ntra00 / marc2bibframe

Convert marc to BIBFRAME 1.0 - see lcnetdev/marc2bibframe2 for current release
http://www.loc.gov/bibframe/
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Formatted 505 #30

Closed pschreur closed 10 years ago

pschreur commented 10 years ago

The formatted 505 field is being converted as a bf:work with a creator (from the |r). THis can be very confusing in certain formats. For instance, with films, an actor may be in the |r. Perhaps for certain formats the creator should not be included.

ntra00 commented 10 years ago

Not having any further info in the MARC record, we can use creator, contributor, or agent. I chose bf:contributor for now. This would be a prime place for format specific relators, if we can generalize.

pschreur commented 10 years ago

But could we just not convert these to bf:works? I think the point was the data in the $r is just too variable to create a useful bf:work. Better to not generate one and let them be added by hand editing at some different point in time.

ntra00 commented 10 years ago

Sure, but if the problem your having is with the relationship between the work and the agent responsible for it, then building the bf:work means that editing by hand down the line is just to find tune that relator, right? Otherwise, these nicely parsed fields will go into some giant blob of a field. Do you have example marc records where these parts with title should not be considered bf:works, however skimpily cataloged?

kefo commented 10 years ago

I'll second the request for samples.

I'm confused: if I understand correctly, Phil wants the 505s to be made Works (or not) and Nate is saying they are. Am I missing something?

ntra00 commented 10 years ago

here's an example. (doesn't have the $r converted to bf:contributor, still bf:creator; I only made the change in test so far) I'm making them bf:works, but the $r probably can't be creator for certain kinds of works, so I thought I should tone it down to agent or contributor; Phil says don't even have them be works; it's too problematic.

kefo commented 10 years ago

Phil wrote:

I think the point was the data in the $r is just too variable to create a useful bf:work.

Yea, the bf:Work is pretty skimpy, as Nate noted, but we see these as stub "records." It's always possible to back away from this path, but we're also interested in seeing what happens when we take this route, where it takes us (at least for now). Other than them being skimpy, is there a strong objection to this we're not thinking of?

pschreur commented 10 years ago

The example I have is a very complicated one so let me try and explain it verbally at first but can always submit the data as well. This was generated from a collection of films starring James Dean. The formatted contents note had the titles of the films plus a seemingly random actor chosen to be placed in the $r. In speaking with my media cataloger, this is very common.

I'm not so much arguing that these are not works, but rather that the AAP generated for them looks so wrong. I have to admit, though, that I still do not fully understand the need for, or use of the AAP in this context. They are certainly not authoritative or unique. It gives the impression of a name/UT for a FRBR work (which it's not). And because of the randomness of what's in the $r, many different AAPs will be generated for the same bf:work from differing resources.

Perhaps this is more of an AAP question? We've run across a number of situations in which the AAP that is automatically generated is quite problematic.

Phil

On 5/19/2014 1:01 PM, Kevin Ford wrote:

Phil wrote:

I think the point was the data in the $r is just too variable to
create a useful bf:work.

Yea, the bf:Work is pretty skimpy, as Nate noted, but we see these as stub "records." It's always possible to back away from this path, but we're also interested in seeing what happens when we take this route, where it takes us (at least for now). Other than them being skimpy, is there a strong objection to this we're not thinking of?

— Reply to this email directly or view it on GitHub https://github.com/lcnetdev/marc2bibframe/issues/30#issuecomment-43548944.

Philip E. Schreur Head, Metadata Department Stanford University 650-723-2454 650-725-1120 (fax)

ntra00 commented 10 years ago

I think that's it. I will drop AAP from these, since I don't have enough info to build a meaningfull one, even by accident with the 505 data.

rguenther52 commented 10 years ago

Yes, there have been a number of questions about the AAP in general but they are particularly problematic in this case. Looking at sample data will help. These subfields in the 505 parsing out the pieces of the TOC came into the format pretty late in the game and it's never been clear who actually uses them. Interesting that they are using them for moving images. But since $r is a statement of responsibility it can have all kinds of text in it. Does it seem like people are using it just for a contributor name (and I agree with putting it in contributor rather than creator)?

pschreur commented 10 years ago

The problem with video examples is that they're so long :) ... The $r is not always given but in this case, for instance, the $r for the work "The Dream of Rarebit Fiend" if the manufacturer. I'm sure to video catalogers the choice isn't random but from teh outside there certainly seems to be a great deal of flexibility.

