Open wurli opened 3 years ago
Here is a data dictionary compiled from this page.
variable | class | description |
---|---|---|
title | character | Film title |
year | integer | Film year |
director | character | Director name |
pan | double | Number of panning shots (pans >= 10 degrees) |
tilt | double | Number of tilt shots (tilt >= 10 degrees) |
pan_w_tilt | double | Number of shots with pan and tilt |
track | double | Number of tracking shots |
track_w_pan_tilt | double | Number of tracking shots with pan and tilt |
crane | double | Number of shots using a crane |
zoom | double | Number of zoom shots |
zoom w_pan_tilt | double | Number of zoom shots with pan and tilt |
total | double | Total number of shots |
variable | class | description |
---|---|---|
title | character | Film title |
alternative_title | character | Alternative film title |
year | integer | Film year |
Director | character | Director name |
asl | double | Average shot length |
country | character | The name of the country that entirely financed the film if applicable |
scope | character | Scope of the film: 's' means the intended projection aspect ratio of the film is 1:2.2 or 1:2.35 or wider; 't' means that it is a 'made for television' movie; 'v' means that it went straight to video; 'a' means that it is an animated film; 'd' means that it is a documentary. |
cinematographer | character | Cinematographer name |
editor | character | Editor name |
studio | character | The single major studio to finance the film, if applicable |
variable | class | description |
---|---|---|
title | character | Film title |
alternative_title | character | Alternative film title |
year | integer | Film year |
director | character | Director name |
asl | double | Average shot length |
ra | double | Number of reverse angle cuts, which are defined as changes of camera direction of more than 90 degrees |
pov | double | Number of point of view shots, i.e. those taken from the position of one of the participants in the scene, or at any rate from a position on their line of sight |
ins | double | Number of insert shots, i.e. shots of things which do not include an actor's face. Very distant shots of street scenes, in which no principal actors are included, are counted as insert shots |
country | character | The name of the country that entirely financed the film if applicable |
intertit | double | The number of intertitle shots, mainly used in silent films |
bcu | double | Number of Big Close Up shots, i.e. those showing head only |
cu | double | Number of Close Up shots, i.e. those showing head and shoulders |
mcu | double | Number of Medium Close Up shots, i.e. those showing the body from the waist up |
ms | double | Number of Medium Shots, i.e. those showing from just below the hip to above the head of upright actors |
mls | double | Number of Medium Long Shots, i.e. those showing the body from the knee upwards |
ls | double | Number of Long Shots, i.e. those showing at least the full height of the body |
vls | double | Number of Very Long Shots, i.e. those showing the actor small in the frame |
Film Shot Stats/Cinemetrics
The data this week comes from Barry Salt's collection of film cinemetrics. These give information about the average shot length (ASL) of different films, along with many other metrics around camera movement and shot scale.
More information about the data can be found at Barry Salt's own website. Film enthusiasts may also appreciate the use of the data in The Nerdwriter's video on There Will Be Blood.
Credit: Jacob Scott
The data is taken from Barry Salt's website. Cleaning script: