Open katef opened 8 years ago
Er, eszett, that is. My spelling isn't great in English, let alone German :)
Alternately, I think this style would suit Crimson:
With a nice rundown here: http://typography.guru/journal/how-to-draw-a-capital-sharp-s-r18/
Yeah, you have a point in that users can't track out the SS. I'm happy with your suggestion, if you can make it work. I've never seriously looked into how OpenType features work, save for simple ligature substitutions so I didn't even realize what you suggested was an option.
I find that capital ß charming. Growing up in Germany I very very rarely encountered it – for some inexplicable reason I associate it with mid-century Eastern Germany – but it's growing on me the more I look at it. Feel free to give it a shot, commit it and I'll fiddle around with it until we're both happy with it?
It would also be possible to implement smcp
to substitute ß for two s.sc
characters, with a capital ß glyph instead as a stylistic alt. If the capital glyph feels so charming as to be old fashioned, maybe that's a better approach.
Personally I really like the glyph! The angle reminds me of the middle part of "M". I will try drawing it, but not right now.
I'm working on getting #29 into shape, by the way. Spotting these things is a side effect of that.
Hello from Åland! Happy new year!
I had a go at drawing out the above idea for capital ß in Crimson's serif style. Please note this is to smallcaps proportion; it is not uppercase. So of course it looks relatively quite wide.
I don't think it's all quite there yet (particularly the joint top-right is a bit awkward), but I'm thinking of it calligraphically, in terms of how I might angle an oblique pen nib, and I think the idea is potentially useful. I did find it hard to make the angled stroke elicit the feel of the z.sc
, which I think it ought to.
Happy new year! Love it so far, great start. I would …
Overall I think the skeleton is lovely, it just needs some cosmetic attention. My heuristic to avoid clumsy-looking curves is to keep the two opposing bezier handles defining a segment more or less balanced (and always on the same side of the curve), and un-balance them only if there's a good reason to.
Hope that helps! :)
I think we have almost exactly the opposite situation to #34 for ß - that is, a ligature which I think ought to be substituted for two characters.
Currently
germandbls.sc
(can we name itesset
instead?) is drawn as two capital 'S' characters, which I think is correct because ß is lowercase, and so would become two S characters on converting to capitals.However I would rather provide
smcp
for ß as a substitution to twos.sc
glyphs instead, and removegermandbls.sc
.The reason is that I'd rather avoid having pictures of two characters with a space between them because that space would be incorrect if a user adjusts the letter spacing. That's all the more likely for small caps, since at larger sizes spacing between capitals is often made a little looser.
I'd implement this after #29.