008 Fixed-length data elements general information

CECSpecialistI commented 2 years ago

https://github.com/uwlib-cams/MARC2RDA/blob/main/Working%20Documents/00X.csv

SitaKB commented 2 years ago

TAG 008 has [OBSOLETE] characterPositionLabels. What to do with? Should it be mapped or ignored? @CECSpecialistI @AdamSchiff

SitaKB commented 2 years ago

Certain MARC TAGS can be mapped to more than one RDA properties. How should we record this in the mapping?

CECSpecialistI commented 2 years ago

It depends on the MARC TAG and properties in question, I think. Some may merit two or more mappings, and in that case, they can go on separate spreadsheet rows. Otherwise, we need to choose the best property and map to that one. Does that answer your question @SitaKB , or were you getting at something else? Sorry I missed this until now, we could have talked about it at the meeting.

SitaKB commented 2 years ago

I noticed that sometimes the character position number is missing or wrong. For example 008- Biography has character positon empty and 39. According to https://www.loc.gov/marc/bibliographic/bd008b.html it should be 34. @CECSpecialistI @AdamSchiff

CECSpecialistI commented 2 years ago

Uh oh! Do you think this is a spreadsheet problem or an error in the data?

SitaKB commented 2 years ago

Don't know. 007 file alsohad unknown character position like 4435 but the new file has the right number. All the 44XX are now gone from 007. Old upload 44355 Image bit depth 001-999 Exact bit depth 007 00 c
Recent file 06-08 Image bit depth 001-999 Exact bit depth 007 00 c

pan-zhuo commented 1 year ago

Is it safe to map b - Bibliographies, k - Discographies, q - Filmographies to rdaw:P10004 has category of work? You can use these three for either an entire work or "part" of the work (not really a part because it's actually an aggregate), as shown in this example from the MARC manual:

008/24-27 bkq# 504 ## $a Bibliography: p. 80-84. 504 ## $a Discography: p. 85-97. 504 ## $a Filmography: p. 98-101.

In this case, they may be mapped to rdam:P30455 has supplementary content.

GordonDunsire commented 1 year ago

@pan-zhuo: I do not think it is safe to assume that a single b, k, or q code in 008/24-27 indicates that only one work is embodied in the manifestation being described, or that the code represents a category of work. A single code may be assigned even if the manifestation is an aggregate that embodies more than one work. That is not the problem, because all three of these categories are now treated in RDA as aggregating works (aggregations of metadata description sets for each work that is catalogued).

The problem is to which minted work the category is assigned. RDA does not accommodate "aggregations of aggregations", so a manifestation that embodies, say, a discography of 10 works supplemented by a preface and and an essay about the composer is an aggregate of 10+2 metadata expression/works (+ the aggregating work that is not a discography) while the discography on its own is an aggregate of 10 metadata expression/works (+ a different aggregating work that is a discography).

Mapping to "has supplementary content" is fine, but we should document the implications:

The terms "bibliography", "discography", and "filmography" are taken from a MARC 21 value vocabulary for rdae:P20331 "has category of expression".
The categories refer to secondary expressions embodied in an augmentation aggregate manifestation. This does not conflict with other possible value vocabularies for category of expression.

The other codes that should only apply to the 'whole' manifestation can be mapped to rdaw:P10004 "has category of work" for the instance of work that is the object of rdam:P3013 "has work manifested". In this case, the MARC 21 value vocabulary is intended for work categories.

pan-zhuo commented 1 year ago

Some ideas on mapping CNR: 008/22 - Form of original item:

Use a structured description of Work:carrier version of or Work:transformation by audience of, with a boilerplate "{title from 245} ({code label of 008/22})".

For codes a - Microfilm, b - Microfiche, c - Microopaque, o - Online, q - Direct electronic, s - Electronic, map to Work:carrier version of.

For codes d - Large print, e - Newspaper format, f - Braille, map to Work:transformation by audience of.

Example:

MARC OCLC #34107580 008/22 e (Newspaper format) 008/23 o (Online) 022 1_ $a 1553-8095 $l 0362-4331 $2 1 245 04 $a The New York Times.

RDA <> rdawd:P10366[has ISSN] "1553-8095" . <> rdawd:P10384[is transformation by audience of] "New York Times (Newspaper format)" .

CECSpecialistI commented 1 year ago

Hello @AdamSchiff @CatalogerCate @tmqdeborah @GordonDunsire ,

We ran into a question while we were reviewing the 008 mapping today. Here's a link to the place in the notes, for context.

We want to know whether MARC MUSIC 008 /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:

"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."

We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?

Thanks for considering these questions!

CatalogerCate commented 1 year ago

It refers to the main work, not any supplemental stuff.

Want an example?

Cate

From: Crystal Yragui (Clements) @.> Sent: Wednesday, September 6, 2023 10:10 AM To: uwlib-cams/MARC2RDA @.> Cc: Cate Gerhart @.>; Mention @.> Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)

Hello @AdamSchiffhttps://urldefense.com/v3/__https://github.com/AdamSchiff__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVQuE4Cvk$ @CatalogerCatehttps://urldefense.com/v3/__https://github.com/CatalogerCate__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVZwjK6yo$ @tmqdeborahhttps://urldefense.com/v3/__https://github.com/tmqdeborah__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVzq723hM$ @GordonDunsirehttps://urldefense.com/v3/__https://github.com/GordonDunsire__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVTUy-yRs$ ,

We ran into a question while we were reviewing the 008 mapping today. Here's a linkhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/wiki/2023-Meeting-Minutes*there-was-some-confusion-about-music-30-31-literary-text-for-sound-recordings__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVFzdlyO0$ to the place in the notes, for context.

We want to know whether MARC MUSIC 008https://urldefense.com/v3/__https://www.loc.gov/marc/bibliographic/bd008m.html__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheV1kpnUIg$ /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:

"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."

We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?

Thanks for considering these questions!

— Reply to this email directly, view it on GitHubhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/issues/50*issuecomment-1708785905__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVyecLK-k$, or unsubscribehttps://urldefense.com/v3/__https://github.com/notifications/unsubscribe-auth/AVX7HCXM3VCW7SROEK3RVVLXZCVBXANCNFSM5IXIGJCA__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVUeNrkC4$. You are receiving this because you were mentioned.Message ID: @.***>

CatalogerCate commented 1 year ago

Remember this is for spoken word, so this is just coding what kind of thing is being spoken. It's it poetry? Is it conference proceedings? It defines the work but it's used on an expression bib.

Cate

From: Crystal Yragui (Clements) @.> Sent: Wednesday, September 6, 2023 10:10 AM To: uwlib-cams/MARC2RDA @.> Cc: Cate Gerhart @.>; Mention @.> Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)

Hello @AdamSchiffhttps://urldefense.com/v3/__https://github.com/AdamSchiff__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVQuE4Cvk$ @CatalogerCatehttps://urldefense.com/v3/__https://github.com/CatalogerCate__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVZwjK6yo$ @tmqdeborahhttps://urldefense.com/v3/__https://github.com/tmqdeborah__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVzq723hM$ @GordonDunsirehttps://urldefense.com/v3/__https://github.com/GordonDunsire__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVTUy-yRs$ ,

We ran into a question while we were reviewing the 008 mapping today. Here's a linkhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/wiki/2023-Meeting-Minutes*there-was-some-confusion-about-music-30-31-literary-text-for-sound-recordings__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVFzdlyO0$ to the place in the notes, for context.

We want to know whether MARC MUSIC 008https://urldefense.com/v3/__https://www.loc.gov/marc/bibliographic/bd008m.html__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheV1kpnUIg$ /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:

"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."

We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?

Thanks for considering these questions!

— Reply to this email directly, view it on GitHubhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/issues/50*issuecomment-1708785905__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVyecLK-k$, or unsubscribehttps://urldefense.com/v3/__https://github.com/notifications/unsubscribe-auth/AVX7HCXM3VCW7SROEK3RVVLXZCVBXANCNFSM5IXIGJCA__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVUeNrkC4$. You are receiving this because you were mentioned.Message ID: @.***>

CECSpecialistI commented 1 year ago

Ah, so then "sound" would be spoken non-word sounds? That makes a bit more sense. So we can map these to "has category of work"?

tmqdeborah commented 1 year ago

Hi Crystal,

I would say that whether MARC MUSIC 008 /30-31 "Literary text for sound recordings" refers to the genre of the content of the words that are being spoken.

A blank (#) means that the recording either includes no words (just music) or the words are sung rather than spoken (i.e., the recording is musical).

Code ‘s’ means that the recording is of sounds without words. I have attached a file of examples from the copy of LC records that I have. Note that in some cases another code is provided, e.g., ‘i' for Instruction.

So, the MUSIC 008 /30-31 codes do not necessarily indicate aggregates, although the manifestation might be an aggregate that embodies different expressions.

However, the code ‘s’ (sounds) raises the question about whether the recorded sounds are expressions. Unless those sounds (utterance and vocalizations) are made by humans, I don’t think the sounds themselves are.

In which case, the work is the act of recording the sounds (similar to the act of taking a photograph) and its creator is a recordist agent (An agent who contributes to an expression by using a recording device to capture sound or video during a recording session. Includes field recordings of natural sounds, music performances, and other events).

Each recording is separate, so each must be a separate expression/work. If there is only one recording event (similar to when there is only one photo, or drawing), then it is a single-part expression/work. If the manifestation embodies multiple separate recordings, we are back to the manifestation embodying multiple expressions.

Looking at the examples in the attached file, I would say that most of those MARC records are for aggregate manifestations, even when there is no indication of supplementary content. But every now and then there is a record for a single recording, e.g., 010 $a 93850695 (https://soundcloud.com/user-651349945/playhouse-on-the-beach-female-voice/recommended)

So, what do we do?

Rely on the MUSIC 008 /30-31 = ‘s’ as a single marker for an aggregate manifestation
Only rely on MUSIC 008 /30-31 = ‘s’ as an addition marker for an aggregate manifestation, in conjunction with other markers, e.g., 505.

I’m working on sending what I have been working on for pulling out manifestations of diachronic works and should have something to send soon. Then I’ll move on to identifying aggregate manifestations.

Deborah

Deborah Fritz @.**@.>

From: Crystal Yragui (Clements) @.> Sent: Thursday, September 7, 2023 5:11 AM To: uwlib-cams/MARC2RDA @.> Cc: Deborah Fritz @.>; Mention @.> Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)

Hello @AdamSchiffhttps://github.com/AdamSchiff @CatalogerCatehttps://github.com/CatalogerCate @tmqdeborahhttps://github.com/tmqdeborah @GordonDunsirehttps://github.com/GordonDunsire ,

We ran into a question while we were reviewing the 008 mapping today. Here's a linkhttps://github.com/uwlib-cams/MARC2RDA/wiki/2023-Meeting-Minutes#there-was-some-confusion-about-music-30-31-literary-text-for-sound-recordings to the place in the notes, for context.

We want to know whether MARC MUSIC 008https://www.loc.gov/marc/bibliographic/bd008m.html /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:

"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."

We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?

Thanks for considering these questions!

— Reply to this email directly, view it on GitHubhttps://github.com/uwlib-cams/MARC2RDA/issues/50#issuecomment-1708785905, or unsubscribehttps://github.com/notifications/unsubscribe-auth/ABSHSEUNGYCFOTTJ2XUPGITXZCVBVANCNFSM5IXIGJCA. You are receiving this because you were mentioned.Message ID: @.**@.>>

MARC Source filename: D:\1.LCEnglish-Jan2022\English-Jan2022_NOTlooseleaf.mrc Review Description: AND 008/30 [MU]=s [Case=Y]

000 01480nim 2200325 a 4500 001 00515765 003 DLC 005 20000321130011.0 007 sd|fsngnnmmned 008 000317s1999 counnn bd is eng
010 $a 00515765 028 02 $a GCNP99 $b Travel Audios 033 $b 4314 $c C5 040 $a DLC $c DLC 043 $a n-us-az 050 00 $a SDA 05980 100 1 $a Rommes, Donald. 245 10 $a Voices of the canyon, "an insiders guide" $h [sound recording] : $b Grand Canyon National Park / $c [Donald and Nancy Rommes]. 246 3 $a Grand Canyon National Park 260 $a Colorado Springs, CO : $b Travel Audios, $c p1999. 300 $a 1 sound disc (64 min., 54 sec.) : $b digital ; $e 4 3/4 in. 306 $a 010454 500 $a Issued with manuscript (35 p. ; 28 cm.) containing script and bibliographical references. 505 0 $a Introduction -- Native Americans speak -- The geology story -- Adventures of John Wesley Powell -- River runners : past and present -- Early settlers -- Birds, reptiles, and mammals -- Discovering the canyon for yourself. 511 0 $a Narrated by Jay Cook. 518 $a Recorded at Get Reel Productions, Colorado Springs, Colo. 520 $a Presents information about the natural landmarks and wildlife in Grand Canyon National Park. Features interviews with park rangers, as well as accompanying music and nature sounds. 651 0 $a Grand Canyon National Park (Ariz.) 700 1 $a Cook, Jay. $4 nrt 700 1 $a Rommes, Nancy.

