER TO MY APARTMENT.

706 00:34:46,110 --> 00:34:49,280 AFTERWARDS, SHE WENT INTO THE BATHROOM TO GET DRESSED.

707 00:34:49,310 --> 00:34:50,710 SHE CLOSED THE DOOR.

708 00:34:50,740 --> 00:34:53,070 SHE COME OUT OF THE BATHROOM,

709 00:34:53,110 --> 00:34:56,780 AND SHE‐‐ SHE DIDN'T SEEM...WELL.

710 00:34:56,810 --> 00:34:59,450 I WAS GONNA OFFER HER A GLASS OF WATER OR SOMETHING,

711 00:34:59,470 --> 00:35:01,770 BUT SHE‐‐SHE COLLAPSED RIGHT THERE ON THE FLOOR.

712 00:35:01,810 --> 00:35:04,380 ALL RIGHT, WHAT HAPPENED AFTER YOU NOTICED SHE WAS DEAD?

713 00:35:04,410 --> 00:35:07,450 MY APARTMENT IS ON THE SECOND FLOOR,

714 00:35:07,470 --> 00:35:10,400 DIRECTLY ABOVE THE GARBAGE CANS FOR MY BUILDING.

715 00:35:11,410 --> 00:35:13,050 LOOK...

716 00:35:13,070 --> 00:35:14,400 I'M IN PUBLIC LIFE.

717 00:35:14,440 --> 00:35:16,440 SO YOU WAITED TILL NO ONE WAS LOOKING,

718 00:35:16,470 --> 00:35:19,070 AND THEN YOU TOSSED HER OUT THE WINDOW.

719 00:35:19,110 --> 00:35:21,410 I, UH...

720 00:35:21,440 --> 00:35:23,140 I ROLLED HER UP IN A RUG.

721 00:35:23,170 --> 00:35:26,970 I CARRIED THE RUG TO THE WINDOW, AND I DROPPED THE RUG.

722 00:35:27,010 --> 00:35:28,750 I LOOKED THIS UP.

723 00:35:28,770 --> 00:35:31,040 THE WORST YOU CAN CHARGE ME WITH

724 00:35:31,070 --> 00:35:32,740 IS A VIOLATION OF THE HEALTH CODE.

725 00:35:32,770 --> 00:35:35,370 THAT'S ASSUMING WE BUY YOUR STORY HOW SHE DIED.

726 00:35:35,410 --> 00:35:37,380 I DON'T KNOW HOW TO SHOOT DRUGS‐‐

727 00:35:37,410 --> 00:35:39,380 IN MYSELF OR ANYBODY ELSE.

728 00:35:39,410 --> 00:35:41,210 MAYBE YOU KNOW HOW TO DO THAT. I DON'T.

729 00:35:41,240 --> 00:35:43,600 MY BROTHER DIED LIKE THAT. HE DIDN'T FORFEIT BEING HUMAN.

730 00:35:43,640 --> 00:35:45,900 ALL RIGHT. EVERYBODY, JUST‐‐LET'S CALM DOWN.

731 00:35:45,940 --> 00:35:49,100 YOU KNOW, I RESENT THE TONE YOU'VE TAKEN WITH ME FROM THE BEGINNING OF THIS.

732 00:35:49,140 --> 00:35:52,870 FREQUENTING A PROSTITUTE IS NOT A CAPITAL OFFENSE,

733 00:35:52,910 --> 00:35:54,810 NO MATTER HOW YOUR JUNKIE BROTHER DIED.

734 00:35:54,840 --> 00:35:56,300 I THINK WE'VE HEARD ALL WE NEED TO, JAMES.

735 00:35:56,340 --> 00:35:57,570 NO, I'VE HEARD TOO MUCH.

736 00:35:57,610 --> 00:35:59,580 HEY, NO! KEEP HIM‐‐ KEEP HIM AWAY FROM ME!

737 00:35:59,610 --> 00:36:00,980 GREG, LET GO OF ME.

738 00:36:01,010 --> 00:36:01,980 CALM DOWN!

739 00:36:02,010 --> 00:36:03,110 AAH! OH, MY GOD...

740 00:36:03,140 --> 00:36:04,400 GREG...

741 00:36:05,810 --> 00:36:06,780 OH...

742 00:36:06,810 --> 00:36:08,110 WHAT IS IT, JAMES?

743 00:36:08,140 --> 00:36:09,940 I THINK YOU JUST BROKE MY BACK, GREG.

744 00:36:14,910 --> 00:36:17,880 IF HE'S INCURRED SOME PARALYTIC‐TYPE INJURY,

745 00:36:17,910 --> 00:36:20,080 I‐I‐I'M NEVER GONNA FORGIVE MYSELF.

746 00:36:20,110 --> 00:36:22,580 HE'D BEEN COMPLAINING ABOUT IT THROUGH THE DAY,

747 00:36:22,610 --> 00:36:24,910 YET IT DIDN'T KEEP HIM FROM MOVING AROUND.

748 00:36:24,940 --> 00:36:27,270 HE'S BEEN COMPLAINING TO YOU, TOO?

749 00:36:27,310 --> 00:36:30,250 MEDAVOY, YOU SAID THAT HE WAS COMPLAINING ABOUT HIS BACK.

750 00:36:30,270 --> 00:36:32,540 THAT HE COULD STILL MOVE WHILE IT WAS STILL BOTHERING HIM

751 00:36:32,570 --> 00:36:34,570 SHOWS IT'S‐‐IT'S PROBABLY MUSCULAR.

752 00:36:34,610 --> 00:36:36,410 OH, YEAH, I SEE.

753 00:36:36,440 --> 00:36:38,740 DID JAMES SAY WHEN HE FIRST FELT THE DISCOMFORT, GREG?

754 00:36:38,770 --> 00:36:40,770 UM, HE SAID, UH, DOMESTICALLY‐‐

755 00:36:40,810 --> 00:36:42,310 IN THAT CONTEXT.

756 00:36:45,070 --> 00:36:46,240 [MEDAVOY SIGHS]

757 00:36:46,270 --> 00:36:49,070 GINA'S PREGNANCY GETTING SOMEWHAT ADVANCED,

758 00:36:49,110 --> 00:36:50,980 I FIGURED JAMES MIGHT HAVE MEANT

759 00:36:51,010 --> 00:36:53,950 THAT HE ASSUMED SOME UNFAMILIAR TYPE CONNUBIAL POSITION,

760 00:36:53,970 --> 00:36:55,470 HURT HIS BACK LIKE THAT.

761 00:36:55,510 --> 00:36:56,480 ANYWAYS‐‐

762 00:36:56,510 --> 00:36:57,910 HERE HE COMES.

763 00:36:57,940 --> 00:37:00,740 OH, GOD, THEY'VE IMMOBILIZED HIM.

764 00:37:00,770 --> 00:37:02,400 THAT'S GONNA BE PRECAUTIONARY, GREG.

765 00:37:02,440 --> 00:37:04,400 HOW YOU FEELING, JAMES?

766 00:37:04,440 --> 00:37:07,370 IN PAIN, WHICH I GUESS YOU COULD SAY IS GOOD.

767 00:37:07,410 --> 00:37:08,310 HEY, BUDDY.

768 00:37:08,340 --> 00:37:09,700 HE'S GOT SENSATION EVERYWHERE?

769 00:37:09,740 --> 00:37:11,470 HE'S A LITTLE TINGLY IN HIS LEFT LEG,

770 00:37:11,510 --> 00:37:12,980 WHICH DOESN'T HAVE TO MEAN ANYTHING.

771 00:37:13,010 --> 00:37:13,980 HE'S TINGLY?

772 00:37:14,010 --> 00:37:15,880 IT'S NOT SO BAD, GREG.

773 00:37:15,910 --> 00:37:17,410 COULD HE HAVE HURT HIS DISK?

774 00:37:17,440 --> 00:37:19,240 THEY'LL TAKE X‐RAYS AND FIND OUT.

775 00:37:20,510 --> 00:37:23,150 JAMES, I AM SO SORRY FOR RESTRAINING YOU THAT WAY.

776 00:37:23,170 --> 00:37:25,240 HEY, GREG, IF YOU WEREN'T RESTRAINING ME,

777 00:37:25,270 --> 00:37:27,900 I WOULD'VE WOUND UP CLOCKIN' THAT GUY AND WOULD HAVE BEEN IN JAIL.

778 00:37:27,940 --> 00:37:29,940 LET'S LET JAMES GET TO THE HOSPITAL.

779 00:37:29,970 --> 00:37:31,740 OH, YEAH, YEAH. ABSOLUTELY. RIGHT.

780 00:37:31,770 --> 00:37:33,240 COME ON.

781 00:37:33,270 --> 00:37:34,740 ALL RIGHT. LET'S GO.

782 00:37:34,770 --> 00:37:36,440 EASY, EASY.

783 00:37:36,470 --> 00:37:39,400 IT'S OK, THOUGH, FOR ME TO RIDE OVER THERE WITH HIM?

784 00:37:39,440 --> 00:37:40,470 YEAH, SURE.

785 00:37:40,510 --> 00:37:42,410 YEAH. I DON'T THINK WE NEED TO WORRY

786 00:37:42,440 --> 00:37:44,240 ABOUT THAT TUBE STEAK DEPUTY COMMISSIONER

787 00:37:44,270 --> 00:37:46,940 MAKING ANY STINK OVER JAMES GETTING IN HIS FACE, BOSS.

