Algorithmic art research

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Here we collect academic conferences that contribute to the field of algorithmic art: creative coding, generative art, live coding, digital art preservation. Venues that publish regularly on these topics

• International Conference on Computational Creativity
• Generative art International Conference
• International Conference on Live Coding
• SIGGRAPH
• Leonardo
• Workshop on Functional Art, Music, Modeling and Design
• Conference on Computation, Communication, Aesthetics & X

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Forking a Sketch: How the OpenProcessing Community Uses Remixing to Collect, Annotate, Tune, and Extend Creative Code https://dl.acm.org/doi/10.1145/3563657.3595969

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Tools, Tricks, and Hacks: Exploring Novel Digital Fabrication Workflows on #PlotterTwitter https://twigg.gg/papers/plottertwitter https://twitter.com/hashtag/plottertwitter?src=hash

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Technical Narratives: Analysis, Description and Representation in the Conservation of Software-Based Art https://kclpure.kcl.ac.uk/portal/files/119342199/2019_Ensom_Thomas_1458102_ethesis_PU

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Spellburst: A Node-based Interface for Exploratory Creative Coding with Natural Language Prompts https://arxiv.org/pdf/2308.03921

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A Study of Editor Features in a Creative Coding Classroom https://dl.acm.org/doi/pdf/10.1145/3544548.3580683

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Software engineering issues in interactive installation art https://www.cs.vu.nl/~eliens/stage/research/web3d/@archive/info/art-se.pdf

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SArt: Towards Innovation at the intersection of Software engineering and art https://www.academia.edu/download/49606055/ISD07_camera-ready.pdf

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Software art http://cramer.pleintekst.nl/all/software_art_and_writing/software_art_and_writing.pdf

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The Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows https://muse.jhu.edu/article/600598/pdf?casa_token=KVUgr0jfJpcAAAAA:QpPHxkX-jocuE1tRjaquehWYd0ZsIsRgLZ9tNzihHj9yotPZ7RLs3oVWV-dq5IXKTAK7nUFb0Lq9

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Old media, new media? Significant difference and the conservation of software-based art https://www.academia.edu/download/44565452/Laurenson_OldMediaNewMedia.pdf

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Toward aesthetic guidelines for paintings with the aid of a computer https://www.jstor.org/stable/1573236

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Éloge de l’ordinateur dans les arts visuels http://www.veramolnar.com/?p=1002

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Glicol: A graph-oriented live coding language developed with rust, webassembly and audioworklet

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low-complexity art

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Internet of Things connected Pen Plotter. Bsc thesis, 2022

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Computer Graphics — Computer Art. Book, 1971

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Earth and Space Sciences for Computer Art Works https://www.olats.org/tania-fraga-earth-and-space-sciences-for-computer-art-works-2005/

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Processing: programming for the media arts https://link.springer.com/article/10.1007/s00146-006-0050-9

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JSoLangs: ephemeral esolangs in a collaborative live coding environment

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Estuary: Browser-based Collaborative Projectional Live Coding of Musical Patterns https://iclc.toplap.org/2017/cameraReady/ICLC_2017_paper_78.pdf

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Exploring Collaboration in Computer Music Systems for Live Coding

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Computer Programming in the Creative Arts https://link.springer.com/chapter/10.1007/978-3-642-31727-9_9

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Visual Intelligence: The First Decade of Computer Art (1965–1975) https://muse.jhu.edu/pub/6/article/600927/pdf

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Vera Molnar. Weaving Variations, by Szofi valyi nagy https://www.holo.mg/dossiers/vera-molnar-weaving-variations/#27169

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Kinetic Art Table. Polar sand plotter. Bsc thesis, 2021 https://www.diva-portal.org/smash/get/diva2:1559481/FULLTEXT01.pdf

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Sights and Sounds of Big Data: Ryoji Ikeda’s Immersive Installations https://sciendo.com/article/10.2478/ausfm-2020-0006

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Infinitesimal to Infinity: Ryoji Ikeda’s Data Composition and Space of Sensing. PhD thesis, 2018 https://www.proquest.com/openview/0af5f8b88da0f6f3f68d8d6eff84f70b/1?pq-origsite=gscholar&cbl=18750&diss=y

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Chance and Control: Art in the Age of Computers. 2019 https://www.jstor.org/stable/27217413?seq=1

"Opening at London’s Institute of Contemporary Arts ( ICA ) in 1968, “Cybernetic Serendipity” was one of the first international exhibitions devoted to the relationship between the computer and the arts. "

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[research group] Machine Agency. Our work harnesses the precision of machines for the creativity of individuals https://depts.washington.edu/machines/

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[research group] The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering https://ecl.mat.ucsb.edu/home

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The Tools of Generative Art, from Flash to Neural Networks https://www.artnews.com/art-in-america/features/generative-art-tools-flash-processing-neural-networks-1202674657/

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Magic Squares and Aesthetic Events https://ieeexplore.ieee.org/abstract/document/6676588/

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Computer arts society https://computer-arts-society.com/index.html

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Generative Art Theory https://creativecoding.soe.ucsc.edu/courses/cmpm202_w20/texts/galanter_generative.pdf

Discusses generative art with a computer, regarding other forms of generative art

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the creative coding research group at UC Santa Cruz https://creativecoding.soe.ucsc.edu/news.php

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Creative Computing Institute https://www.arts.ac.uk/creative-computing-institute

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A Program for Victory Boogie Woogie https://www.tandfonline.com/doi/full/10.1080/17513472.2018.1555687

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Artistic Skills and Capabilities for Navigating the Intersection between the Arts and Digital Technologies https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4420823

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Research on the Application of Coding Art in Creative Products https://link.springer.com/chapter/10.1007/978-3-031-05906-3_26