This is focused on scholarly workflows, and publishing musical editions in particular (because that's my background).
But emphasize that most of it applies also to
preparation of any complex score/text (e.g. composers)
anybody who has to deal with lots of comparable documents:
music examples
teaching/exam material
presentations
more?
It ('it' meaning the paper but also the described workflows) does not apply however to workflows where it is crucial to have instant results, without caring for output quality or resuability etc.
E.g. an arranger who has to work 'live' during a recording or rehearsal session.
uliska
commented
11 years ago
Place in introduction:
This is focused on scholarly workflows, and publishing musical editions in particular (because that's my background).
But emphasize that most of it applies also to
It ('it' meaning the paper but also the described workflows) does not apply however to workflows where it is crucial to have instant results, without caring for output quality or resuability etc. E.g. an arranger who has to work 'live' during a recording or rehearsal session.