000 01163cim 2200277 a 4500 001 00515768 003 DLC 005 20060130152955.0 007 sd|fsnennmmned 008 000328s1998 xxunnn s eng
010 $a 00515768 040 $a DLC $c DLC 043 $a n-usl-- 050 00 $a SDA 02674 245 00 $a Songs of crickets & katydids of the Mid-Atlantic states $h [sound recording] / $c produced by Steve Rannels and Wil Hershberger. 246 3 $a Songs of crickets and katydids of the Mid-Atlantic states 260 $a [United States] : $b W. Hershberger and S. Rannels, $c [1998] 300 $a 1 sound disc : $b digital ; $c 4 3/4 in. 500 $a Field recordings by Steve Rannels and Wil Hershberger. 500 $a Compact disc. 520 $a Presents the vocalizations of crickets and katydids in their natural habitat, located in the Middle Atlantic States. Narration includes the name and location of each insect. 650 0 $a Crickets $x Vocalization $z Middle Atlantic States. 650 0 $a Katydids $x Vocalization $z Middle Atlantic States. 650 0 $a Insect sounds $z Middle Atlantic States. 700 1 $a Rannels, Steve. 700 1 $a Hershberger, Wil.

000 01296nim 22003011a 4500 001 00517568 003 DLC 005 20020625094354.0 007 sd|zsngnnmmned 008 000410s1998 xx n j s d 010 $a 00517568 020 $a 1575830620 024 1 $a 718451016029 028 02 $a TWIN 160CD $b Twin Sisters Productions 028 02 $a Twin 160 CD $b Twin Sisters Productions 035 $a (OCoLC)ocm38957358 040 $a JBU $c JBU $d OCL $d DLC 042 $a lcderive 050 00 $a SDA 06779 245 00 $a Nature sounds $h [sound recording] 260 $a [S.l.] : $b Twin Sister Productions, Inc., $c c,p1998. 300 $a 1 sound disc : $b digital, $c 4 3/4 in. 505 0 $a Wonders of the ocean -- Gentle breeze of autumn -- Rain's sweet sound -- Good morning sweetheart -- Mother's sound -- Lunar eclipse -- A Windy day -- Harp by the sea -- Evening is drawing near -- My playful friends -- I see a rainbow -- Nature's symphony. 508 $a Song compilations, Kim Mitzo Thompson, Karen Mitzo Hilderbrand; music, Hal Wright; executive producers, Kim Thompson, Karen Hilderbrand; cover, Virginia Dixon. 520 $a Original musical arrangements are coupled with natural sounds. 650 0 $a Nature sounds. 700 1 $a Hilderbrand, Karen Mitzo. 700 1 $a Thompson, Kim Mitzo.

000 01909cim 22003131a 4500 001 00517569 003 DLC 005 20040924162124.0 007 sd|zsngnnmmned 008 000410s1998 ohu n j s d 010 $a 00517569 020 $a 1575830655 024 1 $a 718451016128 028 02 $a TWIN 161CD $b Twin Sisters Productions 028 02 $a Twin 161 CD $b Twin Sisters Productions 035 $a (OCoLC)ocm39638416 040 $a JBU $c JBU $d DLC 042 $a lcderive 050 00 $a SDA 06780 245 00 $a Hymns & Bible songs $h [sound recording] 246 1 $a Hymns and Bible songs 260 $a [Akron, OH] : $b Twin Sister Productions, Inc., $c c,p1998. 300 $a 1 sound disc (60 min.) : $b digital ; $c 4 3/4 in. 505 0 $a Come thou fount -- What a friend we have in Jesus -- My Jesus, I love thee -- Jesus loves me -- Fairest Lord Jesus -- Oh how I love Jesus -- Amazing grace -- Blessed assurance -- Whiter than snow -- Immortal, invisible -- For the beauty of the earth -- I sing the mighty power of God -- O worship the king -- Deep and wide -- God is so good -- He is Lord -- Isn't He wonderful -- Praise him, praise him -- My god is so great -- Blessed be the name -- I will sing of the mercies of the Lord -- This is my commandment -- Rejoice in the Lord always -- He's got the whole world in his hands -- What a might god we serve -- This little light of mine -- Give me oil in my lamp -- Jesus wants me for a sunbeam -- Heavenly sunshine -- Evening prayer -- A little talk with Jesus -- Standing in the need of prayer -- Whisper a prayer. 508 $a Song compilations, Kim Mitzo Thompson, Karen Mitzo Hilderbrand; music, Hal Wright; executive producers, Kim Thompson, Karen Hilderbrand; cover, Virginia Dixon. 650 0 $a Hymns, English $v Juvenile sound recordings. 700 1 $a Hilderbrand, Karen Mitzo. 700 1 $a Thompson, Kim Mitzo. 710 2 $a Twin Sisters Productions.

000 00882nim 2200301 a 4500 001 00518519 003 DLC 005 20000612144416.0 007 sd|fsngnnmmned 008 000607s1997 xxunnn s
010 $a 00518519 024 1 $a 723721908225 028 02 $a ATM-16 $b Only New Age Music 033 $a 19970208 040 $a DLC $c DLC 043 $a n-us--- 050 00 $a SDA 08529 245 02 $a A night in the canyon $h [sound recording]. 260 $a [United States] : $b Only New Age Music, $c p1997. 300 $a 1 sound disc (51 min., 41 sec.) : $b digital ; $c 4 3/4 in. 306 $a 005141 440 0 $a Sounds of nature 500 $a Compact disc. 518 $a Recorded Feb. 8, 1997. 520 $a Present animal and nature sounds from a canyon in the United States. 650 0 $a Nature sounds. 650 0 $a Animal sounds. 650 0 $a Canyons $z United States.

000 00883cim 2200301 a 4500 001 00526033 003 DLC 005 20010327135354.0 007 sd|fsngnnmmned 008 000607s1997 xxunnn s
010 $a 00526033 024 1 $a 723721906726 028 02 $a ATM-2 $b Only New Age Music 033 $a 19970208 040 $a DLC $c DLC 043 $a n-usu-- 050 00 $a SDA 08517 245 00 $a Southern swamp $h [sound recording]. 260 $a [United States] : $b Only New Age Music, $c p1997. 300 $a 1 sound disc (50 min., 18 sec.) : $b digital ; $c 4 3/4 in. 306 $a 005018 440 0 $a Sounds of nature 500 $a Compact disc. 518 $a Recorded Feb. 8, 1997. 520 $a Present animal and nature sounds from a southern swamp in the United States. 650 0 $a Nature sounds. 650 0 $a Animal sounds. 650 0 $a Swamps $z Southern States.

000 01366cim 22003377a 4500 001 00581494 003 DLC 005 20111221140903.0 007 sd|bmsfnnmplue 008 000711s1957 nyunnn sz eng
010 $a 00581494 028 10 $a WR-3291 $b Foote, Cone & Belding Advertising 028 10 $a WR-3292 $b Foote, Cone & Belding Advertising 040 $a DLC $c DLC $d DLC 043 $a n-us--- 050 00 $a NCPC 02400 110 2 $a Foote, Cone & Belding. 245 10 $a Howard Hughes' Jet pilot $h [sound recording]. 246 30 $a Jet pilot 260 $a New York : $b Foote, Cone & Belding Advertising, $c 1957. 300 $a 1 sound disc : $b analog, 33 1/3 rpm, mono. ; $c 16 in. 500 $a Foote, Cone & Belding Advertising: WR-3291 (matrix)--WR-3292 (matrix). 500 $a Distributed electrical transcription recording. 500 $a Tracks 11 and 12 contain jet effects for use with live copy. 520 $a Contains four 15-second spots (tracks 1 through 4), six 10-second spots (tracks 5 through 10), and eight 50-second spots designed to promote the 1957 motion picture Jet pilot, produced by Howard Hughes. 500 $a Production level cataloging. 630 00 $a Jet pilot (Motion picture) 650 0 $a Jet plane sounds. 655 7 $a Radio commercials. $2 lcgft 700 1 $a Hughes, Howard, $d 1905-1976. 730 0 $a Jet pilot (Motion picture)

000 01367nim 22003372a 4500 001 00691400 003 DLC 005 20031120145155.0 007 sd|fsngnnmmned 008 000930p19981999ne nnn s d 010 $a 00691400 020 $c [ $] 19.97 024 3 $a 8711913557926 028 02 $a ORN 55792 $b Oreade Music 028 02 $a ORN 55792 $b Oreade 035 $a (OCoLC)ocm46426322 040 $a NVC $c NVC $d DLC 042 $a lcderive 050 00 $a SDA 20783 100 1 $a Goodall, Medwyn. 245 14 $a The dolphin quest $h [sound recording]. 260 $a Eindhoven, Holland : $b Silver Wings Publishing : $b released by Oreade Music, $c 1999. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 500 $a The natural sounds of dolphins and sea, both above and below the waves used in this recording are separately available on Oreade's Sounds of the Earth Series: The sea ORN 5416-2 & Dolphins ORN 5417-2. 500 $a Statement of responsibility from CD label and container. 500 $a Compact disc. 505 0 $a Divine connections (part one) -- Atlantean crystal -- Unconditional love -- Messenger from sirius -- Turquoise ocean -- Divine connections (part two). 508 $a All music composed, produced, arranged, recorded and mastered by Medwyn Goodall. 650 0 $a Nature sounds. 650 0 $a New Age music. 650 0 $a Dolphins.

000 00863cim 22002651a 4500 001 81740173 003 DLC 005 20120809165738.0 007 ssulunjlcnnnu 008 840608s1981 tnunnn s
010 $a 81740173 033 $b 5310 040 $a DLC $c DLC $d DLC 050 10 $a QL698.5 050 00 $a RYA 0370 245 00 $a Bird songs and calls from southeast Peru $h [sound recording]. 260 $a Memphis, Tenn. : $b B. Coffey, $c c1981. 300 $a 1 sound cassette. 511 0 $a Produced by Ben B. Coffey, Jr., and Lula C. Coffey. 518 $a "Taped at Explorer's Inn in the Tambopata Nature Reserve and at Puerto Maldonado, Peru"--Container notes. 520 $a Recordings of the bird songs and calls of seventy-one Peruvian birds. 650 0 $a Birdsongs. 650 0 $a Birds $z Peru. 700 1 $a Coffey, Ben B. 700 1 $a Coffey, Lula C.

000 01136cim 22003011a 4500 001 82740027 003 DLC 005 20050223151457.0 007 sd bsmennmplue 008 840525s1971 nz nnn s
010 $a 82740027 028 02 $a SLD.25 $b Kiwi Pacific Records 040 $a DLC $c DLC $d DLC 043 $a u-nz--- 050 00 $a Kiwi Pacific Records SLD.25 245 02 $a A Treasury of New Zealand bird song $h [sound recording]. 260 $a Wellington, N.Z. : $b Kiwi Pacific Records, $c c1971. 300 $a 1 sound disc : $b 33 1/3 rpm, stereo. ; $c 12 in. 500 $a Recorded by Kenneth and Jean Bigwood ; introduced by Gordon R. Williams. 500 $a Notes on all birds found in book: Birds of New Zealand / Gordon R. Williams. 500 $a Two supplements issued on 7-inch discs. 500 $a Issued also on cassette. 520 $a The voices of thirty birds as recorded in the forests, mountains, and countryside of New Zealand. 650 0 $a Birdsongs. 650 0 $a Birds $z New Zealand. 700 1 $a Bigwood, Kenneth. 700 1 $a Bigwood, Jean. 700 1 $a Williams, Gordon R., $d 1920- $t Birds of New Zealand.

000 01342cim 22003491a 4500 001 82740082 003 DLC 005 20090327135306.0 007 ss lmnjlcnnnue 008 840423p19821952counnn z s
010 $a 82740082 028 02 $a C101 $b Owl Recording 033 2 $a 1952---- $a 1959---- 040 $a DLC $c DLC $d DLC 043 $a n-us--- 050 10 $a TJ608 050 00 $a RYA 1381 245 00 $a Steam sound stories $h [sound recording]. 260 $a Boulder, CO : $b Owl Recording, $c c1982. 300 $a 1 sound cassette : $b mono. 511 0 $a Recording and narration by Howard Fogg ; with some sequences recorded by Fred H. Ragsdale ; produced by Thomas Steenland. 500 $a Includes the complete content of the Howard Fogg steam records All steamed up! and The Big steam--Union Pacific. 500 $a Notes inserted in container. 520 $a Presents authentic operational railroad sounds from the steam era that were recorded in the period 1952-59. 505 0 $a Colorado and Southern steam action -- Union Pacific locomotives during their final years. 650 0 $a Locomotive sounds. 650 0 $a Railroad sounds. 610 20 $a Colorado and Southern Railway. 610 20 $a Union Pacific Railroad. 700 1 $a Fogg, Howard, $d 1917-1996. 730 02 $a All steamed up! 730 02 $a Big steam--Union Pacific.