Philip

00956cgm 2200229Ia 4500 a6653939 vd bv-izu 030528s200u enk187 vleng d BFIVD643 British Film Institute Video (OCoLC-M)272543626 (OCoLC-I)275907496 EQO EQO OCLCQ CSt Early cinema [videorecording] : primitives and pioneers. Primitives and pioneers London : BFI Video, [200-] 2 videodisc (187 min.) : sd, b&w ; 4 3/4 in. Silent films with piano accompaniment. Originally produced as motion pictures between 1895 and 1910. A DVD release of 60 films by the Lumière brothers, Georges Méliès, Birt Acres, R. W. Paul, George Albert Smith, the Sheffield Photographic Company, Haggar and Sons, Bamforth and Co Ltd, Williamson's Kinematograph Co Ltd., Hepworth Manufacturing Company, Cricks and Martin, Kineto Production Company, Pathé Frères, and Edison Manufacturing Company. Apart from the Méliès title, film material was supplied by the National Film Archive. dDisc 1. Sortie d'usine (1895) ; Repas de bébé (1895) ; Démolition d'un mur (1895) ; Le jardinier et le petit espiègle (1895) ; Arrivée des Congressistes à Neuville-sur-Saône (1895) ; Arivée d'un train en gare à La Ciotat (1895) ; Partie d'écarté (1895) ; Baque sortant du port (1895) ; Leaving Jerusalem by railway (1896); Bataille de boules de niege (1896) ; Pompiers à Leon (c1896) ; Niagara (1897) ; Spanish bullfight (1900) / Lumière -- Voyage à travers l'impossible (extract) (1904) / Méliès -- Rough sea at Dover (1895) / Birt Acres -- Come along, do! (1898) ; The derby (1896) ; The countryman and the cinematograph (1901) ; A chess dispute (1903) ; Extraordinary cab accident (1903); Buy your own cherries (1904); The (?) motorist (1906) / R. W. Paul -- The miller and the sweep (1898) ; The kiss in the tunnel (1899) ; Let me dream again (1900) ; Grandma's reading glass (1900) ; Sick kitten (1903) ; Mary Jane's mishap (1903) / G.A. Smith -- Daring daylight burglary (1903) / Sheffield Photographic Company -- Desperate poaching affray (1903) / Haggar and sons -- The kiss in the tunnel (1899) ; Ladies' skirts nailed to a fence (c. 1900) ; The biter bit (1900) ; Rough sea (c1900) / Banforth and Company Ltd. -- Attack on a China mission (1900) ; The big swallow (c.1901) ; Stop thief! (1901) ; Fire! (1901) ; An interesting story (1905) / Williamson's Kinematograph Company. Disc 2. How it feels to be run over (1900) ; Explosion of a motor car (1900) ; Rescued by Rover (1905) ; The other side of the hedge (1905) ; That fatal sneeze (1907) / Hepworth Manufacturing Company -- A visit to Peek Frean and Co.'s Biscuit Works (1906) / Cricks and Martin -- A day in the life of a coalminer (1910) / Kineto Production Company -- Par le trou de la serrure (1901) ; Histoire d'un crime (1901) ; Ali Baba et les quarante voleurs (1905) ; Rêve et réalité (1901) Le Révolutiion en Russie (1905) ; Aladin ou la lampe verveilleuse (1906) ; Le cheval emballé (1907) ; The physician of the castle (1908) ; Magic bricks (1908) / Pathé Frères -- Dewar's--it's scotch (1898) ; The gay shoe clerk (1903) ; The great train robbery (1903) ; The dream of a rarebit fiend (1906) / Edison Manufacturing Company. Neil Brand, Stephen Horne, John Sweeney (pianists); DVD production credits: Adrian Raistrick (producer); Heather Stewart, Erich Sargeant (executive producers); Marianthi Makra (production manager); Paul Elliman with Daniel Felstead (designer). A selection of films from the early years of cinema, chiefly focusing on Great Britain and France. Films are in a variety of early genres, including actualities, trick films, early narratives, etc. UK cert. E (exempt from classification). DVD (region 2, PAL). 