Albums are rated by how well they sound when listened to from beginning to the end without interruptions. That's the reason why there is no Nevermind by Nirvana or Rain Dogs by Tom Waits on the list, since they contain a few songs that ruin the flow of the record. Live albums and compilations are also not included.
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“No samples, keyboards or synthesizers were used in the making of this record”
“Recorded live at their rehearsal space in six days with Elvis's bass player”
“Waits at the start of his transformation”
“Dance-rock for failed hipsters”
“Rothchild's best record”
“Banana was peelable on early copies”
“Vinyl crackling noises were added intentionally”
“Divine intervention”
“Masterpiece”
“Dark and hopeful at the same time”
“They sound fresh even when rapping about pagers”
“High octane punk 'n' roll”
“Always better than you remember”
“Drum room mics were delayed for 20 milliseconds”
“Weimar, Brecht, Weill, the whole shtick”
“Better than the sum of its parts”
“Stooges at their raw, sweaty, howling peak”
“Start of the Big Time era”
“Beefheart for the masses”
“Kalamazoo is a real place in Michigan”
“A synthesis of electronics with jazz soloing”
“Hitting the L.A.'s main nerve”
“Having no bass player can make your music more exciting”
“Best-selling independent album of all time”
“Hardcore hip hop that is not based on trap”
“Fun and relatable”
“Ultimate night record”
“More a song than an album”
“High on life”
“Too much of Brian Eno's ideas were rejected”
“Drum room mics were delayed for 20 milliseconds”
“Their least annoying record”
“Proper lo-fi/trash Americana”
“Electronic beats got lost during production”
“This”
“A fish called Wanda”
“Great fusion of garage and studio production”
“Ultimate day record”