000 01182cim 2200289 a 4500 001 83740131 003 DLC 005 20160524083129.0 007 sdubsmennmplu 008 840406s1982 oncnnn s
010 $a 83740131 028 02 $a DG 82005 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 050 10 $a QH45.5 050 00 $a Dan Gibson Productions DG 82005 245 00 $a Dawn on the desert ; Among the mountain canyons and valleys $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1982. 300 $a 1 sound disc (60 min.) : $b analog, 33 1/3 rpm, stereo. : $c 12 in. 306 $a 006000 440 0 $a Solitudes ; $v v. 5 500 $a Recorded and produced by Dan Gibson. 500 $a Issued also as cassette. 520 $a Presents field recordings of a stream, a thunderstorm, and wildlife. Nature sounds include the curve-billed thrasher, mourning dove, coyote, summer tanager, plain titmouse, and others. 650 0 $a Nature sounds. 700 1 $a Gibson, Dan, $d 1922-2006. 740 0 $a Dawn on the desert. 740 0 $a Among the mountain canyons and valleys.

000 01219cim 2200289 a 4500 001 83740132 003 DLC 005 20160524083356.0 007 sdubsmennmplu 008 840309s1982 oncnnn s
010 $a 83740132 028 02 $a DG 82004 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 043 $a n-us-ny 050 00 $a Dan Gibson Productions DG 82004 245 00 $a Niagara Falls, the gorge and glen ; Among the ponds and streams of Niagara $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1982. 300 $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in. 306 $a 006000 440 0 $a Solitudes ; $v v. 4 500 $a Recorded and produced by Dan Gibson. 500 $a Issued also as cassette. 520 $a Presents field recordings of water and wildlife, including the gray squirrel, red-tailed hawk, white-breasted nuthatch, American toad, belted kingfisher, and others. 650 0 $a Nature sounds $z New York (State) $z Niagara Falls. 700 1 $a Gibson, Dan, $d 1922-2006. 740 0 $a Niagara Falls, the gorge and glen. 740 0 $a Among the ponds and streams of Niagara.

000 00986cim 2200277 a 4500 001 83740133 003 DLC 005 20160524083238.0 007 sdubsmennmplu 008 840309s1981 oncnnn s
010 $a 83740133 020 $c [ $] 9.98. 028 02 $a DG 81002 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 050 10 $a GC28 050 00 $a Dan Gibson Productions DG 81002 245 00 $a Sounds of the surf $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b Distributed in the U.S.A. by the Mass Music Group, $c 1981. 300 $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in. 306 $a 006000 440 0 $a Solitudes ; $v v. 2 500 $a Recorded and produced by Dan Gibson. 500 $a Issued also as cassette. 520 $a Presents field recordings of moderate surf in a hidden cove and heavy surf on a rocky point along a sand spit. 650 0 $a Ocean sounds. 700 1 $a Gibson, Dan, $d 1922-2006.

000 01165cim 2200301 a 4500 001 83740134 003 DLC 005 20160524082941.0 007 sdubsmennmplu 008 840406s1981 oncnnn s
010 $a 83740134 020 $c [ $] 9.98 028 02 $a DG 81001 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 050 10 $a QH45.5 050 00 $a Dan Gibson Productions DG 81001 245 00 $a By canoe to Loon Lake ; Dawn by a gentle stream $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1981. 300 $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in. 306 $a 006000 440 0 $a Solitudes ; $v v. 1 500 $a Recorded and produced by Dan Gibson. 500 $a Issued also as cassette. 520 $a Presents field recordings of water and other natural sounds. Includes the ruby-crowned kinglet, white-throated sparrow, spring pepper frog, magnolia warbler, and other wildlife. 650 0 $a Nature sounds. 700 1 $a Gibson, Dan, $d 1922-2006. 740 0 $a By canoe to Loon Lake. 740 0 $a Dawn by a gentle stream.

000 01297cim 2200313 a 4500 001 83740135 003 DLC 005 20160524083048.0 007 sdubsmennmplu 008 840309s1981 oncnnn s
010 $a 83740135 020 $c [ $] 9.98. 028 02 $a DG 81003 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 043 $a n-usp-- 050 10 $a QH104.5.P32 050 00 $a Dan Gibson Productions DG 81003 245 00 $a Among the giant trees of the wild Pacific coast ; Spring morning on the prairies $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1981. 300 $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in. 306 $a 006000 440 0 $a Solitudes ; $v v. 3 500 $a Recorded and produced by Dan Gibson. 500 $a Issued also as cassette. 520 $a Presents field recordings of a thunderstorm, surf, and wildlife on the prairie. Includes sounds of the fox sparrow, red-shafted flicker, bald eagle, vesper sparrow, marbled godwit, and others. 650 0 $a Nature sounds $z Pacific Coast (U.S.) 700 1 $a Gibson, Dan, $d 1922-2006. 740 0 $a Among the giant trees of the wild Pacific coast. 740 0 $a Spring morning on the prairies.

000 01932cim 2200433 a 4500 001 83740145 003 DLC 005 20060504163837.0 007 sdubumennmplu 008 840420s1983 maunnn s eng
010 $a 83740145 028 10 $a MC-204-5A $b Houghton Mifflin Co. 028 10 $a MC-204-5B $b Houghton Mifflin Co. 028 10 $a MC-204-5C $b Houghton Mifflin Co. 028 10 $a MC-204-5D $b Houghton Mifflin Co. 040 $a DLC $c DLC $d DLC 043 $a n------ 050 10 $a QL681 050 00 $a Houghton Mifflin Co. MC-204-5A--MC-204-5D 245 02 $a A Field guide to bird songs of eastern and central North America $h [sound recording]. 250 $a 2nd ed. 260 $a Boston : $b Houghton Mifflin Co., $c c1983. 300 $a 2 sound discs : $b 33 1/3 rpm ; $c 12 in. 490 1 $a The Peterson field guide series 500 $a Houghton Mifflin Co.: MC-204-5A (matrix)--MC-204-5D (matrix) 500 $a Sponsored by the National Audubon Society and the National Wildlife Association. 500 $a "Cornell Laboratory of Ornithology"--Container. 511 0 $a Narrator, Ron Foster ; producer, James Gulledge ; consultants, Dorothy Crumb ... [et al.] 500 $a Arranged for use with: A field guide to the birds / text and ill. by Roger Tory Peterson. -- 4th ed. 500 $a Notes on container. 500 $a Issued also as sound cassette. 520 $a Presents a collection of the songs and calls of 250 species of birds found in eastern and central North America. Includes only species in which songs and calls are of use in field identification. 650 0 $a Birdsongs $z North America. 700 1 $a Foster, Ron. 700 1 $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds. 710 2 $a National Audubon Society. 710 2 $a National Wildlife Association. 710 2 $a Cornell University. $b Laboratory of Ornithology. 830 0 $a Peterson field guide series (Sound recording)

000 01252cim 2200301 a 4500 001 84756118 003 DLC 005 20160524083337.0 007 sdubsmennmplu 008 840320s1983 oncnnn s
010 $a 84756118 028 02 $a DG 83007 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 043 $a n-usu-- 050 10 $a QL765 050 00 $a Dan Gibson Productions DG 83007 245 00 $a Night in a southern swamp ; Don't feed the alligators $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b Distributed in the U.S.A. by the Moss Music Group, $c p1983. 300 $a 1 sound disc : $b 33 1/3 rpm, stereo. ; $c 12 in. 306 $a 006000 440 0 $a Solitudes ; $v v. 7 500 $a Recorded and produced by Dan Gibson. 520 $a Features the authentic, natural environmental sounds of a southern swamp with wildlife such as wood ducks, swamp chorus frogs, and screech owls. The second side features such swamp wildlife as the great egret, laughing gulls, and numerous water and shore birds. 650 0 $a Animal sounds. 650 0 $a Swamps $z Southern States. 700 1 $a Gibson, Dan, $d 1922-2006. 740 0 $a Night in a southern swamp. 740 0 $a Don't feed the alligators.

000 01016cim 2200265 a 4500 001 84758419 003 DLC 005 20061108210457.0 007 ssulunjlcnnnu 008 840705s1984 mdunnn is eng
010 $a 84758419 040 $a DLC $c DLC $d DLC $d WaU 050 10 $a SK333.G6 050 00 $a RYA 2624 245 00 $a Modern goose calling $h [sound recording]. 260 $a Queenstown, Md. : $b Eastern Shore Hunting Service, $c [1984?] 300 $a 1 sound cassette $b analog. 500 $a Title from container. 511 0 $a Featuring Tim Covey ; narrated by Pete Henry. 500 $a Notes inserted in container. 520 $a Teaches the techniques and art of calling Canada geese with professional guide Tim Covey replicating sounds. Discusses decoy problems, and moves out to the field where Covey and another guide demonstrate calls for getting geese to decoy to the caller. 650 0 $a Canada goose shooting. 650 0 $a Game calling (Hunting) 700 1 $a Covey, Tim. 700 1 $a Henry, Pete. $4 nrt

000 01080cim 2200277 a 4500 001 84759647 003 DLC 005 20130719140320.0 007 sdubumennmplu 008 841017s1982 nyunnn z s
010 $a 84759647 028 02 $a FX6118 $b Folkways Records 040 $a DLC $c DLC $d DLC 050 10 $a QL765 050 00 $a Folkways FX6118 245 00 $a Playing music with animals $h [sound recording] : $b interspecies communication of Jim Nollman with 300 turkeys, 12 wolves, and 20 orcas. 260 $a New York, N.Y. : $b Folkways Records, $c p1982. 300 $a 1 sound disc : $b 33 1/3 rpm ; $c 12 in. 511 0 $a Music performed on various instruments by Jim Nollman, Sybl Glebow, and Liza. 500 $a Notes by Jim Nollman inserted in container. 520 $a Documents the unique music that resulted when musician Jim Nollman played various instruments in the wild and got interesting responses from animals. 650 0 $a Animal sounds. 650 0 $a Human-animal communication. 700 1 $a Nollman, Jim. 700 1 $a Glebow, Sybl. 700 0 $a Liza $c (Musician)

000 01663cim 2200385 a 4500 001 84759960 003 DLC 005 20060504163840.0 007 ssulunjlcnnnu 008 841115s1983 maunnn r s eng
010 $a 84759960 020 $a 0395346770 040 $a DLC $c DLC $d DLC 043 $a n------ 050 10 $a QL681 050 00 $a RZA 0486 245 02 $a A Field guide to bird songs of eastern and central North America $h [sound recording]. 250 $a 2nd ed. 260 $a Boston : $b Houghton Mifflin Co., $c p1983. 300 $a 2 sound cassettes : $b analog + $e 1 guide (12 p.) 490 1 $a The Peterson field guide series 500 $a Sponsored by the National Audubon Society and the National Wildlife Federation. 500 $a "Cornell Laboratory of Ornithology"--Container. 511 0 $a Narrator, Ron Foster ; producer, James Gulledge ; consultants, Dorothy Crumb ... [et al.] 500 $a Arranged for use with: A field guide to the birds / text and ill. by Roger Tory Peterson. -- 4th ed. 500 $a In container (17 cm.) 500 $a Issued also as sound disc. 520 $a Presents a collection of the songs and calls of 250 species of birds found in eastern and central North America. Includes only species in which songs and calls are of use in field identification. 650 0 $a Birdsongs $z North America. 700 1 $a Foster, Ron. 700 1 $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds. 710 2 $a National Audubon Society. 710 2 $a National Wildlife Association. 710 2 $a Cornell University. $b Laboratory of Ornithology. 830 0 $a Peterson field guide series (Sound recording)

000 01017cim 2200289 a 4500 001 85750289 003 DLC 005 20200423140835.0 007 ssulunjlcnnnu 008 850130s1983 flunnn s eng
010 $a 85750289 028 02 $a DM-83004-C $b Real Turkeys 033 $b 3930 040 $a DLC $c DLC $d DLC 050 10 $a QL696.G254 050 00 $a RYA 2705 245 00 $a Real turkeys : $b the best known calls $h [sound recording]. 260 $a Gainesville, FL : $b Real Turkeys, $c p1983. 300 $a 1 sound cassette : $b analog. 500 $a Recorded by turkey biologists Lovett Williams and David Austin. 511 0 $a Narrator, Lovett Williams. 518 $a Recorded in Florida. 520 $a A recording of the voices of wild turkeys in their natural habitat. Includes the lost call, kee-kee, kee-kee-run, plain yelp, clucking, putting, gobbling, and cackling. 650 0 $a Wild turkey. 650 0 $a Birdsongs. 700 1 $a Williams, Lovett E. $4 nrt 700 1 $a Austin, David H., $c turkey biologist.

000 01267cim 2200313 a 4500 001 87751770 003 DLC 005 20130501143749.0 007 ssulunjlcnnnu 008 870514s1985 msunnn r s
010 $a 87751770 040 $a DLC $c DLC $d DLC 041 0 $g eng 043 $a n-us-ms 050 00 $a RZA 0628 245 02 $a A Field guide to Mississippi bird songs $h [sound recording]. 260 $a Jackson, MS : $b Mississippi Dept. of Wildlife Conservation, $c p1985. 300 $a 2 sound cassettes : $b analog + $e 1 guide (19 p. ; 17 cm.) 500 $a Title on guide: A guide to Mississippi bird songs. 500 $a Title inside guide: Mississippi bird songs. 511 0 $a Recordings made and produced by W.H. Turcotte ; narration by Milt Lawrence. 500 $a In container (18 cm.) 520 $a Presents songs and calls of some one hundred fifteen specimens of birds occurring in Mississippi. Each species is named and further identified as to habitat and status in the guide. 650 0 $a Birdsongs $z Mississippi. 650 0 $a Birds $z Mississippi. 700 1 $a Turcotte, W. H. $q (William H.) 710 1 $a Mississippi. $b Department of Wildlife Conservation. 740 0 $a Guide to Mississippi bird songs. 740 0 $a Mississippi bird songs.

000 01273cim 2200349 a 4500 001 88750442 003 DLC 005 20151231160507.0 007 sdubsmennmplu 008 880201p19631959enknnn s
010 $a 88750442 028 02 $a ATR 7009 $b ASV Transacord 028 00 $a ZC ATR 7009 $b ASV Transacord 033 0 $a 19590523 $b 5740 040 $a DLC $c DLC $d DLC 043 $a e-uk--- 050 10 $a TJ608 050 00 $a ASV Transacord ATR 7009 245 04 $a The Triumph of an A4 Pacific $h [sound recording]. 260 $a London : $b ASV Transacord ; $a Mitcham, Surrey : $b Manufactured & distributed by P.R.T. Records, $c p1963. 300 $a 1 sound disc : $b analog, 33 1/3 rpm, stereo. ; $c 12 in. 440 0 $a Sounds of the steam age 500 $a Produced by Peter Handford. 518 $a Recorded in Great Britain, May 23, 1959. 500 $a Notes on container. 500 $a Issued also as cassette: ZC ATR 7009. 520 $a Presents the sounds of an A4 Pacific making a special run in celebration of the jubilee of the Stephenson Locomotive Society. 650 0 $a Locomotive sounds. 650 0 $a Class A4 (Steam locomotives) 610 20 $a London and North Eastern Railway. 610 20 $a British Rail (Firm) 740 0 $a Triumph of an A-four Pacific.

000 01230cim 2200349 a 4500 001 88750445 003 DLC 005 20151231160515.0 007 sdubsmennmplu 008 880201p19771956enknnn s
010 $a 88750445 028 02 $a ATR 7010 $b ASV Transacord 028 00 $a ZC ATR 7010 $b ASV Transacord 033 2 $a 1956---- $a 1961---- $b 5740 040 $a DLC $c DLC $d DLC 043 $a e-uk--- 050 10 $a TJ608 050 00 $a ASV Transacord ATR 7010 245 00 $a L.N.E.R. $h [sound recording]. 260 $a London : $b ASV Transacord ; $a Mitcham, Surrey : $b Manufactured & distributed by P.R.T. Records, $c p1977. 300 $a 1 sound disc : $b analog, 33 1/3 rpm, stereo. ; $c 12 in. 440 0 $a Sounds of the steam age 500 $a Produced by Peter Handford. 518 $a Recorded between 1956 and 1961 in Great Britain. 500 $a Notes on container. 500 $a Issued also as cassette: ZC ATR 7010. 520 $a Presents the sounds of steam locomotives of the London and North Eastern Railway at work on British Railways. 650 0 $a Locomotive sounds. 650 0 $a Locomotives $z Great Britain. 610 20 $a London and North Eastern Railway. 610 20 $a British Rail (Firm) 740 0 $a LNER.

000 01333cim 2200313 a 4500 001 88751433 003 DLC 005 20120705123327.0 007 sduzsnznnmlne 008 880322s1987 gw nnn r s
010 $a 88751433 028 00 $a 11050 $b Delta Music 028 00 $a 11078 $b Delta Music 040 $a DLC $c DLC $d DLC 041 0 $g engfreger 050 10 $a TK7881.4 050 00 $a SDC 15376 245 00 $a Digital sound tracks $h [sound recording]. 260 $a Frechen, W. Germany : $b Delta Music, $c 1987. 300 $a 2 sound discs (2 hrs.) : $b digital, stereo. ; $c 4 3/4 in. 306 $a 005953 $a 005954 500 $a Delta Music: 11050, 11078. 500 $a Compact discs. 500 $a Program notes ([8] p.) in German, English, and French. 520 $a Presents recordings of different sounds and sound effects for films, videos, slide shows, sound studios, trailers, jingles, radio plays, audiovision, laser shows, and multivision uses. Includes sounds of traffic, railroads, airports, industry, office, home, detective stories, nature, children, fireworks, war, action, work, music boxes, old records, laughter, and breathing. 650 0 $a Radio broadcasting $x Sound effects. 650 0 $a Television broadcasting $x Sound effects. 650 0 $a Theaters $x Sound effects. 650 0 $a Motion pictures $x Sound effects.

000 00925cim 2200241 a 4500 001 89753428 003 DLC 005 20051130164434.0 007 sdubsmennmplu 008 890712s1985 oncnnn s
010 $a 89753428 028 02 $a DG 85010 $b Dan Gibson Productions 040 $a DLC $c DLC $d DLC 043 $a cc----- 050 10 $a QH109 050 00 $a Dan Gibson Productions DG 85010 245 00 $a Tradewind Islands $h [sound recording] : $b a Caribbean adventure in sound. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1985. 300 $a 1 sound disc (60 min.) : $b analog, 33 1/3 rpm, stereo. ; $c 12 in. 440 0 $a Solitudes ; $v v. 10 520 $a Presents field recordings made in the Caribbean. Includes sounds of the surf, seabirds, and animals of the rain forest. 650 0 $a Nature sounds $z West Indies. 700 1 $a Gibson, Dan.

000 01015cim 2200277 a 4500 001 89755541 003 DLC 005 20201118082715.0 007 ssulunjlcnnnu 008 891128s1983 at nnn s eng
010 $a 89755541 028 02 $a PWP 206 $b Paul White Productions 033 $a 8960 040 $a DLC $c DLC $d DLC 043 $a u-at--- 050 10 $a QL698.5 050 00 $a RYA 9646 100 1 $a White, Paul, $d 1910-1992. 245 10 $a Bells in the Australian bush $h [sound recording] / $c with commentary by Dr. Paul White. 260 $a Lindfield, N.S.W. : $b Paul White Productions, $c p1983. 300 $a 1 sound cassette : $b analog. 511 0 $a Recorded and narrated by Paul White. 520 $a Presents the sounds of birds from the Australian bush who possess a bell-like call. Includes narration which describes the birds on side one of the cassette. Side two contains uninterrupted bird songs. 650 0 $a Birdsongs $z Australia. 650 0 $a Birds $z Australia. 710 2 $a Paul White Productions.

000 01029cim 2200277 a 4500 001 89755554 003 DLC 005 20201118082743.0 007 ssulunjlcnnnu 008 891128s1980 at nnn s eng
010 $a 89755554 028 02 $a PWP 203 $b Paul White Productions 033 $a 8960 040 $a DLC $c DLC $d DLC 043 $a u-at--- 050 10 $a QL698.5 050 00 $a RYA 9644 100 1 $a White, Paul, $d 1910-1992. 245 10 $a Australian birds with a sense of humour $h [sound recording] / $c with commentary by Dr. Paul White. 260 $a Lindfield, N.S.W. : $b Paul White Productions, $c p1980. 300 $a 1 sound cassette : $b analog. 511 0 $a Recorded and narrated by Paul White. 520 $a Presents recordings of Australian birds that have a sense of humor including the kookaburra, the lyre bird, the satin bower bird, and others. Includes bird song with narration and uninterrupted bird song. 650 0 $a Birdsongs $z Australia. 650 0 $a Birds $z Australia. 710 2 $a Paul White Productions.

000 01043cim 2200289 a 4500 001 89755555 003 DLC 005 20201118082232.0 007 ssulunjlcnnnu 008 891128s1978 at nnn s eng
010 $a 89755555 028 02 $a PWP 202 $b Paul White Productions 033 $b 8960 040 $a DLC $c DLC $d DLC 043 $a u-at--- 050 10 $a QL696.P2495 050 00 $a RYA 9643 100 1 $a White, Paul, $d 1910-1992. 245 10 $a Lyre bird, master mimic and musician $h [sound recording] / $c Paul White and Neville Fenton. 260 $a Lindfield, N.S.W. : $b Paul White Productions, $c p1978. 300 $a 1 sound cassette : $b analog. 511 0 $a Recorded and narrated by Paul White and Neville Fenton. 520 $a Presents recordings of the lyre bird made in Queensland, New South Wales, and in Victoria, Australia. Includes bird song with commentary and description and also uninterrupted. 650 0 $a Lyrebirds. 650 0 $a Birdsongs $z Australia. 700 1 $a Fenton, Neville. 710 2 $a Paul White Productions.

000 01272cim 2200325 a 4500 001 89755726 003 DLC 005 20050616133256.0 007 sduzsnznnmlne 008 891204p19871959xxknnn i s eng
010 $a 89755726 024 3 $a 5011975703723 028 02 $a CD ATR 7037 $b ASV Transacord 033 0 $a 195904-- $a 196112-- $b 5740 033 2 $a 198210-- $b 8560 040 $a DLC $c DLC $d DLC 043 $a e-uk--- 050 00 $a SDB 23443 050 10 $a TJ608 245 04 $a The Age of steam $h [sound recording]. 260 $a London : $b ASV Transacord ; $a Orpington, Kent : $b Distributed by Pinnacle Records, $c p1987. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 440 0 $a Sounds of the steam age 518 $a Recorded in Great Britain between Apr. 1959 and Dec. 1961 and in Zimbabwe in Oct. 1982. 500 $a Compact disc. 500 $a Program notes ([12] p. : ill.) included in container. 520 $a Presents the sounds of steam locomotives at work on many different duties, by day and night, at various locations on British Railways. Includes a recording of a steam passenger train on the line to Victoria Falls in Zimbabwe. 650 0 $a Locomotive sounds. 650 0 $a Locomotives $z Great Britain. 610 20 $a British Rail (Firm)

000 01342cim 22002417a 4500 001 90740011 003 DLC 005 20121205175052.0 007 sdubumennmplu 008 900118s1966 xx nnn s eng
010 $a 90740011 028 02 $a 268-0a $b Master Artists Recordings 040 $a DLC $c DLC $d DLC 050 00 $a Master Artists Recordings 268-0a 245 00 $a Whistle echoes. $n Vol. 2 $h [sound recording]. 260 $a Pittsburgh, Pa. : $b Master Artists Recordings, $c [1966] 300 $a 1 sound disc : $b analog, 33 1/3 rpm ; $c 12 in. 511 0 $a Narrators, Frederick Way, Jr., J. Mack Gamble ; introduction and commentary spoken by Paul Long. 520 $a Features actual sounds of vintage steamboat whistles heard on the Mississippi and Ohio Rivers. Also includes commentary, calliope music, and riverboat songs. 505 0 $a Champion Coal -- E.A. Woodruff -- Destrehan -- Catharine Davis -- General Asburn -- Aliquippa -- Allegheny -- Queen City -- Calliope: Beautiful Ohio ; Beautiful dreamer -- Omar -- Eugene Dana Smith -- Rambling river line -- Carrie Brown -- Titan -- Mary Jane -- Joe Cook -- Katie Stockdale -- Champion Coal -- Fairmont -- Belle of Louisville -- Delta Queen -- Rambling river line (chorus). 500 $a Minimal level cataloging. 700 1 $a Way, Frederick, $c Jr., $d 1901-1992. 700 1 $a Gamble, J. Mack.