1 Silent films. Short films. Salt, Barry. Lumière, Auguste, 1862-1954. Lumière, Louis, 1864-1948. Méliès, Georges, 1861-1938. Acres, Birt, 1854-1918. Paul, R. W. (Robert William) Smith, George Albert, 1864-1959. Sheffield Photo Co. Haggar and Sons. Bamforth & Co. Williamson's Kinematograph Co. Hepworth Manufacturing Company. Cricks and Martin. Kineto Production Co. Thomas A. Edison, Inc. LTI 03/24/2007 MONORECUnit/1 November 2006/nnt/CATMARCUnit MARCUnit/16 March 2007/GDG Z0 STF ZDVD 13900 36105211862052 GREEN MEDIA-MTXT ZDVD 13900 DISC 2 DISC 2 6653939-2001 GREEN MEDIA-MTXT ZDVD 13900 BOOKLET BOOKLET 36105127745763 GREEN MEDIA-MTXT rdf:RDF bf:authorizedAccessPointEarly cinema [videorecording] : primitives and pioneers/bf:authorizedAccessPoint bf:titleEarly cinema [videorecording] : primitives and pioneers/bf:title bf:noteSilent films with piano accompaniment./bf:note bf:noteOriginally produced as motion pictures between 1895 and 1910./bf:note bf:noteA DVD release of 60 films by the Lumière brothers, Georges Méliès, Birt Acres, R. W. Paul, George Albert Smith, the Sheffield Photographic Company, Haggar and Sons, Bamforth and Co Ltd, Williamson's Kinematograph Co Ltd., Hepworth Manufacturing Company, Cricks and Martin, Kineto Production Company, Pathé Frères, and Edison Manufacturing Company./bf:note bf:noteApart from the Méliès title, film material was supplied by the National Film Archive./bf:note /bf:Work bf:authorizedAccessPointSortie d'usine/bf:authorizedAccessPoint bf:titleSortie d'usine/bf:title bf:note(1895) ;/bf:note /bf:Work bf:authorizedAccessPointRepas de bébé/bf:authorizedAccessPoint bf:titleRepas de bébé/bf:title bf:note(1895) ;/bf:note /bf:Work bf:authorizedAccessPointDémolition d'un mur/bf:authorizedAccessPoint bf:titleDémolition d'un mur/bf:title bf:note(1895) ;/bf:note /bf:Work bf:authorizedAccessPointLe jardinier et le petit espiègle/bf:authorizedAccessPoint bf:titleLe jardinier et le petit espiègle/bf:title bf:note(1895) ; Arrivée des Congressistes à Neuville-sur-Saône/bf:note bf:note(1895) ;/bf:note /bf:Work bf:authorizedAccessPointArivée d'un train en gare à La Ciotat/bf:authorizedAccessPoint bf:titleArivée d'un train en gare à La Ciotat/bf:title bf:note(1895) ;/bf:note /bf:Work bf:authorizedAccessPointPartie d'écarté/bf:authorizedAccessPoint bf:titlePartie d'écarté/bf:title bf:note(1895) ;/bf:note /bf:Work bf:authorizedAccessPointBaque sortant du port/bf:authorizedAccessPoint bf:titleBaque sortant du port/bf:title bf:note(1895) ; /bf:note /bf:Work bf:authorizedAccessPointLeaving Jerusalem by railway/bf:authorizedAccessPoint bf:titleLeaving Jerusalem by railway/bf:title bf:note(1896);/bf:note /bf:Work bf:authorizedAccessPointBataille de boules de niege/bf:authorizedAccessPoint bf:titleBataille de boules de niege/bf:title bf:note(1896) ;/bf:note /bf:Work bf:authorizedAccessPointPompiers à Leon/bf:authorizedAccessPoint bf:titlePompiers à Leon/bf:title bf:note(c1896) ;/bf:note /bf:Work bf:authorizedAccessPointNiagara/bf:authorizedAccessPoint bf:titleNiagara/bf:title bf:note(1897) ;/bf:note /bf:Work bf:authorizedAccessPointLumière. Spanish bullfight/bf:authorizedAccessPoint bf:titleSpanish bullfight/bf:title bf:note(1900) //bf:note /bf:Work bf:authorizedAccessPointMéliès. Voyage à travers l'impossible/bf:authorizedAccessPoint bf:titleVoyage à travers l'impossible/bf:title bf:note(extract) (1904) //bf:note /bf:Work bf:authorizedAccessPointRough sea at Dover/bf:authorizedAccessPoint bf:titleRough sea at Dover/bf:title /bf:Work bf:authorizedAccessPointBirt Acres. (1895)/bf:authorizedAccessPoint bf:title(1895)/bf:title /bf:Work bf:authorizedAccessPointCome along, do!