788 00:37:46,970 --> 00:37:49,000 YEAH. HE'LL WANT TO KEEP THIS LOW‐PROFILE.

789 00:37:51,610 --> 00:37:52,750 Paramedic: SLOW, SLOW.

790 00:37:52,770 --> 00:37:54,270 IF YOU'RE GOING, MEDAVOY,

791 00:37:54,310 --> 00:37:56,080 DON'T HOLD UP THE BUS.

792 00:37:56,110 --> 00:37:57,810 YEAH. I'M GONNA TAKE A RIDE OVER WITH HIM.

793 00:38:00,440 --> 00:38:02,240 HEY, FEEL BETTER, JAMES.

794 00:38:02,270 --> 00:38:03,940 DON'T SAY NOTHIN' IF GINA CALLS.

795 00:38:03,970 --> 00:38:05,400 WE'LL MAKE SURE NAOMI KNOWS.

796 00:38:05,440 --> 00:38:09,270 I DON'T WANT HER INFORMED TILL I FIND OUT WHAT'S WHAT.

797 00:38:19,910 --> 00:38:21,380 THE SLOW, UNEVENTFUL SHIFTS

798 00:38:21,410 --> 00:38:23,250 DEFINITELY HAVE THEIR CHARM.

799 00:38:23,270 --> 00:38:24,270 [CHUCKLES]

800 00:38:28,410 --> 00:38:29,650 AHH...

801 00:38:29,670 --> 00:38:32,300 JILL, HOW WAS IT FOR YOU BEING PREGNANT?

802 00:38:34,310 --> 00:38:37,250 FIRST AND THIRD TRIMESTERS WEREN'T MUCH FUN.

803 00:38:37,270 --> 00:38:39,040 UH‐HUH.

804 00:38:39,070 --> 00:38:40,900 BUT THE, UH...

805 00:38:40,940 --> 00:38:43,140 THE MIDDLE TRIMESTER WASN'T TOO BAD?

806 00:38:43,170 --> 00:38:45,070 I WOULDN'T BE MUCH OF A DETECTIVE

807 00:38:45,110 --> 00:38:48,080 IF I DIDN'T WONDER WHY YOU'RE ASKING.

808 00:38:48,110 --> 00:38:49,580 YOU KNOW, UH,

809 00:38:49,610 --> 00:38:52,580 BOBBY AND I ARE JUST TALKING ABOUT IT.

810 00:38:52,610 --> 00:38:55,210 I THREW UP A LOT WITH FRANK.

811 00:38:55,240 --> 00:38:59,570 NOT SO MUCH WITH KYLE, BUT, UH, MY BACK PAIN WAS WORSE WITH HIM.

812 00:38:59,610 --> 00:39:03,750 I'M SURE BOBBY WOULD BE A LOT MORE SUPPORTIVE THAN DON WAS.

813 00:39:03,770 --> 00:39:06,040 BOBBY REALLY FREAKED OUT YESTERDAY.

814 00:39:06,070 --> 00:39:09,040 JUST BEING WORRIED ABOUT YOU, GENERALLY, YOU MEAN.

815 00:39:09,070 --> 00:39:10,300 RIGHT.

816 00:39:15,910 --> 00:39:17,380 IT'S ALL WORTH IT‐‐

817 00:39:17,410 --> 00:39:20,080 SO MUCH MORE THAN YOU CAN IMAGINE.

818 00:39:21,270 --> 00:39:23,440 IT'S THE MOST WONDERFUL THING IN THE WORLD.

819 00:39:23,470 --> 00:39:25,200 THANKS, JILL.

820 00:39:25,240 --> 00:39:26,970 NIGHT.

821 00:39:38,670 --> 00:39:40,540 HELLO, DETECTIVE SIMONE.

822 00:39:40,570 --> 00:39:44,040 I WAS, UH, GONNA GET SOME WATER FOR THE RIDE HOME.

823 00:39:44,070 --> 00:39:45,440 [CRYING] FEEL FREE.

824 00:39:54,110 --> 00:39:57,580 YOU WERE A FORTUNE‐TELLER THE OTHER DAY, DETECTIVE.

825 00:39:57,610 --> 00:39:59,950 MY LANDLORD TURNED ME IN TO THE AUTHORITIES...

826 00:39:59,970 --> 00:40:01,440 [SNIFFLES]

827 00:40:01,470 --> 00:40:04,440 FROM THE IMMIGRATION AND NATURALIZATION SERVICE.

828 00:40:04,470 --> 00:40:06,770 I'VE BEEN SUMMONED TO A HEARING.

829 00:40:09,940 --> 00:40:11,400 [WHISPERING] Asshole.