000 01689cim 2200397 a 4500 001 91740127 003 DLC 005 20060504163843.0 007 sduzunznnmlne 008 910102s1990 maunnn r s eng
010 $a 91740127 020 $a 0395502578 $c [ $] 25.00 024 1 $a 9780395502570 $d 90000 028 02 $a 50257 $b Houghton Mifflin Co. 040 $a DLC $c DLC $d DLC 043 $a n------ 050 10 $a QL681 050 00 $a SDA 88898 245 00 $a Eastern/Central bird songs $h [sound recording]. 250 $a 3rd ed. 260 $a Boston : $b Houghton Mifflin Co., $c p1990. 300 $a 1 sound disc (74 min.) : $b digital ; $c 4 3/4 in. + $e 1 contents booklet ([16 p.]). 306 $a 011400 490 1 $a Peterson field guides 500 $a Additional title on booklet: A field guide to bird songs. 500 $a Sponsored by the National Audubon Society, the National Wildlife Association, and the Roger Tory Peterson Institute. 500 $a Produced by Cornell Laboratory of Ornithology & Interactive Audio ; narration, Dale Meyers ; editor, Roger Tory Peterson. 500 $a Arranged for use with: A field guide to the birds / text and ill. by Roger Tory Peterson. -- 4th ed. 520 $a Presents a collection of the songs and calls of 267 species of birds found in eastern and central North America. 650 0 $a Birdsongs $z North America. 700 1 $a Meyers, Dale $q (Dale Frederick) 700 1 $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds. 710 2 $a Cornell University. $b Laboratory of Ornithology. 710 2 $a Interactive Audio (Firm) 740 0 $a Field guide to bird songs. 830 0 $a Peterson field guide series (Sound recording)

000 01247cim 2200337 a 4500 001 91740383 003 DLC 005 20051012101024.0 007 sduzsnznnmlne 008 910513p19911986caunnn s
010 $a 91740383 024 1 $a 052951628628 028 02 $a BCD 6286 $b Bainbridge Records 033 2 $a 19860901 $a 19860902 $b 3510 033 2 $a 19881021 $a 19881025 $b 3510 040 $a DLC $c DLC 043 $a n-cn--- 050 10 $a TJ608 050 00 $a SDB 56534 245 00 $a Sounds of trains. $n Volume 3 $h [sound recording]. 260 $a Van Nuys, CA : $b Bainbridge Records : $b Distributed by Bainbridge Entertainment Co., $c p1991. 300 $a 1 sound disc (57 min., 4 sec.) : $b digital, stereo. ; $c 4 3/4 in. 306 $a 005704 500 $a "A production of Mobile Fidelity Productions of Nevada." 518 $a Recorded Sept. 1-2, 1986 and Oct. 21-25, 1988 in British Columbia and Alberta. 500 $a Compact disc. 520 $a Features the sounds of three steam locomotives: no. 2860 and no. 3716 of the Canadian Pacific Railway Company and no. 6060 of Canadian National. 650 0 $a Locomotive sounds. 650 0 $a Locomotives $z Canada. 710 2 $a Canadian Pacific Railway Company. 710 2 $a Canadian National.

000 01551cim 2200277 a 4500 001 91740384 003 DLC 005 20051012103631.0 007 sduzsnznnmlne 008 910513s1991 caunnn s
010 $a 91740384 024 1 $a 052951628727 028 02 $a BCD 6287 $b Bainbridge Records 040 $a DLC $c DLC 043 $a n-us--- 050 10 $a TJ608 050 00 $a SDB 56535 245 00 $a Sounds of trains. $n Volume 4 $h [sound recording]. 260 $a Van Nuys, CA : $b Bainbridge Records : $b Distributed by Bainbridge Entertainment Co., $c p1991. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 500 $a Compact disc. 500 $a "A production of Mobile Fidelity Productions of Nevada." 520 $a Features mixing of individual recordings of steam locomotives in combinations designed to simulate meets between trains. 505 0 $a Nos. 1522 & 1218 (special combo) (5:06) -- No. 1522 (Moselle, westbound) (3:58) -- No. 1522 (Rolla Hill, eastbound) (7:16) -- No. 1522 (pacing) (4:48) -- Nos. 844/1522 (Lake Jct.) (1:41) -- No. 1522 & nos. 844/1522 (combo) (5:26) -- Nos. 844/1522 (Webster Grove) (2:23) -- Nos. 844/1522 (Kirkwood) [A] (:39) -- Nos. 844/1522 (Kirkwood) [B] (5:08) -- Nos. 819 & 819 (Illmo/Dupo) (4:14) -- No. 3985 (LAAPI Archer Hill 8/1/90) (5:26) -- Nos. 3985 & 3985 (Ogalala meet) (3:57) -- Nos. 3985/844 & nos. 3985/3985 (special combo mix, doubleheaders meet) (4:04) -- No. 765 & no. 425 (New River and Leesport) (5:29). 650 0 $a Locomotive sounds. 650 0 $a Locomotives $z United States.

000 01671cim 2200361 a 4500 001 91740665 003 DLC 005 20070727182446.0 007 ssulunjlcnnnu 008 910820s1991 maunnn r s eng
010 $a 91740665 020 $a 0395584167 (guide) 020 $c [ $] 19.95 040 $a DLC $c DLC $d DLC 043 $a n------ 050 00 $a QL681 100 1 $a Walton, Richard K. 245 10 $a Backyard bird song $h [sound recording]. 260 $a Boston : $b Houghton Mifflin, $c p1991. 300 $a 1 sound cassette : $b analog + $e 1 guide (32 p. : ill. ; 13 cm.). 490 1 $a Peterson field guides ; $v 43 511 0 $a Narrated by Dick Walton. 500 $a Written by Richard K. Walton and Robert W. Lawson ; edited by Roger Tory Peterson. 500 $a Sponsored by the National Audubon Society, the National Wildlife Federation, and the Roger Tory Peter Institute. 500 $a In container (17 cm.). 500 $a For use with: A field guide to the birds / text and ill. by Roger Tory Peterson. 520 $a Features twenty-eight common species of eastern and central North American bird songs, grouped primarily by the acoustic similarity of the birds. Includes the sounds of three mammals whose vocalizations may be confused with those of birds. 650 0 $a Birdsongs $z North America $x Identification. 650 0 $a Birds $z North America $x Identification. 700 1 $a Lawson, Robert W. 700 1 $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds. 830 0 $a Peterson field guide series (Sound recording) ; $v 43 856 42 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy0736/91740665-b.html

000 00968cim 2200289 a 4500 001 91740758 003 DLC 005 20070809154648.0 007 ssulunjlcnnnu 008 911010s1985 nyunnn s
010 $a 91740758 040 $a DLC $c DLC $d DLC 050 10 $a SK341.C6 050 00 $a RYB 1970 245 00 $a Coon puppies $h [sound recording]. 260 $a Cooperstown, NY : $b Dennis Kirk Game Calls, $c c1985. 300 $a 1 sound cassette : $b analog. 500 $a "Dennis Kirk"--Copyright statement on label. 500 $a "'Calls coon like a magnet,' The hottest coon sound ever recorded. Also calls fox." 520 $a Presents the vocalizations of young raccoons for the purpose of attracting raccoons and foxes. 650 0 $a Raccoon $x Vocalization. 650 0 $a Foxes $x Vocalization. 650 0 $a Animal calls. 650 0 $a Animal sounds. 650 0 $a Game calling (Hunting) 700 1 $a Kirk, Dennis. 710 2 $a Dennis Kirk Game Calls (Firm)

000 00987cim 2200301 a 4500 001 91740762 003 DLC 005 20070809154652.0 007 ssulunjlcnnnu 008 911010s1985 nyunnn s
010 $a 91740762 040 $a DLC $c DLC $d DLC 050 10 $a SK341.C6 050 00 $a RYB 1974 245 00 $a Coon & grey fox fighting $h [sound recording]. 260 $a Cooperstown, NY : $b Dennis Kirk Game Calls, $c c1985. 300 $a 1 sound cassette : $b analog. 500 $a "Dennis Kirk"--Copyright statement on label. 500 $a "Calls: Coon-Fox-Coyote." 520 $a Presents the vocalizations of raccoons and grey foxes fighting. Used to attract raccoons, foxes, and coyotes. 650 0 $a Raccoon $x Vocalization. 650 0 $a Gray fox $x Vocalization. 650 0 $a Animal fighting. 650 0 $a Animal sounds. 650 0 $a Game calling (Hunting) 700 1 $a Kirk, Dennis. 710 2 $a Dennis Kirk Game Calls (Firm) 740 0 $a Coon and grey fox fighting.

000 00882cim 2200277 a 4500 001 91740968 003 DLC 005 20050314103418.0 007 ss lunjlcnnnue 008 911105s1985 nyunnn s
010 $a 91740968 040 $a DLC $c DLC $d DLC 050 10 $a SK285 050 00 $a RYB 2493 245 00 $a Hand squeals w/ fox growls $h [sound recording]. 260 $a Cooperstown, NY : $b Dennis Kirk Game Calls, $c c1985. 300 $a 1 sound cassette : $b analog. 500 $a "Dennis Kirk"--Copyright on label. 500 $a "Excellent Call For Call-Shy Grey Fox." 520 $a Presents the sounds of hand squeals and fox growls. Used to attract grey foxes. 650 0 $a Gray fox $x Vocalization. 650 0 $a Animal calls. 650 0 $a Animal sounds. 700 1 $a Kirk, Dennis. 710 2 $a Dennis Kirk Game Calls (Firm) 740 0 $a Hand squeals with fox growls.

000 00804cim 2200253 a 4500 001 91741042 003 DLC 005 20070809154655.0 007 ssulunjlcnnnu 008 911211s1987 txunnn s
010 $a 91741042 028 02 $a CT 104A $b Johnny Stewart 040 $a DLC $c DLC $d DLC 050 10 $a Sk341.C6 050 00 $a RYB 2398 245 00 $a Supercoons $h [sound recording] : $b the most effective coon calling sounds we ever recorded : calls primarily female coons. 260 $a Waco, Tex. : $b Johnny Stewart, $c p1987. 300 $a 1 sound cassette (1 hr.) : $b analog. 306 $a 010000 520 $a Presents raccoon vocalizations. Used to attract female raccoons. 650 0 $a Raccoon $x Vocalization. 650 0 $a Animal sounds. 650 0 $a Animal calls. 700 1 $a Stewart, Johnny.

000 01147cim 2200301 a 4500 001 91754863 003 DLC 005 20051007141547.0 007 sduzsnznnmlne 008 910711s1988 caunnn z s d 010 $a 91754863 020 $c [ $] 11.06 024 1 $a 052951627621 028 02 $a BCD 6276 $b Bainbridge 035 $a (OCoLC)20696296 040 $a InFw $c DLC $d DLC 042 $a lccopycat 050 00 $a SDB 56531 245 00 $a Sonic booms $h [sound recording]. 260 $a Van Nuys, CA : $b Bainbridge, $c p1988. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 500 $a Compact disc. 500 $a Notes in container. 505 0 $a Steam locomotives -- SR 71: RF 4c's -- Marine Corps FPF -- USAF F-16's -- USA Blackhawk UH 60 helicopters -- USA Blackhawk UH 60 helicopters #2 -- War birds -- Comic relief -- Comic relief too -- West Mountain Inn -- Railroad train whistle: thunder & rain -- Second train whistle: thunder & rain -- Third train whistle: thunder & rain -- Remarkable thunder & rain. 650 0 $a Railroad sounds. 650 0 $a Locomotive sounds. 650 0 $a Fighter plane sounds. 650 0 $a Sounds.

000 00804cim 2200253 a 4500 001 91754940 003 DLC 005 20051012100420.0 007 sduzsnznnmlne 008 910712s1990 caunnn s d 010 $a 91754940 024 1 $a 052951628529 028 02 $a BCD 6285 $b Bainbridge 035 $a (OCoLC)23201028 040 $a OClCo $c DLC $d DLC 042 $a lccopycat 050 00 $a SDB 56533 245 00 $a Sonic booms 2 $h [sound recording]. 260 $a Van Nuys, CA : $b Bainbridge, $c p1990. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 500 $a Compact disc. 505 0 $a Fire department horns -- Steam locomotive no. 1218 -- Narrow gauge railroad -- Battle for the Delta Corridor -- Space shuttle Atlantis -- Fiesta Bowl. 650 0 $a Sounds. 740 0 $a Sonic booms two.

000 00989cim 2200241 a 4500 001 91754943 003 DLC 005 20051007134932.0 007 sduzsnznnmlne 008 910712s1987 caunnn s d 010 $a 91754943 020 $c [ $] 14.98 028 02 $a BCD 6270 $b Bainbridge Records 035 $a (OCoLC)21593487 040 $a ODa $c DLC $d DLC 042 $a lccopycat 050 00 $a SDB 56528 245 00 $a Sounds of trains. $n Volume 1 $h [sound recording]. 260 $a Van Nuys, CA : $b Bainbridge Records, $c p1987. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 500 $a Compact disc. 505 0 $a No. 3985, pacing on Sherman Hill, WY -- No. 3985, MP545.9 -- No. 3985, Hermosa Tunnel -- Via Canada's FP 9's, Lake Louise -- No. 4449, Draper, California -- No. 4449, pacing/on-board Beaumont/Mojave -- No. 4449, Crescent Lake/Grass Lake -- C&TS nos. 484, 488, 489, Chama, NM -- Nos. 484/487 and no. 488, Cresco -- Nos. 489/484, Lobato. 650 0 $a Locomotive sounds.

000 00718cim 22002297a 4500 001 92765912 003 DLC 005 20130502085738.0 007 sduzsnznnmlne 008 920804s1991 xx nnn s
010 $a 92765912 028 00 $a CDN14 $b Nature Recordings 040 $a DLC $c DLC 050 00 $a Nature Recordings CDN14 245 00 $a Ocean moods $h [sound recording] : $b rolling waves on sandy beaches. 260 $a [S.l.] : $b Nature Recordings, $c p1991. 300 $a 1 sound disc : $b digital ; $c 4 3/4 in. 511 0 $a Recorded by Richard Hooper. 505 0 $a Program 1 The Pacific -- Program 2 The Atlantic. 500 $a Brief record. 650 0 $a Nature sounds. 700 1 $a Hooper, Richard $c (Recordist) $4 prf

000 01224cim 2200253 a 4500 001 92767906 003 DLC 005 20051007135642.0 007 sduzsnznnmlne 008 920822s1987 caunnn s d 010 $a 92767906 028 02 $a BCD6271 $b Bainbridge Records 035 $a (OCoLC)25004986 040 $a OClCo $c DLC $d DLC 042 $a lccopycat 043 $a n-us--- 050 00 $a SDB 56529 245 00 $a Sounds of trains. $n Volume 2 $h [sound recording]. 260 $a Van Nuys, CA : $b Bainbridge Records, $c p1987. 300 $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in. 500 $a Compact disc. 505 0 $a No. 1218, Anniston, Alabama -- No. 1218, Iron City -- No. 1218, Glade Creek ; FP 7's, Monroe -- No. 611/No. 1218, Kettle Hollow -- No. 1218, Bluefield pacing -- No. 1218/611, Roanoke ; No. 4501, K'ville -- No. 611/No. 1218, Covesville, Virginia -- No. 4501, Jefferson City ; No. 611, MP 190 -- No. 4501, Newport, Tennessee pacing -- No. 152, Jefferson City, Tennessee -- No. 152, Knoxville ; FP 7's, Fairfield, VA -- No. 611/No. 1218 side by side -- No. 4501, Mascot, Tennessee -- No. 611, Spartanburg, SC ; FP 7's, Amherst. 650 0 $a Locomotive sounds. 650 0 $a Locomotives $z United States.

000 01156cim 2200301 a 4500 001 92788574 003 DLC 005 20130502090658.0 007 sd dmsdnnmslua 008 920603s1913 njunnn ks eng
010 $a 92788574 028 02 $a 17232-A $b Victor 040 $a DLC $c DLC 050 00 $a Victor 17232-A, DLC 0225/1687--1690 245 00 $a Laughs you have met $h [sound recording]. 260 $a Camden, N.J. : $b Victor, $c [1913] 300 $a on side A of 1 sound disc : $b analog, 78 rpm, mono. ; $c 10 in. 500 $a Genre: Wit and humor ; Popular music. 500 $a "Laughing speciality." 511 0 $a Performed by [Will?] Evans, Moule, [Amy?] Augarde, Maurice Farkoa, and Burt Shepard. 500 $a Issue date in Victor catalog supplement: Feb. 1913. 500 $a Acoustic recording. 520 $a Presents a variety of laughs illustrated by five comedians. Features introductions in Irish dialect for each laughing segment and a song about laughs. 500 $a Sound quality: Very good. 500 $a With: Ticklish Reuben. 650 0 $a Laughter $v Songs and music. 700 1 $a Farkoa, Maurice, $d -1916. 700 1 $a Shepard, Burt.

000 01032cim 2200289 a 4500 001 93718540 003 DLC 005 20160524083314.0 007 sdubsmennmplu 008 930715s1983 oncnnn s d 010 $a 93718540 028 02 $a DG 83008 $b Dan Gibson Productions 035 $a (OCoLC)11615841 040 $a USl $c DLC $d DLC 042 $a lccopycat 050 00 $a Dan Gibson Productions DG 83008 245 00 $a Sailing to a hidden cove ; Hiking over the highlands $h [sound recording]. 260 $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b Distributed in U.S.A. by the Moss Music Group, $c p1983. 300 $a 1 sound disc (60 min.) : $b analog, 33 1/3 rpm, stereo. ; $c 12 in. 306 $a 003000 $a 003000 440 0 $a Solitudes ; $v v. 8 500 $a "Composed of authentic natural sounds"--Container. 500 $a Recorded and produced by Dan Gibson. 650 0 $a Nature sounds. 700 1 $a Gibson, Dan, $d 1922-2006. 740 0 $a Sailing to a hidden cove. 740 0 $a Hiking over the highlands.

000 01126cim 22002417a 4500 001 93727598 003 DLC 005 20130501163408.0 007 sdubsmennmplu 008 931018s1961 nyunnn s eng
010 $a 93727598 028 00 $a BN 598 $b Epic 040 $a DLC $c DLC 050 00 $a Epic BN 598 245 00 $a Sounds/funny $h [sound recording]. 260 $a [New York, N.Y.?] : $b Epic, $c [1961?] 300 $a 1 sound disc : $b analog, 33 1/3 rpm, stereo. ; $c 12 in. 511 0 $a Written and performed by Earle Doud. 505 0 $a The annoying kitten -- The big drink -- Kids and the swimming pool -- The fruit vendor -- The hilltop diner -- The lion tamer -- Sportscars fan -- Rubbing out a cheapskate -- Echo cavern -- The shower -- Mexican peddler -- The composer's phone call -- Spectacular ping pong -- Bad table manners -- Indian and the smoke signal -- The final showdown -- The great discovery -- The time piece -- Persistent bread vendor -- The rocket launching -- Children's concert. 500 $a Brief record. 650 0 $a Comedy sketches. 650 0 $a American wit and humor. 700 1 $a Doud, Earle. $4 prf

000 00704cim 22002297a 4500 001 93850695 003 DLC 005 20170816103253.0 007 ssulsnjlcnnnuu 008 940113s1987 caunnn s
010 $a 93850695 035 $a (OCoLC)29622321 040 $a DLC $c DLC 050 00 $a RYB 4902 245 00 $a Playhouse on the beach $h [sound recording] : $b A dream child adventure in relaxation. 260 $a Balboa Island, CA : $b Inner Health, $c p1987. 300 $a 1 sound cassette : $b analog, stereo. 511 0 $a Performed by Tom Jackson. 500 $a Brief record. 650 0 $a Nature sounds. 700 1 $a Jackson, Tom $c (Psychiatrist) $4 prf 740 0 $a Dream child adventure in relaxation.

000 00623cim 22002177a 4500 001 93850697 003 DLC 005 20170816103153.0 007 ssulsnjlcnnnuu 008 940113s1987 caunnn s
010 $a 93850697 035 $a (OCoLC)29622316 040 $a DLC $c DLC 050 00 $a RYB 4903 245 00 $a Living stream and birds $h [sound recording]. 260 $a Balboa Island, CA : $b Living Sound Productions, $c p1987. 300 $a 1 sound cassette : $b analog, stereo. 511 0 $a Performed by Tom Jackson. 500 $a Brief record. 650 0 $a Nature sounds. 700 1 $a Jackson, Tom $c (Psychiatrist) $4 prf

000 00656cim 22002297a 4500 001 93850698 003 DLC 005 20170816103221.0 007 ssulunjlcnnnuu 008 940113s1987 caunnn s
010 $a 93850698 035 $a (OCoLC)29622318 040 $a DLC $c DLC 050 00 $a RYB 4904 245 00 $a Living sound effects $h [sound recording]. 260 $a Balboa Island, CA : $b Inner Health, $c p1987. 300 $a 1 sound cassette : $b analog. 511 0 $a Performed by Tom Jackson. 505 0 $a 3-D sound effects -- 3-D nature sounds. 500 $a Brief record. 650 0 $a Nature sounds. 700 1 $a Jackson, Tom $c (Psychiatrist) $4 prf

000 01591cim 2200277 a 4500 001 94746251 003 DLC 005 20160601082542.0 007 sdubumennmpluu 008 900914s1990 flunnn i s eng d 010 $a 94746251 028 02 $a PEP 10-1 $b 50,000,000,000,000,000,000,000 Watts 035 $a (OCoLC)22377037 040 $a OBgU $c OBgU $d OCoLC $d DLC 042 $a lccopycat 050 00 $a 50,000,000,000,000,000,000,000 Watts PEP 10-1 100 1 $a Milstein, Phil. $4 prf 245 10 $a Tapeworm $h [sound recording] : $b SFX by Phil Milstein. 260 $a Stuart, Fla. : $b 50,000,000,000,000,000,000,000 Watts, $c p1990. 300 $a 1 sound disc (37 min.) : $b analog, 33 1/3 rpm ; $c 12 in. 306 $a 003700 500 $a Subtitle from container. 500 $a "Phil Milstein was the tape effects specialist for Uzi, a great Boston band of the mid-1980's. Many of the tapes he mixed into Uzi's music, however, were also intended to stand on their own, outside the context of the songs. This album is a swirling montage of the best of those tapes-- ." 500 $a Descriptive notes by Milstein ([4] p. ; illus.) inserted. 505 0 $a Hi Joe -- Feed me! -- Summer camp -- The killer (Jerry Lee) -- Suction -- Life cycle -- Horror movie -- Fireball -- Scream! -- Telephone symphony -- Stradivarious -- Garbled vocal noises -- Unrelated segments -- Trains, "sitar" -- Dogfight -- Lum 'n' Abner -- Medley -- Hey, hold it! bailiff -- Dressed in black -- Frogs -- Opera -- Phone mess. -- Windchimes -- Laryngectomy -- Party noises -- Outer space -- Bloody noise. 650 0 $a Sounds.

000 01338cim 2200337 a 4500 001 94766215 003 DLC 005 20180703161804.0 007 sd fungnnmmned 008 941012s1994 caunnn| s | eng d 010 $a 94766215 020 $a 1568264321 024 1 $a 081227177621 028 02 $a R2 71776 $b Rhino 035 $a (OCoLC)31265907 040 $a IHS $c IHS $d DLC 042 $a lccopycat 050 00 $a SDD 01432 245 00 $a Scary sound effects $h [sound recording] : $b nightmarish noise for Halloween / $c [all written material & music by Robert C. Wayne]. 246 30 $a Nightmarish noise for Halloween 260 $a Los Angeles, CA : $b Rhino Records, $c p1994. 300 $a 1 sound disc : $b digital ; $c 4 3/4 in. 511 0 $a Gary Hoffman, theremin ; various performers. 500 $a "For promotional use only"--Stamp on insert. $5 DLC 500 $a Compact disc. 520 $a Contains 41 spooky snippets of greetings sure to scare trick-or-treaters. Includes spells from an evil witch, visits to graveyards, bat caves, haunted mansions, and visits from little green men. 505 0 $a Front door greetings -- Witchcraft -- Graveyard at night -- A visit to the bat caves -- The Martians are coming -- Scary music. 650 0 $a Halloween. 650 0 $a Sounds. 650 0 $a Theremin music. 700 1 $a Wayne, Robert C.

000 00921cim 2200301 a 4500 001 94768196 003 DLC 005 20051007134114.0 007 sduzunznnmmneu 008 940711s1993 caunnn s d 010 $a 94768196 020 $c [ $] 12.95 024 1 $a 052951624224 028 02 $a BCD-6242 $b Bainbridge 035 $a (OCoLC)30741206 040 $a ODa $c ODa $d DLC 042 $a lccopycat 050 00 $a SDB 56527 245 00 $a Sunday only $h [sound recording] : $b steam railroading under thundering skies / $c recorded and produced by Brad Miller. 260 $a Van Nuys, CA : $b Bainbridge, $c p1993. 300 $a 1 sound disc : $b digital ; $c 4 3/4 in. 500 $a Compact disc. 511 0 $a Sound engineers: Brad Miller, Stuart Plummer. 650 0 $a Steam-engines $x Sounds. 650 0 $a Nature sounds. 650 0 $a Sounds. 700 1 $a Miller, Brad S. 740 0 $a Steam railroading under thundering skies.