/bf:authorizedAccessPoint bf:titleCome along, do!/bf:title bf:note(1898) ;/bf:note /bf:Work bf:authorizedAccessPointThe derby/bf:authorizedAccessPoint bf:titleThe derby/bf:title bf:note(1896) ; /bf:note /bf:Work bf:authorizedAccessPointThe countryman and the cinematograph/bf:authorizedAccessPoint bf:titleThe countryman and the cinematograph/bf:title bf:note(1901) ;/bf:note /bf:Work bf:authorizedAccessPointA chess dispute/bf:authorizedAccessPoint bf:titleA chess dispute/bf:title bf:note(1903) ;/bf:note /bf:Work bf:authorizedAccessPointExtraordinary cab accident/bf:authorizedAccessPoint bf:titleExtraordinary cab accident/bf:title bf:note(1903);/bf:note /bf:Work bf:authorizedAccessPointBuy your own cherries/bf:authorizedAccessPoint bf:titleBuy your own cherries/bf:title bf:note(1904);/bf:note /bf:Work bf:authorizedAccessPointR. W. Paul. The (?) motorist/bf:authorizedAccessPoint bf:titleThe (?) motorist/bf:title bf:note(1906) //bf:note /bf:Work bf:authorizedAccessPointThe miller and the sweep/bf:authorizedAccessPoint bf:titleThe miller and the sweep/bf:title bf:note(1898) ;/bf:note /bf:Work bf:authorizedAccessPointThe kiss in the tunnel/bf:authorizedAccessPoint bf:titleThe kiss in the tunnel/bf:title bf:note(1899) ;/bf:note bf:note(1899) ;/bf:note /bf:Work bf:authorizedAccessPointLet me dream again/bf:authorizedAccessPoint bf:titleLet me dream again/bf:title bf:note(1900) ;/bf:note /bf:Work bf:authorizedAccessPointGrandma's reading glass/bf:authorizedAccessPoint bf:titleGrandma's reading glass/bf:title bf:note(1900) ;/bf:note /bf:Work bf:authorizedAccessPointSick kitten/bf:authorizedAccessPoint bf:titleSick kitten/bf:title bf:note(1903) ;/bf:note /bf:Work bf:authorizedAccessPointG.A. Smith. Mary Jane's mishap/bf:authorizedAccessPoint bf:titleMary Jane's mishap/bf:title bf:note(1903) //bf:note /bf:Work bf:authorizedAccessPointSheffield Photographic Company. Daring daylight burglary/bf:authorizedAccessPoint bf:titleDaring daylight burglary/bf:title bf:note(1903) //bf:note /bf:Work bf:authorizedAccessPointHaggar and sons. Desperate poaching affray/bf:authorizedAccessPoint bf:titleDesperate poaching affray/bf:title bf:note(1903) //bf:note /bf:Work bf:authorizedAccessPointThe kiss in the tunnel/bf:authorizedAccessPoint bf:titleThe kiss in the tunnel/bf:title bf:note(1899) ;/bf:note /bf:Work bf:authorizedAccessPointLadies' skirts nailed to a fence/bf:authorizedAccessPoint bf:titleLadies' skirts nailed to a fence/bf:title bf:note(c. 1900) ;/bf:note /bf:Work bf:authorizedAccessPointThe biter bit/bf:authorizedAccessPoint bf:titleThe biter bit/bf:title bf:note(1900) ;/bf:note /bf:Work bf:authorizedAccessPointBanforth and Company Ltd.. Rough sea/bf:authorizedAccessPoint bf:titleRough sea/bf:title bf:note(c1900) //bf:note /bf:Work bf:authorizedAccessPointAttack on a China mission/bf:authorizedAccessPoint bf:titleAttack on a China mission/bf:title bf:note(1900) ;/bf:note /bf:Work bf:authorizedAccessPointThe big swallow/bf:authorizedAccessPoint bf:titleThe big swallow/bf:title bf:note(c.1901) ;/bf:note /bf:Work bf:authorizedAccessPointStop thief!/bf:authorizedAccessPoint bf:titleStop thief!