830 00:40:11,440 --> 00:40:13,900 BLOODY OATH HE'S AN ASSHOLE.

831 00:40:13,940 --> 00:40:15,240 I'M SORRY.

832 00:40:15,270 --> 00:40:17,970 MY SITUATION'S NOT HOPELESS.

833 00:40:20,610 --> 00:40:24,080 IF I TURN MY BACK ON NAOMI REYNOLDS OF CANBERRA

834 00:40:24,110 --> 00:40:26,880 AND CAST MY LOT WITH NAOMI REYNOLDS OF DURHAM,

835 00:40:26,910 --> 00:40:28,810 RELYING ON MY FORGED DOCUMENTS HOLDING UP,

836 00:40:28,840 --> 00:40:30,940 I CAN GO ON WITH MY LIFE.

837 00:40:32,240 --> 00:40:35,940 WHAT DIFFERENCE DOES IT MAKE, DETECTIVE, REALLY?

838 00:40:35,970 --> 00:40:39,870 DON'T WE COME BY OUR TRUE SELVES THROUGH WHAT WE ARE,

839 00:40:39,910 --> 00:40:42,610 RATHER THAN WHAT WE'RE CALLED?

840 00:40:42,640 --> 00:40:45,100 AND, IN FACT...

841 00:40:45,140 --> 00:40:47,270 YOUR NAME IS NAOMI REYNOLDS.

842 00:40:47,310 --> 00:40:49,150 AS FAR AS THAT GOES, IT'S NOT.

843 00:40:49,170 --> 00:40:50,570 NO, HUH?

844 00:40:50,610 --> 00:40:51,750 I'M ADOPTED.

845 00:40:51,770 --> 00:40:53,740 I JUST ALWAYS DREAMED THERE'D BE A POINT

846 00:40:53,770 --> 00:40:55,900 WHERE THE GOALS IN MY LIFE AND THE FACTS

847 00:40:55,940 --> 00:40:57,000 COULD BE THE SAME.

848 00:40:58,440 --> 00:41:01,400 NAOMI REYNOLDS, ADOPTED, OF CANBERRA, AUSTRALIA.

849 00:41:01,440 --> 00:41:03,900 NEW YORK CITY POLICEWOMAN, HAPPILY MARRIED,

850 00:41:03,940 --> 00:41:06,070 WITH 3 CHILDREN,

851 00:41:06,110 --> 00:41:07,980 TO A FELLOW PATROLMAN.

852 00:41:09,010 --> 00:41:12,750 YOU...GET SUPERSTITIOUS

853 00:41:12,770 --> 00:41:14,400 BEING ALONE.

854 00:41:14,440 --> 00:41:16,900 YOU HAVE TO BELIEVE SO HARD

855 00:41:16,940 --> 00:41:18,400 IN THINGS WORKING OUT

856 00:41:18,440 --> 00:41:21,570 THAT IF YOU GIVE UP A PART OF YOUR DREAM...

857 00:41:21,610 --> 00:41:23,910 YOU'RE AFRAID IT'S GONE,

858 00:41:23,940 --> 00:41:26,000 PART AND PARCEL.

859 00:41:27,770 --> 00:41:31,670 YOU LOVE DETECTIVE RUSSELL, DON'T YOU, DETECTIVE?

860 00:41:33,970 --> 00:41:35,940 YEAH.

861 00:41:35,970 --> 00:41:38,740 IT'S CLEAR HOW THAT HOLDS YOU,

862 00:41:38,770 --> 00:41:41,140 LOVING HER SO.

863 00:41:41,170 --> 00:41:44,800 IT GIVES YOU A PLACE TO STAND IN THE WORLD, DOESN'T IT?

864 00:41:44,840 --> 00:41:47,770 NO MATTER WHAT YOUR NAME IS

865 00:41:47,810 --> 00:41:50,910 OR IF YOU GET THE JOB YOU DREAM OF OR NOT,

866 00:41:50,940 --> 00:41:54,640 YOU MAKE LIFE OUT OF THAT.

867 00:41:57,110 --> 00:42:00,750 I'D ACTUALLY LIKE TO GO BE WITH DETECTIVE RUSSELL NOW.

868 00:42:00,770 --> 00:42:02,400 OH...BY ALL MEANS.

869 00:42:02,440 --> 00:42:05,000 BY ALL MEANS.

870 00:42:06,270 --> 00:42:08,240 DETECTIVE.

871 00:42:08,270 --> 00:42:10,300 THANK YOU FOR TALKING TO ME.

872 00:42:10,340 --> 00:42:12,670 BACK AT YOU, NAOMI.

iPzard / mkvtoolnix-batch-tool

occasional mistag as vietnamese or german instead of english #58