000 00809cim 22002537a 4500 001 94768558 003 DLC 005 20130502095830.0 007 sduzunznnmlneu 008 941230s1993 waunnn s eng
010 $a 94768558 028 00 $a CDN19 $b World Disc 035 $a (OCoLC)31751670 040 $a DLC $c DLC 050 00 $a World Disc CDN19 245 04 $a The waters of Yellowstone $h [sound recording]. 260 $a Friday Harbor, Wash. : $b World Disc, $c p1993. 300 $a 1 sound disc : $b digital ; $c 4 3/4 in. 440 0 $a Nature recordings reference series 511 0 $a Richard Hooper, recordist. 505 0 $a Geysers and mud pots of Yellowstone -- Vision quest: music and sounds of the wilderness. 500 $a Brief record. 650 0 $a Nature sounds. 700 1 $a Hooper, Richard $c (Recordist)

000 02145cim 2200349 a 4500 001 94772464 003 DLC 005 20130502100316.0 007 sdubsmennmplue 008 941213s1963 bl nnn s
010 $a 94772464 028 02 $a COELP-40375 $b Copacabana 033 $b 5202 035 $a (OCoLC)31684605 040 $a DLC $c DLC $d DLC 043 $a sa----- 050 00 $a Copacabana COELP-40375 245 00 $a Vozes da Amazãonia $h [sound recording] : $b com o lendâario canto do uirapuru / $c gravadas por Johan Dalgas Frisch. 260 $a S. Paulo : $b Copacabana, $c p1963. 300 $a 1 sound disc : $b analog, 33 1/3 rpm ; $c 12 in. 500 $a Narration on record in Portuguese; notes on container in Portuguese and English. 511 0 $a Oswaldo Calfat, narration. 520 $a Presents bird songs and animal sounds recorded by Johan Dalgas Frisch as he follows the path of the Spanish pioneer explorer Don Francisco de Orellana who in 1542 made a journey along the banks of the Amazon River. Designed to let the listener hear the sounds that Orellana must have heard on his journey. 505 0 $a Sabiâa verdadeiro -- Queixada, Porco do mato -- Ariranha -- Arara azul e amarela -- Uiru-tutâu -- Sabiâa poliglota -- Uirâa-troväao -- Pâassaro Boi -- Rouxinol -- Tempera viola -- Queda de uma âarvore -- Fri-friâo -- Rouxinol do Rio Negro -- Galo do mato -- Quando serâa, vai parar -- Papagaio Moleiro -- Japiim -- Inhanbâu-pâeua -- Udâu -- Picapau de topete vermelho -- Macaco prego -- Tiros de canhäao -- Guaribas, bugios, macacos -- Grilos -- Urâu -- Bacurâau -- Räa Maracâa -- Räa Canuarâu -- Uirapurâu verdadeiro -- Japacanim -- Gaviäao Pinhâe -- Gaviäao Preto -- Gaviäao Belo -- Pombas -- Anâu branco --Tesoura Saracuras (em fundo) -- Uirapurâu verdadeiro. 650 0 $a Birdsongs $z Brazil. 650 0 $a Birdsongs $z Amazon River Region. 650 0 $a Animal sounds $z Amazon River Region. 651 0 $a Amazon River Region $x Discovery and exploration. 600 10 $a Orellana, Francisco de, $d -approximately 1546. 700 1 $a Frisch, Johan Dalgas. 700 1 $a Calfat, Oswaldo. $4 nrt 740 0 $a Voices of the Amazon.

000 01037cim 2200337 a 4500 0

CECSpecialistI commented 1 year ago

Wow, thank you for the explanation of the aggregates side of things and for all of these examples, Deborah! That makes things much clearer. I feel like I need a crash course in music cataloging!

CatalogerCate commented 1 year ago

Yes, s is for things like recordings of bird sounds, or the noise recorded of a city, or machine noises. But I suppose it could be something like the recording of someone snoring, lol

Cate

From: Crystal Yragui (Clements) @.> Sent: Wednesday, September 6, 2023 3:35 PM To: uwlib-cams/MARC2RDA @.> Cc: Cate Gerhart @.>; Mention @.> Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)

Ah, so then "sound" would be spoken non-word sounds? That makes a bit more sense. So we can map these to "has category of work"?

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GordonDunsire commented 1 year ago

"sounds" is an RDA content type based on the RDA/ONIX Framework. The RDA definition and scope note is "A content type that consists of content other than language or music, expressed in an audible form. Natural sounds, artificially produced sounds, etc., are included".

"spoken word" is the content type for "language" sounds; "performed music" is the content type for "music" sounds. They all share the ROF sensory mode of "hearing", and together they exhaust the possibilities.

Like all works and expressions, "sounds" must have a creator agent; the act of creation includes the choice of recording equipment, choice of recording place, subsequent processing of the recorded signal, editing and choice of start and finish cut-offs, etc.

All content embodied in a manifestation must be considered to be one or more expressions; there is no content that is not an expression (what would it otherwise be, some kind of carrier?). Ambient sounds that happen to be captured when, say, recording someone talking in a street or the Grand Canyon, should be treated as noise (in the general signal-processing sense). It is not content unless the cataloguer knows that there has been creative input. This is the same as for capturing images, for example in a photograph, where the graininess of the image is usually unintentional.

As far as I can see, Deborah's MARC 21 examples all indicate an act of creation or intention.

The presence of a "sounds" expression in a manifestation does not necessarily indicate an aggregate. There are many examples of a single sounds expression published in a manifestation, such as in sample libraries for the composition of ambient music. "Birdsong sample" might well be a short (edited) piece that is intended for mixing or looping in a music performance or recording. See, for example, the British Library's collection of Wildlife and environmental sounds.

CECSpecialistI commented 1 year ago

Hi @CatalogerCate , we came up with another question for you while working on the 008 mapping for music. If a duration is recorded as "unknown", is that useful information to map and retain? We haven't generally been making statements when a value is not known, but wanted to check in with you to see whether we ought to make an exception here. Would you retain and map this information to RDA? @AdamSchiff @GordonDunsire

AdamSchiff commented 1 year ago

In other words, is there a benefit to users to provide a note that says that the duration is not known?

Adam

Adam L. Schiff Principal Cataloger University of Washington Libraries (206) 543-8409 @.***

From: Crystal Yragui (Clements) @.> Sent: Wednesday, September 20, 2023 9:32 AM To: uwlib-cams/MARC2RDA @.> Cc: Adam L Schiff @.>; Mention @.> Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)

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CECSpecialistI commented 1 year ago

Finished group meeting review on 2023-10-11. Discuss at next week's meeting whether we need an additional consistency check done before transform, or whether writing the transform will serve the same purpose.

lake44me commented 7 months ago

Hi @CECSpecialistI . In course of working on the special mappings for records with 533 tags, I came across some questions about 008 mappings (am almost done with that part). Here they are:

Why do we even have a line ("not mapped") for an obsolete value of 008 position 6 value of "c"? When we have another mapping for "c", the mapping Continuing resource currently published" should be applied, unless (condition?) If an old record had "actual date and copyright date" intended, would the value of Date 2 (positions 11-14) being something other than 9999 be a condition?

First and second lines of 008 position 7-10 and 11-14 with position 6 value "d". Why are there separate mappings for first and last date of a diachronic continuing resource that ceased publication? Should we set up conditions and follow PCC policy statements in Date of Manifestation RDA Section so that if there is a date range, the structure is date1 - date2 in a single date of manifestation structured statement?

Third line for 008 position 7-10 and 11-14 with position 6 value "d" - the logic by which a note on manifestation "value = "Ceased publication. Publication start and end dates unknown." is created isn't clear. There's an asterisk in an unlabeled condition column. Is something missing?

lake44me commented 6 months ago

@SitaKB @CECSpecialistI Here are the questions about 008 mappings I came across so far. Hope this makes sense - there seems to be no way to refer to a specific spreadsheet row - I could give current row numbers but they could change in future :-).

First and second lines of 008 position 7-10 and 11-14 with position 6 value "d". Why are there separate mappings for first and last date of a diachronic continuing resource that ceased publication? Should we set up conditions and follow PCC policy statements so that if there is a date range, the structure is date1 - date2 in a single date of manifestation structured statement?
Third line for 008 position 7-10 and 11-14 with position 6 value "d" - the logic by which a note on manifestation "value = "Ceased publication. Publication start and end dates unknown." is created isn't clear. There's an asterisk in a condition column. Is something missing?
008 position 7-10 and 11-14 with position 6 value "i" (Inclusive dates of collection). Why are there two mappings to [http://rdaregistry.info/Elements/m/P30278] "has date of manifestation" - shouldn't this be a date range? (it's not narrowed to the "date1" or "date2" mapping... the transformation notes are "/[date] | u=blank" and "[date]/ | u=blank" so it looks like maybe you intended to map the begin and end dates of the range as separate properties? Don't understand syntax nor meaning of asterisk in condition column. Don't see any condition for the third mapping to note on manifestation "Dates of collection unknown.".
Same as last question for position 6 value "m"
If position 6 has value "p" (Date of distribution/release/issue and production/recording session when different), shouldn't the two dates be mapped separately? As "Date of production" and "Date of publication" (or Date of distribution...?) This does not appear in the mapping; only the first date is mapped.
For position 6 value "r" (reprint/reissue date and original date), this is a multiple date but I am taking it that these dates describe the "original" that was reproduced by the thing described by the record (if there's a 533 present) -- if that was itself a reproduction. It appears we only map the first date and I can understand. Hopefully there would be a note describing the reprint's "original date". The first line lacks a transform note.
For position 6 value "t" (Publication date and copyright date), only the first date is mapped. I'm just wondering why no attempt to map 11-13 to manifestation Copyright Date [http://rdaregistry.info/Elements/m/P30007] was made. It looks like it is mapped to a note on manifestation though.
For position 6 value "u" (Continuing resource status unknown), there's a line mapping positions 11-14 that is marked "delete". This is puzzling, with the justification for mapping (or in this case not mapping) being "Included in conditions for Date 1, Date 2". But the "u" mapping is only for Date1. Shouldn't that mapping be consistent with the mapping for pos. 6 "c" and "d"?

lake44me commented 4 months ago

@CECSpecialistI @SitaKB @cspayne 61 of the lines in 008 mapping reference URLs at site marc21rdf.info . I followed one and got a dnserrorassist.att.net error message that the site did not exist or was not available. Examples : 008 lines 233 and 234.

Lines 224-233 are other Government Publication code "Has category of manifestation" mappings to IRIs which are not specified in the Transformation Notes, maybe the intention was to map them using marc21rdf.info site IRIs (or IRIs from some other source?) but they didn't get filled in. Just wanted to alert you.

Apparently this domain housed an early attempt to serialize MARC as linked data by OCLC research as mentioned in this blog post from Jeff Mixter and Jeff Young: https://hangingtogether.org/how-marc-can-sparql/ . Probably OCLC has stopped supporting it. They have been dropping things lately (e.g., the VIAF supplementary "links" data which contained the wikidata links, which is upsetting some people)..

lake44me commented 4 months ago

By the way, the URLs begin with http, e.g. http://marc21rdf.info/terms/commonfor%23r . They aren't all for Government Publications either - some are used for Form of Item, some MAPS properties, etc. id.loc.gov now has a vocabulary for Goverment Publication Type but not sure about the others.

CECSpecialistI commented 4 months ago

We should replace these with the 008 vocabularies we've published. We have a student starting in a couple of weeks who should be able to spend some of her time finishing up where David left off here. What do you think about this solution, @cspayne ?

cspayne commented 4 months ago

We should replace these with the 008 vocabularies we've published. We have a student starting in a couple of weeks who should be able to spend some of her time finishing up where David left off here. What do you think about this solution, @cspayne ?

Yes, I think that's what the intention has been for these vocabularies!

lake44me commented 4 months ago

@Sitakb, @CECSpecialistI I am not interested in this fixed field for reproductions because all the other values are expression properties so this is likely to be too, but I noticed this line didn't have any property entered (oops?) and the object says entered as "IRI" but doesn't specify how to get one. 0008 MAPS Position 24 | Prime meridian [OBSOLETE] | | | # | Prime meridian not specified

lake44me commented 2 months ago

@SitaKB Please note - before this mapping is ready for transform, the rows that get Rreproduction Conditions checked need to have that information added. Let @dchen077 know when the mappings are otherwise reviewed so she can add the condition information.

cspayne commented 2 months ago

We should replace these with the 008 vocabularies we've published. We have a student starting in a couple of weeks who should be able to spend some of her time finishing up where David left off here. What do you think about this solution, @cspayne ?