/bf:title bf:note(1901) ;/bf:note /bf:Work bf:authorizedAccessPointFire!/bf:authorizedAccessPoint bf:titleFire!/bf:title bf:note(1901) ;/bf:note /bf:Work bf:authorizedAccessPointWilliamson's Kinematograph Company.. An interesting story/bf:authorizedAccessPoint bf:titleAn interesting story/bf:title bf:note(1905) //bf:note /bf:Work bf:authorizedAccessPointHow it feels to be run over/bf:authorizedAccessPoint bf:titleHow it feels to be run over/bf:title bf:note(1900) ;/bf:note /bf:Work bf:authorizedAccessPointExplosion of a motor car/bf:authorizedAccessPoint bf:titleExplosion of a motor car/bf:title bf:note(1900) ;/bf:note /bf:Work bf:authorizedAccessPointRescued by Rover/bf:authorizedAccessPoint bf:titleRescued by Rover/bf:title bf:note(1905) ;/bf:note /bf:Work bf:authorizedAccessPointThe other side of the hedge/bf:authorizedAccessPoint bf:titleThe other side of the hedge/bf:title bf:note(1905) ;/bf:note /bf:Work bf:authorizedAccessPointHepworth Manufacturing Company. That fatal sneeze/bf:authorizedAccessPoint bf:titleThat fatal sneeze/bf:title bf:note(1907) //bf:note /bf:Work bf:authorizedAccessPointCricks and Martin. A visit to Peek Frean and Co.'s Biscuit Works/bf:authorizedAccessPoint bf:titleA visit to Peek Frean and Co.'s Biscuit Works/bf:title bf:note(1906) //bf:note /bf:Work bf:authorizedAccessPointKineto Production Company. A day in the life of a coalminer/bf:authorizedAccessPoint bf:titleA day in the life of a coalminer/bf:title bf:note(1910) //bf:note /bf:Work bf:authorizedAccessPointPar le trou de la serrure/bf:authorizedAccessPoint bf:titlePar le trou de la serrure/bf:title bf:note(1901) ;/bf:note /bf:Work bf:authorizedAccessPointHistoire d'un crime/bf:authorizedAccessPoint bf:titleHistoire d'un crime/bf:title bf:note(1901) ;/bf:note /bf:Work bf:authorizedAccessPointAli Baba et les quarante voleurs/bf:authorizedAccessPoint bf:titleAli Baba et les quarante voleurs/bf:title bf:note(1905) ;/bf:note /bf:Work bf:authorizedAccessPointRêve et réalité/bf:authorizedAccessPoint bf:titleRêve et réalité/bf:title bf:note(1901)/bf:note /bf:Work bf:authorizedAccessPointLe Révolutiion en Russie/bf:authorizedAccessPoint bf:titleLe Révolutiion en Russie/bf:title bf:note(1905) ;/bf:note /bf:Work bf:authorizedAccessPointAladin ou la lampe verveilleuse/bf:authorizedAccessPoint bf:titleAladin ou la lampe verveilleuse/bf:title bf:note(1906) ;/bf:note /bf:Work bf:authorizedAccessPointLe cheval emballé/bf:authorizedAccessPoint bf:titleLe cheval emballé/bf:title bf:note(1907) ;/bf:note /bf:Work bf:authorizedAccessPointThe physician of the castle/bf:authorizedAccessPoint bf:titleThe physician of the castle/bf:title bf:note(1908) ;/bf:note /bf:Work bf:authorizedAccessPointPathé Frères. Magic bricks/bf:authorizedAccessPoint bf:titleMagic bricks/bf:title bf:note(1908) //bf:note /bf:Work bf:authorizedAccessPointDewar's--it's scotch/bf:authorizedAccessPoint bf:titleDewar's--it's scotch/bf:title bf:note(1898) ;/bf:note /bf:Work bf:authorizedAccessPointThe gay shoe clerk/bf:authorizedAccessPoint bf:titleThe gay shoe clerk/bf:title bf:note(1903) ;/bf:note /bf:Work bf:authorizedAccessPointThe great train robbery/bf:authorizedAccessPoint bf:titleThe great train robbery/bf:title bf:note(1903) ;/bf:note /bf:Work bf:authorizedAccessPointEdison Manufacturing Company.. The dream of a rarebit fiend/bf:authorizedAccessPoint bf:titleThe dream of a rarebit fiend/bf:title bf:note(1906) //bf:note /bf:Work