Provide or edit short titles to be 40 characters or less

[geealbers]

The titles of the papers appear in the top navigation bar of the online edition. We aim for them to be ~40 characters or less to avoid them getting awkwardly cut off in certain browser conditions. If the normal title isn’t short enough, we need to define a short title to use instead. Below is a list of papers that need new short titles, or that need their existing short title shortened. They’re sorted by the character count of the short title, or title if no short title exists. It’s ok not to worry about the ones in the 40s if there’s no obvious way of shortening them.

Full Title	Short Title	Character Count	Action Needed
56. An Approach to Conservation Treatment Options for Double-Sided Painted Canvases with Ritual Functions		101	NEEDS SHORT TITLE
51. An Insight into the Limits and Possibilities of the Biological, Chemical, and Mechanical Performance of Glue-Paste Lined Paintings	An Insight into the Limits and Possibilities of the Performance of Glue-Paste Lined Paintings	93	SHOULD BE SHORTER
45. On Color Change in Seventeenth-Century Netherlandish Paintings after Wax-Resin Lining		85	NEEDS SHORT TITLE
54. Evaluating Structural Treatment Options for an Untensioned Oil Painting on Canvas		81	NEEDS SHORT TITLE
22. Self-Portrait as Saint Catherine of Alexandria by Artemisia Gentileschi: A Recent Glue-Paste Relining Treatment at the National Gallery, London		73	NEEDS SHORT TITLE
60. Structural Conservation Issues with European Easel Paintings Housed in High-Humidity Regions Such as Mumbai, India	Structural Conservation Issues with Paintings in High-Humidity Regions	70	SHOULD BE SHORTER
27. Nanocellulose and Multilayered Nanoparticles in Paintings Conservation: Introduction of New Materials for Canvas Consolidation and a Novel Multiscale Approach for Their Assessment		70	NEEDS SHORT TITLE
23. Conserving the History and Fabric of the New Bedford Whaling Museum’s Grand Panorama of a Whaling Voyage ’Round the World	Conserving the Grand Panorama of a Whaling Voyage ’Round the World	68	SHOULD BE SHORTER
38. The Structural Treatment of Modern and Contemporary Canvas Paintings: Changing Approaches and Considerations		68	NEEDS SHORT TITLE
19. The Influence of Research and Innovative Development on Laboratory Practice in the Structural Treatment of Paintings over Four Decades	Research and Development on the Structural Treatment of Paintings	65	SHOULD BE SHORTER
57. The Challenges of Treating and Displaying Two-Sided Oil Paintings		65	NEEDS SHORT TITLE
47. A System to Keep Paintings on Canvas at a Constant Tension during Conservation Treatment	A System to Keep Paintings at Constant Tension during Treatment	63	SHOULD BE SHORTER
63. Stabilization Processing of Canvas Paintings Damaged by Tsunami: Consideration of Blotter Washing to Acrylic Paintings on Cotton Canvas		63	NEEDS SHORT TITLE
42. The Greenwich Conference on Comparative Lining Techniques, April 23, 24, and 25, 1974: Three Days That Changed Conservation	The Greenwich Conference: Three Days That Changed Conservation	62	SHOULD BE SHORTER
62. Investigating Commercially Primed Contemporary Artist Canvases		62	NEEDS SHORT TITLE
35. The Impact of a Major Flood on Relined and Transferred Paintings from the Musée Girodet in Montargis, France, and the Conservation That Followed	Impact of a Major Flood on Paintings from the Musée Girodet	59	SHOULD BE SHORTER
44. A Method for Remounting Lined Paintings Using BEVA 371 Film		59	NEEDS SHORT TITLE
59. Magnetic Systems as an Alternative to Traditional Methods for the Conservation-Restoration of Painted Canvas Supports: A Proposal of Minimal Intervention Protocols	Magnetic Systems as an Alternative to Traditional Methods	57	SHOULD BE SHORTER
40. Local Treatments of Cupped Cracks in Contemporary Paintings and Their Appearance after Twenty-One Years	Local Treatments of Cupped Cracks After Twenty-One Years	56	SHOULD BE SHORTER
49. Analysis of Evolon CR as a Poulticing Agent for Wax-Resin Lining Adhesives: Py-GCMS, BET, and SEM Analyses of Used Evolon CR Tissues	Evolon CR as a Poultice for Wax-Resin Lining Adhesives	54	SHOULD BE SHORTER
14. Structural Stabilization of Large Paintings on Canvas: A History of Approaches in the Kunsthistorisches Museum Vienna	Structural Stabilization of Large Paintings on Canvas	53	SHOULD BE SHORTER
16. A Novel Technique to Determine the Strength of Canvas and Its Correlation with the Degree of Cellulose Polymerization	A Novel Technique to Determine the Strength of Canvas	53	SHOULD BE SHORTER
52. The Structural Treatment of Titian’s Rape of Europa: Extending the Life of a Two-Hundred-Year-Old Glue-Paste Lining		53	NEEDS SHORT TITLE
13. Lining as a Last Resort for a Large-Format Canvas Painting of the Early Nineteenth Century	Lining as a Last Resort for a Large-Format Canvas	49	SHOULD BE SHORTER
55. Conservation and Restoration of The Crucifixion, an Eighteenth-Century Canvas Painting: Challenges of the Large-Scale Lining, Complicated Tear Repair, and Verification of the Authorship	Conservation and Restoration of The Crucifixion	49	SHOULD BE SHORTER
21. Mehra’s Eight Requirements for Linings, Revisited: Evaluation of Linings for Canvas Paintings—Then and Now		49	NEEDS SHORT TITLE
6. Structural Conservation of Canvases in Russia from the 1960s to the Present: Evolution of Methods and Approaches	Structural Conservation of Canvases in Russia	45	SHOULD BE SHORTER
30. Targeted Strategies for Structural Treatments: The Law of the Instrument, Occam’s Razor, and Minimal Intervention		45	NEEDS SHORT TITLE
43. A Roman Technique of Open-Weave Canvas Lining		45	NEEDS SHORT TITLE
53. Relining The Menagerie van Prince Willem V		44	NEEDS SHORT TITLE
33. Conservation of Canvas Paintings at the Victoria and Albert Museum: Past, Present, and Future	Conservation of Canvas Paintings at the V&A	43	SHOULD BE SHORTER
39. Wax-Resin Extraction Traction on a Late Georges Braque Still Life	Wax-Resin Extraction on a Braque Still Life	43	SHOULD BE SHORTER
2. Applied Mechanics and the Structural Treatment of Paintings on Canvas	Applied Mechanics and Structural Treatment	42	SHOULD BE SHORTER
25. Issues with Congolese Paintings in Belgium’s Africa Museum: Condition Assessment and Research in Transparent Lining	Issues of the African Paintings Collection	42	SHOULD BE SHORTER
26. Eighteenth-Century Canvases of Easel Painting from New Spain: The Case of the Apostolate Series of Atizapan, Mexico	Eighteenth-Century Canvases from New Spain	42	SHOULD BE SHORTER
1. Understanding Structure, Changing Practice		42	NEEDS SHORT TITLE
36. Remedial Conservation of Canvas Paintings: Issues and Challenges Due to Previous Treatments		41	NEEDS SHORT TITLE