Do we have plans to replace all of the vocabularies currently in the transformation notes in 008? For example, I'm looking at 008 BOOKS 18-21 and some of the values are currently mapped to RDA vocabulary terms, but we have minted IRIs for each of these values as part of UW libraries' semantic web data. Will these be used instead, or are they only used when there is not an RDA vocabulary equivalent?

dchen077 commented 2 months ago

My understanding (and clarification from Crystal a couple days ago) is to replace everything with our own except for the RDA vocabulary terms, though I am not sure about any future plans.

GordonDunsire commented 2 months ago

I agree. We discussed this and concluded that we would not, in general, 'fix' the data from LC codes to RDA codes unless they were invalid. So we take what is in the M21 record and assign the appropriate IRI (from UW or RDA Registry). With a few known exceptions, noted in the Registry mappings and our own mappings, there is a one-to-one correspondence between the LC and RDA/UW IRIs, so they can comfortably interoperate in semantic linked data applications.

cspayne commented 2 months ago

@SitaKB @CECSpecialistI Here are the questions about 008 mappings I came across so far. Hope this makes sense - there seems to be no way to refer to a specific spreadsheet row - I could give current row numbers but they could change in future :-).

First and second lines of 008 position 7-10 and 11-14 with position 6 value "d". Why are there separate mappings for first and last date of a diachronic continuing resource that ceased publication? Should we set up conditions and follow PCC policy statements so that if there is a date range, the structure is date1 - date2 in a single date of manifestation structured statement?

Third line for 008 position 7-10 and 11-14 with position 6 value "d" - the logic by which a note on manifestation "value = "Ceased publication. Publication start and end dates unknown." is created isn't clear. There's an asterisk in a condition column. Is something missing?

008 position 7-10 and 11-14 with position 6 value "i" (Inclusive dates of collection). Why are there two mappings to [http://rdaregistry.info/Elements/m/P30278] "has date of manifestation" - shouldn't this be a date range? (it's not narrowed to the "date1" or "date2" mapping... the transformation notes are "/[date] | u=blank" and "[date]/ | u=blank" so it looks like maybe you intended to map the begin and end dates of the range as separate properties? Don't understand syntax nor meaning of asterisk in condition column. Don't see any condition for the third mapping to note on manifestation "Dates of collection unknown.".

Same as last question for position 6 value "m"

If position 6 has value "p" (Date of distribution/release/issue and production/recording session when different), shouldn't the two dates be mapped separately? As "Date of production" and "Date of publication" (or Date of distribution...?) This does not appear in the mapping; only the first date is mapped.

For position 6 value "r" (reprint/reissue date and original date), this is a multiple date but I am taking it that these dates describe the "original" that was reproduced by the thing described by the record (if there's a 533 present) -- if that was itself a reproduction. It appears we only map the first date and I can understand. Hopefully there would be a note describing the reprint's "original date". The first line lacks a transform note.

For position 6 value "t" (Publication date and copyright date), only the first date is mapped. I'm just wondering why no attempt to map 11-13 to manifestation Copyright Date [http://rdaregistry.info/Elements/m/P30007] was made. It looks like it is mapped to a note on manifestation though.

For position 6 value "u" (Continuing resource status unknown), there's a line mapping positions 11-14 that is marked "delete". This is puzzling, with the justification for mapping (or in this case not mapping) being "Included in conditions for Date 1, Date 2". But the "u" mapping is only for Date1. Shouldn't that mapping be consistent with the mapping for pos. 6 "c" and "d"?

Did these questions ever get answered?

lake44me commented 2 months ago

@cspayne to best of my knowledge these haven't been answered. I hope the questions are clear - I've pretty much forgotten about it and I'm not the person to answer. Some may be my ignorance of the condition logic of asterisk. Maybe you and your team can figure them out, or present them at a project meeting?

dchen077 commented 2 months ago

"The mappings on lines 924 (MUSIC) and 753 (MIXED MATERIALS) are the only 2 Form of Item “I” codes for Multimedia [OBSOLETE] that map to expression property https://rdaregistry.info/Elements/e/#P20001 “has content type”. Line 753 (MIXED MATERIALS) also maps Form of item “I” to http://rdaregistry.info/Elements/m/P30002 “has media type”. Line 428 (CONTINUING RESOURCES) and Line 184 (BOOKS) map Form of Item “I” to http://rdaregistry.info/Elements/m/P30001 “has carrier type.” Should they all map to manifestation for consistency?"

Added this remaining question from our email chain in case we need to present them at a project meeting or resolve asynchronously.

cspayne commented 2 months ago

My understanding (and clarification from Crystal a couple days ago) is to replace everything with our own except for the RDA vocabulary terms, though I am not sure about any future plans.

I agree. We discussed this and concluded that we would not, in general, 'fix' the data from LC codes to RDA codes unless they were invalid. So we take what is in the M21 record and assign the appropriate IRI (from UW or RDA Registry). With a few known exceptions, noted in the Registry mappings and our own mappings, there is a one-to-one correspondence between the LC and RDA/UW IRIs, so they can comfortably interoperate in semantic linked data applications.

Sounds good! I'm seeing 'reviewed' rows that map to an IRI but do not have any value to use in the transformation notes. Are these just yet to be filled in? Can I assume they map to the matching vocabulary IRIs that we have created?

cspayne commented 1 month ago

Posting questions here that can hopefully be answered asynchronously or during this weeks meetings.

Why are some Unkown and Other values mapped and some not? Should we be consistent with mapping these values? In our decisions index it seems we have decided not to map these ANSWERED: some "other" values are useful and we have chosen to keep them. Unknown values should not be mapped.
I am currently using LDR/06-07 to determine type. Is this the best method? ANSWERED: yes.
Some rows do not include the IRI to be used in the transformation notes. Can I assume these are the values that could not be reconciled with any RDA terms and the UWLSWD values should be used instead? ANSWERED: yes.

cspayne commented 1 month ago

BOOKS

Row 179 – 180 - Row 180 appears to be a repeat of line 179 which is the mapping for BOOKS 008/23 = f. This maps to "has carrier type" here but doesn't have what the value of the property should be in the transformation note. What should the value be here? Note - the 008 mapping review from July 5, 2023 says to get rid of this mapping. ANSWERED (Sita checked) : mapping of carrier type neglect
Row 197, 206, 212 + - For 008/24-27 transformation notes for b, k, and q that says "Includes [value]", I'm assuming this means "Includes bibliographies." and not "Includes b." etc. Is that correct? Sita checked: YES, 'includes bibliographies'

cspayne commented 1 month ago

CONT

Row 401 – 412 - Why is form of original item CONT 008/22 not mapped to original manifestation when reproduction conditions are present? Sita checked: Continuing resources neglect for phase 2?
Row 490 - Was CONT 008/25-27 = x ever used? There is a mapping for it (obsolete) but I could not find this in the "Content Designator History" section of the MARC documentation ANSWER: No, this is a spreadsheet error. - 2024-09-25 M2R meeting decision
Row 408 - All of the 008/22 "form of original item" map to "has note on manifestation" except for this row, where 008/22 = 'h' "Magnetic tape [OBSOLETE]" which maps to "has carrier type". Why? Sita checked: neglect "Continuing resources"

cspayne commented 1 month ago

MAPS

Row 695 – The mapping for 008/31 = 1 "Index present" maps to “has supplementary content” here. For BOOKS (Row 243) it maps to a note on manifestation. Is this purposeful or should we be consistent? Sita checked: purposeful, because of redundancy
Row 710 - Why is 008/33-34 = e "manuscript" a string value and not https://doi.org/10.6069/uwlswd.rw25-p125#e? All other values for 008/33-34 have an IRI used. Sita checked: use IRI

tmqdeborah commented 1 month ago

CONT

Row 490 - Was CONT 008/25-27 = x ever used? There is a mapping for it (obsolete) but I could not find this in the "Content Designator History" section of the MARC documentation

For BK (language material), positions 25-27 are not obsolete; 008/24-27 (4 positions) are used for Nature of contents.
For CR (continuing resources, positions 25-27 are used for Nature of contents

See this OCLC table "Format-Specific 008 and 006 elements" for additional info about the 008 (and 006) positions: https://www.oclc.org/bibformats/en/fixedfield.html

tmqdeborah commented 1 month ago

https://github.com/uwlib-cams/MARC2RDA/issues/50#issuecomment-2368536008

MAPS

Row 695 – The mapping for 008/31 = 1 "Index present" maps to “has supplementary content” here. For BOOKS (Row 243) it maps to a note on manifestation. Is this purposeful or should we be consistent?

You are correct, we should be consistent--any Index coding in the 008 or 006 should map to "has supplementary content".

The following should also map to "has supplementary content" wherever found:

Accompanying Matter (MU 008/24-29; 006/07-12)
Illustrations (BK 008/18-21; 006/01-04)
Nature of contents (CR 008/18-21; 006/01-04)--special instructions for continuing resources

cspayne commented 1 month ago

For BOOKS when form of item = z "Other form of reproduction [OBSOLETE]", it is mapped to "has carrier type", but for MIXED MATERIALS and MUSIC it maps to "has category of manifestation". Is this purposeful or should they all map to "has category of manifestation" for consistency? Sita checked: was purposeful done. In cases where other has a meaning it was mapped to carrier type.

cspayne commented 1 month ago

OTHER and UNKNOWN values in the mappings - do we want to keep these? ANSWERED in M2R meeting Oct 1, 2024

CONTINUING RESOURCES 008/18 "frequency" = # "no determinable frequency" - address in phase 2
CONTINUING RESOURCES 008/18 "frequency" = u "unknown" - address in phase 2
CONTINUING RESOURCES 008/18 "frequency" = z "other" - address in phase 2
MAPS 008/18-21 "Relief" = # "no relief shown" - map to note on expression
MAPS 008/22-23 "Projection = zz "other" - do not map
MAPS 008/24 "Prime meridian [OBSOLETE]" = # "prime meridian not specified" - do not map
MUSIC 008/20 "Format of music" = z "Other" - do not map
VISUAL MATERIALS 008/34 "Technique" = z "Other" (I believe we want to keep this, but it currently maps to "has nature of content" twice, with an IRI and then an unstructured description. Do we want both mappings?) - do not map

cspayne commented 1 month ago

VISUAL MATERIALS 008/23-27 "Accompanying matter [OBSOLETE]" is mapped, but we do not have a vocabulary for these terms. Do we need to mint these? Or are we using string values? ANSWERED: We decided to not map these values in M2R meeting Oct 2, 2024

cspayne commented 1 month ago

COMPUTER FILES and VISUAL MATERIALS 008/22 "target audience" map to both "intended audience of expression" and "intended audience of manifestation". On Dec 7, 2022 the meeting notes indicate that we are favoring "intended audience of expression" and all of the "intended audience of manifestation" mappings should be marked delete. I will mark these as delete and remove them from the transformation unless this was purposefully kept for these specific formats.

cspayne commented 1 month ago

MAPS 008/24 "Prime meridian [OBSOLETE]" = # "prime meridian not specified". In the meeting today (2024-10-02), we discussed mapping this as "has note on expression". However, because this character position is obsolete, this means that every record after 1997, when this was marked obsolete, will have this value. Do we want "prime meridian not specified" as a note in all of these records?

AdamSchiff commented 1 month ago

Oh! I guess not!

Adam L. Schiff Principal Cataloger University of Washington Libraries (206) 543-8409 @.***

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MAPS 008/24 "Prime meridian [OBSOLETE]" = # "prime meridian not specified". In the meeting today (2024-10-02), we discussed mapping this as "has note on expression". However, because this character position is obsolete, this means that every record after 1997, when this was marked obsolete, will have this value. Do we want "prime meridian not specified" as a note in all of these records?

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CECSpecialistI commented 1 month ago

lol, oops. Yeah we should ignore these instead of recording the "prime meridian not specified" note. Nice catch @cspayne

cspayne commented 1 month ago

@lake44me @dchen077 I noticed that for "form of item" = r "regular print reproduction", the mapping is applied to the reproduction manifestation when there is a reproduction condition and not to the original manifestation. Mixed materials and music have obsolete values for "other form of reproduction" which are mapped to category of manifestation. Should these also map to the reproduction manifestation? Or are they mapped to the original?

MIXED MATERIALS 008/23 "form of item" = z "other form of reproduction [OBSOLETE]"
MUSIC 008/23 "form of item" = x "other form of reproduction [OBSOLETE]"
MUSIC 008/23 "form of item" = z "other form of reproduction [OBSOLETE]"

cspayne commented 1 month ago

@lake44me @dchen077 Also, some of the VISUAL MATERIALS 008/33 "type of visual material" rows have "check for reproduction conditions" in the conditions, but no transformation note indicating these should be applied to the original manifestation. Are these mapped to the reproduction or original manifestation?

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