bf:titleEarly cinema [videorecording] : primitives and pioneers/bf:title bf:titlePrimitives and pioneers/bf:title bf:publication bf:Provider bf:providerName bf:Organization bf:labelBFI Video/bf:label /bf:Organization /bf:providerName bf:providerPlace bf:Place bf:labelLondon/bf:label /bf:Place /bf:providerPlace bf:providerDate200-/bf:providerDate /bf:Provider /bf:publication bf:modeOfIssuancemonographic/bf:modeOfIssuance bf:titleStatementEarly cinema primitives and pioneers./bf:titleStatement bf:formDesignation[videorecording] :/bf:formDesignation bf:providerStatementLondon BFI Video, 200-/bf:providerStatement bf:extent2 videodisc (187 min.)/bf:extent bf:dimensions4 3/4 in./bf:dimensions bf:illustrationNotesd, b&w ;/bf:illustrationNote bf:noteSilent films with piano accompaniment./bf:note bf:noteOriginally produced as motion pictures between 1895 and 1910./bf:note bf:noteA DVD release of 60 films by the Lumière brothers, Georges Méliès, Birt Acres, R. W. Paul, George Albert Smith, the Sheffield Photographic Company, Haggar and Sons, Bamforth and Co Ltd, Williamson's Kinematograph Co Ltd., Hepworth Manufacturing Company, Cricks and Martin, Kineto Production Company, Pathé Frères, and Edison Manufacturing Company./bf:note bf:noteApart from the Méliès title, film material was supplied by the National Film Archive./bf:note bf:creditsNoteCredits: Neil Brand, Stephen Horne, John Sweeney (pianists); DVD production credits: Adrian Raistrick (producer); Heather Stewart, Erich Sargeant (executive producers); Marianthi Makra (production manager); Paul Elliman with Daniel Felstead (designer)./bf:creditsNote bf:noteUK cert. E (exempt from classification)./bf:note bf:noteDVD (region 2, PAL)./bf:note bf:note1/bf:note /bf:Instance bf:descriptionConventionAACR2/bf:descriptionConvention bf:generationProcessDLC transform-tool:2014-05-16-T12:00:00/bf:generationProcess /bf:Annotation bf:titleValueEarly cinema/bf:titleValue bf:subtitleprimitives and pioneers./bf:subtitle /bf:Title bf:labelSalt, Barry./bf:label bf:authorizedAccessPointSalt, Barry./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelSalt, Barry./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelLumière, Auguste, 1862-1954./bf:label bf:authorizedAccessPointLumière, Auguste, 1862-1954./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelLumière, Auguste, 1862-1954./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelLumière, Louis, 1864-1948./bf:label bf:authorizedAccessPointLumière, Louis, 1864-1948./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelLumière, Louis, 1864-1948./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelMéliès, Georges, 1861-1938./bf:label bf:authorizedAccessPointMéliès, Georges, 1861-1938./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelMéliès, Georges, 1861-1938./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelAcres, Birt, 1854-1918./bf:label bf:authorizedAccessPointAcres, Birt, 1854-1918./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelAcres, Birt, 1854-1918./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelPaul, R. W. (Robert William)/bf:label bf:authorizedAccessPointPaul, R. W. (Robert William)/bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelPaul, R. W. (Robert William)/madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelSmith, George Albert, 1864-1959./bf:label bf:authorizedAccessPointSmith, George Albert, 1864-1959./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelSmith, George