[geealbers]

@rabarth1 While all the running footers in the PDF are now fixed and displaying properly there, longer paper titles are still being cut off in the navigation bar of the online edition, particularly in narrow desktop browser windows. (At a tablet/phone size we have styling in place to remove the titles altogether so it's not an issue at those sizes.)

We can leave them as is (it doesn't actually bother me hugely) or we'd need you to supply short or shorter titles as documented above. And in that case, though I stated a 40-character goal, in practice 36–38 characters is safer to avoid any truncations.

Let us know what you'd like to do.

[rabarth1]

Hi Greg and Erin,

I've tried my best with all of these. Some are a bit over the ideal character count, but I'm ok with that.

Thanks! Rachel

56. An Approach to Conservation Treatment Options for Double-Sided Painted Canvases with Ritual Functions short: Double-Sided Painted Canvases

57. An Insight into the Limits and Possibilities of the Biological, Chemical, and Mechanical Performance of Glue-Paste Lined Paintings

    short: The Performance of Glue-Paste Lined Paintings

58. On Color Change in Seventeenth-Century Netherlandish Paintings after Wax-Resin Lining

    short: On Color Change

59. Evaluating Structural Treatment Options for an Untensioned Oil Painting on Canvas

    short: Evaluating Structural Treatment Options

60. Self-Portrait as Saint Catherine of Alexandria by Artemisia Gentileschi: A Recent Glue-Paste Relining Treatment at the National Gallery, London

    short: Self-Portrait as Saint Catherine of Alexandria

61. Structural Conservation Issues with European Easel Paintings Housed in High-Humidity Regions Such as Mumbai, India

    short: Paintings in High-Humidity Regions

62. Nanocellulose and Multilayered Nanoparticles in Paintings Conservation: Introduction of New Materials for Canvas Consolidation and a Novel Multiscale Approach for Their Assessment

    short: Nanocellulose and Multilayered Nanoparticles

63. Conserving the History and Fabric of the New Bedford Whaling Museum’s Grand Panorama of a Whaling Voyage ’Round the World

