Through “Yin (Imprints)”, the Panacea series seeks to impart the commutative nature of polarities. The roots, stems, leaves, flowers, fruits, seeds, as well as certain medicinal minerals, leave their imprints between frames in the form of their petals, concentrates, fragrances and contours, while the synergistic affinity of their constituent elements are allegorized through the figurative and abstract, the substantial and the surreal. Resulting from the random crossover of the Panacea series using computer algorithms, MetaPanacea is both dialectic and transdisciplinary; dynamic yet incidental; constitutive yet minimal; exact yet elusory; and ultimately - poetic.
Through “Yin (Imprints)”, the Panacea series seeks to impart the commutative nature of polarities. The roots, stems, leaves, flowers, fruits, seeds, as well as certain medicinal minerals, leave their imprints between frames in the form of their petals, concentrates, fragrances and contours, while the synergistic affinity of their constituent elements are allegorized through the figurative and abstract, the substantial and the surreal. Resulting from the random crossover of the Panacea series using computer algorithms, MetaPanacea is both dialectic and transdisciplinary; dynamic yet incidental; constitutive yet minimal; exact yet elusory; and ultimately - poetic.