Feature requests, bug tracking, questions, and issues for Filmbox, Scatter, Screen, and Lattice. Also general questions about color science and filmmaking are welcome!
Having color saturation, color temperature (amber/blue), and color tint (green/magenta) adjustments in the Inspect window would make it easier to fake a log-to-Rec.709 look without using a LUT, and would let one fix white-balance errors within Screen and export corrected clips and screenshots.
This is a very-nice-to-have, not a must-have, but it's the sort of thing I can do in tools like Canon RAW developer, Sony Catalyst, and REDCINE-X — or even the decade-old RED ALERT, if you remember those happy, halcyon days when the RED ONE was the shiny new thing (grin).
Having color saturation, color temperature (amber/blue), and color tint (green/magenta) adjustments in the Inspect window would make it easier to fake a log-to-Rec.709 look without using a LUT, and would let one fix white-balance errors within Screen and export corrected clips and screenshots.
This is a very-nice-to-have, not a must-have, but it's the sort of thing I can do in tools like Canon RAW developer, Sony Catalyst, and REDCINE-X — or even the decade-old RED ALERT, if you remember those happy, halcyon days when the RED ONE was the shiny new thing (grin).