Closed epistularum closed 11 months ago
The shape of 儿, when on the left, is inconsistently a "豎曲鈎" or "豎挑".
The "Stroke of Inherited Glyphs" documents does say that it can happen, but not why. Shouldn't it be the same everywhere?
"複合筆畫。先作「豎」,收筆處再拐個逆時針的「曲」,尾部變作折,再作向上的「鈎」。例字如:允、乳、毛、己。注意:若「儿部件」在字中間空間不足的地方,或會避讓變作「ㄦ」,即「豎曲鈎」變爲「曲」,如:𧶠、坴、畟、酉。另外,末筆爲「豎曲鈎」的部件居左旁,或會避讓變作「豎挑」,如:邨、頹、改、刓。"
Little sample of characters containing 元 or 光 on the left. 耀輝辉㒯𠓋𠓌𢼯𦥿𧇲𩒚𩳁𪀯𪕗𭀨𮋚刓衏邧頑顽鵍㪴䲮𢽉𤻆𭶌
這點主要是美觀需求問題,個別字也視乎該字的習慣,不影響字理字源。因此就不勉強統一。
The shape of 儿, when on the left, is inconsistently a "豎曲鈎" or "豎挑".
The "Stroke of Inherited Glyphs" documents does say that it can happen, but not why. Shouldn't it be the same everywhere?
"複合筆畫。先作「豎」,收筆處再拐個逆時針的「曲」,尾部變作折,再作向上的「鈎」。例字如:允、乳、毛、己。注意:若「儿部件」在字中間空間不足的地方,或會避讓變作「ㄦ」,即「豎曲鈎」變爲「曲」,如:𧶠、坴、畟、酉。另外,末筆爲「豎曲鈎」的部件居左旁,或會避讓變作「豎挑」,如:邨、頹、改、刓。"
Little sample of characters containing 元 or 光 on the left. 耀輝辉㒯𠓋𠓌𢼯𦥿𧇲𩒚𩳁𪀯𪕗𭀨𮋚刓衏邧頑顽鵍㪴䲮𢽉𤻆𭶌![image](https://github.com/ichitenfont/I.Ming/assets/34507493/2965d2fd-c4f5-4de6-8e1a-3ca97847d981)