An audio backend for the multi-layered soundscape of Beyond Perception: Seeing the Unseen, a permanent exhibition at Scienceworks in Melbourne, Australia.
Realtime sources can now be added via the Source Editor widget. Was
able to test this successfully using the mic input on laptop. My linux
machine required a pretty high latency to account for the non-synchronised
input and output audio device clocks however this is likely just related
to the high latency induced by pulseaudio. Latency will likely not be an
issue for this exhibition anyway considering there are no interactions that
directly trigger any real-time input streams.
The playback "duration", number of channels and starting channel index of
the source can be adjusted.
Sources (both wav and realtime) can not be removed via the source editor
list. Note that removed WAV sources will re-appear next time the
application is started if that wav file still exists within the
assets/audio directory.
Also changes the soundscape thread to take source updates as functions
rather than an entirely new copy of the source.
The only remaining component for #23 is the "movement" parameters -
these will be developed alongside the soundscape generation in case
other movement related constraints crop up.
Realtime sources can now be added via the Source Editor widget. Was able to test this successfully using the mic input on laptop. My linux machine required a pretty high latency to account for the non-synchronised input and output audio device clocks however this is likely just related to the high latency induced by pulseaudio. Latency will likely not be an issue for this exhibition anyway considering there are no interactions that directly trigger any real-time input streams.
The playback "duration", number of channels and starting channel index of the source can be adjusted.
Sources (both wav and realtime) can not be removed via the source editor list. Note that removed WAV sources will re-appear next time the application is started if that wav file still exists within the
assets/audiodirectory.Also changes the soundscape thread to take source updates as functions rather than an entirely new copy of the source.
The only remaining component for #23 is the "movement" parameters - these will be developed alongside the soundscape generation in case other movement related constraints crop up.
This closes #22.