    short: Conserving the Grand Panorama

64. The Structural Treatment of Modern and Contemporary Canvas Paintings: Changing Approaches and Considerations

    short: Modern and Contemporary Canvas Paintings

65. The Influence of Research and Innovative Development on Laboratory Practice in the Structural Treatment of Paintings over Four Decades

    short: The Structural Treatment of Paintings over Four Decades

66. The Challenges of Treating and Displaying Two-Sided Oil Paintings

    short: Treating and Displaying Two-Sided Oil Paintings

67. A System to Keep Paintings on Canvas at a Constant Tension during Conservation Treatment

    short: A System to Keep Paintings at Constant Tension

68. Stabilization Processing of Canvas Paintings Damaged by Tsunami: Consideration of Blotter Washing to Acrylic Paintings on Cotton Canvas

    short: Canvas Paintings Damaged by Tsunami

69. The Greenwich Conference on Comparative Lining Techniques, April 23, 24, and 25, 1974: Three Days That Changed Conservation

    short: The Greenwich Conference

70. Investigating Commercially Primed Contemporary Artist Canvases

    short: Commercially Primed Contemporary Artist Canvases

71. The Impact of a Major Flood on Relined and Transferred Paintings from the Musée Girodet in Montargis, France, and the Conservation That Followed

    short: Impact of a Flood on Paintings from the Musée Girodet

    44. A Method for Remounting Lined Paintings Using BEVA 371 Film

    short: Remounting Lined Paintings Using BEVA 371 Film

72. Magnetic Systems as an Alternative to Traditional Methods for the Conservation-Restoration of Painted Canvas Supports: A Proposal of Minimal Intervention Protocols

    short: Magnetic Systems as an Alternative

73. Local Treatments of Cupped Cracks in Contemporary Paintings and Their Appearance after Twenty-One Years

    short: Local Treatments of Cupped Cracks

74. Analysis of Evolon CR as a Poulticing Agent for Wax-Resin Lining Adhesives: Py-GCMS, BET, and SEM Analyses of Used Evolon CR Tissues

    short: Analysis of Evolon CR as a Poulticing Agent

75. Structural Stabilization of Large Paintings on Canvas: A History of Approaches in the Kunsthistorisches Museum Vienna

    short: Structural Stabilization of Large Paintings on Canvas

76. A Novel Technique to Determine the Strength of Canvas and Its Correlation with the Degree of Cellulose Polymerization

    short: A Novel Technique to Determine the Strength of Canvas

77. The Structural Treatment of Titian’s Rape of Europa: Extending the Life of a Two-Hundred-Year-Old Glue-Paste Lining

    short: Structural Treatment of Titian’s Rape of Europa

78. Lining as a Last Resort for a Large-Format Canvas Painting of the Early Nineteenth Century

    short: Lining as a Last Resort

79. Conservation and Restoration of The Crucifixion, an Eighteenth-Century Canvas Painting: Challenges of the Large-Scale Lining, Complicated Tear Repair, and Verification of the Authorship

    short: Conservation and Restoration of The Crucifixion

    21. Mehra’s Eight Requirements for Linings, Revisited: Evaluation of Linings for Canvas Paintings—Then and Now

    short: Mehra’s Eight Requirements for Linings

80. Structural Conservation of Canvases in Russia from the 1960s to the Present: Evolution of Methods and Approaches

    short: Structural Conservation of Canvases in Russia

81. Targeted Strategies for Structural Treatments: The Law of the Instrument, Occam’s Razor, and Minimal Intervention

    short: Targeted Strategies for Structural Treatments

82. A Roman Technique of Open-Weave Canvas Lining

    short: A Roman Technique of Open-Weave Canvas Lining

83. Relining The Menagerie van Prince Willem V

    short: Relining The Menagerie van Prince Willem V

84. Conservation of Canvas Paintings at the Victoria and Albert Museum: Past, Present, and Future

    short: Conservation of Canvas Paintings at the V&A

85. Wax-Resin Extraction Traction on a Late Georges Braque Still Life

    short: Wax-Resin Extraction Traction on a Braque Still Life

86. Applied Mechanics and the Structural Treatment of Paintings on Canvas

    short: Applied Mechanics and Structural Treatment

87. Issues with Congolese Paintings in Belgium’s Africa Museum: Condition Assessment and Research in Transparent Lining

    short: Issues with Paintings in Belgium’s Africa Museum

88. Eighteenth-Century Canvases of Easel Painting from New Spain: The Case of the Apostolate Series of Atizapan, Mexico

    short: Eighteenth-Century Canvases from New Spain

89. Understanding Structure, Changing Practice

    short: Understanding Structure, Changing Practice

90. Remedial Conservation of Canvas Paintings: Issues and Challenges Due to Previous Treatments

    short: Remedial Conservation of Canvas Paintings

[geealbers]

Done with fadb2b1