Closed jsbien closed 4 years ago
Do you have any images of the capital? (And, btw, should there be capital versions of the ø variants?)
The first hit in the IMPACT corpus: I will look for more examples.
I really like that! Would be interested in any other variants.
Another volume of the same work: Another book: And a strange ogonek-stroke I noticed now for the first time:
As for the capital versions of the ø variant, there is no real need for it, but they may be added just for completenes.
Do the variants of lowercase ą with the line through and the line above and below ever occur in roman style, or just italic?
I don't believe in case pairing for its own sake; if uppercase variants of ø would get no use, I won't add them.
Unfortunately the IMPACT corpus is now not fully functional and I cannot find easily specific examples. Definitely the character is used not only in italic style, but the other style in that time was often a kind of fraktur, which is now rendered just as a roman style. So, with this qualification, I think the answer is yes.
Thanks—I'll run some images by you later today and get your advice.
A first attempt at lowercase roman.
Suggestions?
I feel more confident about the uppercase, since the models are very clear.
Uppercase is OK. As for lower case, I think the crossbar should moved a little to right and upwards, the lines should cross, not just touch. I uoload another example, but I haven't found yet a really good model.
This is a big help, but other examples would be welcome.
Like this?
It's tempting to widen the lower-right curve just a little bit to accommodate the diagonal stroke (though I don't think whoever cut the original type did so):
I think the stroke can be shorter and not so steep. I will look for a good model, but I want to make haste slowly and try first to circumvent some technical problems with our corpus,
This looks quite good, but it seems to me that the stroke is more to the left than usual.
I think it's pretty clear that these old punch cutters were working with existing matrices for a, and we're seeing various responses to the fact that the lower-right curve of a is not wide enough for a crossing stroke. The stroke in the "skąpey" example is quite steep, about 20°, which is one way of dealing with the problem, but even so ink spread has made it quite indistinct. In the "skuteczną" example the stroke is a more comfortable 40°, but there's no way to make that cross only the curve. I can widen the curve a bit and make the angle 20°, so
If I make the angle 30° I need to nudge the stroke just a little bit left:
At 40° it starts to look awkward (to my eye, anyway)
unless you take the approach of the ą in the "skuteczną" example:
I think the 30° stroke with the widened curve on the a looks best (the 2nd image), but I'm not thinking about it historically.
From an aestetic point of view the version from the first scan above seems quite nice, but your proposal is also OK.
I like that. Position, angle, wedge-shaped stroke. I'll work on this later today.
FYI, it comes from https://cbdu.ijp.pan.pl/2910/.
The a is very different in this font, and I have to stick with the one in Junicode, but I can reproduce the position, shape and size of the cross-stroke:
FYI, it comes from https://cbdu.ijp.pan.pl/2910/.
It's a beautiful piece of printing.
The shape is very nice.
The four masters of this font:
This same work has a very nice eogonek, which I think as I'll use as a model for the shape and position of the stroke in that other issue:
OK. BTW, this is an ephemeral print, I wander whether anybody knows which printing house it comes from. An interesting topic of research :-)
Second alternate:
OK
Can you find any more images of the italic aogoneks? It's very hard to make out what's going on in the one on the right: Which ot the three is most common?
These are all the examples I can provide now. Yesterday I made a systematic search in our corpus and other examples I can find only incidentally. In your post the first letter on the left is a standard Unicode a with stroke. It would be nice to have the variant for the one in the middle, but it can be either approximated by the left one or perhaps rendered with a combining stroke. The one on the right is the most important, it seems also most common.
I think I can more or less see what's going on. I've added U+023A and U+2C65 to the roman font, but I've echoed U+2C65 as aogonek.alt2 and added it to cv02. (cv02 should be used to produce this shape, since it then remains searchable as aogonek U+0105.)
Is a shape matching U+023A ever used for Aogonek?
Nasals in Polish never start a word, but upper case versions may appear e.g. in capitalized titles. So the answer is yes.
Italic.
Italic caps.
OK except the lower case on the right. I don't think the stroke should be broken. BTW, a general remark. Contrary e.g. to Adam Twardoch (https://junicode.sourceforge.io/ecaudata.html) I don't believe in one canonical shape and position of ogonek. There are so many variants of it in the texts that the choice which shape use in a font always will be more or less arbitrary.
Thanks--I'll work on the last lowercase shape.
Interestingly, Adam Twardoch contacted me years ago about the position of the ogonek in eogonek and talked me into moving it. But I also kept the older shape, and that's why there has been an alternate eogonek in Junicode for so long.
A simpler approach.
Sorry, but I think we don't need a glyph like that. In all a with stroke I know the a is crossed by a single continuos stroke. Your glyph is similar to "o with horns" from issue #3, but we don't need "a with horns".
I thought it was like the second of your three italic examples in your first post. I suppose I misinterpreted it, and will delete this.
The print quality of some texts in the corpus is horrible and identifying a character can be quite a challenge.
Before a with ogonek became generally used for a nasal sound in Polish, a with stroke was used instead. In a diachronic IMPACT corpus a with stroke has about 30000 occurences (while a with ogonek has about 40000). In the corpus the character was represented respectively by LATIN SMALL/CAPITAL LETTER A WITH STROKE (U+2C65 and U+023A), so it can be considered a glyph variant of this codepoint; however using U+2C65 and U+023A is not a generally accepted standard, so treating it as a variant of a with ogonek also has an advantage. Reportedly the stroke had different shapes, but supporting only one variant illustrated below is in my opinion completely sufficient.