Albert, 1864-1959./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Person bf:labelSheffield Photo Co./bf:label bf:authorizedAccessPointSheffield Photo Co./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelSheffield Photo Co./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelHaggar and Sons./bf:label bf:authorizedAccessPointHaggar and Sons./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelHaggar and Sons./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelBamforth & Co./bf:label bf:authorizedAccessPointBamforth & Co./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelBamforth & Co./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelWilliamson's Kinematograph Co./bf:label bf:authorizedAccessPointWilliamson's Kinematograph Co./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelWilliamson's Kinematograph Co./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelHepworth Manufacturing Company./bf:label bf:authorizedAccessPointHepworth Manufacturing Company./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelHepworth Manufacturing Company./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelCricks and Martin./bf:label bf:authorizedAccessPointCricks and Martin./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelCricks and Martin./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelKineto Production Co./bf:label bf:authorizedAccessPointKineto Production Co./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelKineto Production Co./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:labelThomas A. Edison, Inc./bf:label bf:authorizedAccessPointThomas A. Edison, Inc./bf:authorizedAccessPoint bf:hasAuthority madsrdf:Authority madsrdf:authoritativeLabelThomas A. Edison, Inc./madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Organization bf:audienceUK cert. E (exempt from classification)./bf:audience /bf:IntendedAudience bf:authorizedAccessPointSilent films/bf:authorizedAccessPoint bf:labelSilent films/bf:label bf:hasAuthority madsrdf:Authority Silent films/madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Topic bf:authorizedAccessPointShort films/bf:authorizedAccessPoint bf:labelShort films/bf:label bf:hasAuthority madsrdf:Authority Short films/madsrdf:authoritativeLabel /madsrdf:Authority /bf:hasAuthority /bf:Topic bf:labelLumière/bf:label /bf:Agent bf:labelMéliès/bf:label /bf:Agent bf:labelBirt Acres/bf:label /bf:Agent bf:labelR. W. Paul/bf:label /bf:Agent bf:labelG.A. Smith/bf:label /bf:Agent bf:labelSheffield Photographic Company/bf:label /bf:Agent bf:labelHaggar and sons/bf:label /bf:Agent bf:labelBanforth and Company Ltd./bf:label /bf:Agent bf:labelWilliamson's Kinematograph Company./bf:label /bf:Agent bf:labelHepworth Manufacturing Company/bf:label /bf:Agent bf:labelCricks and Martin/bf:label /bf:Agent bf:labelKineto Production Company/bf:label /bf:Agent bf:labelPathé Frères/bf:label /bf:Agent bf:labelEdison Manufacturing Company./bf:label /bf:Agent bf:titleValueEarly cinema/bf:titleValue bf:subtitleprimitives and pioneers./bf:subtitle /bf:Title bf:titleTypeportion/bf:titleType bf:titleValuePrimitives and pioneers/bf:titleValue /bf:Title bf:identifierValue(OCoLC-M)272543626/bf:identifierValue bf:identifierSchemesystemNumber/bf:identifierScheme /bf:Identifier bf:identifierValue(OCoLC-I)275907496/bf:identifierValue bf:identifierSchemesystemNumber/bf:identifierScheme /bf:Identifier bf:identifierSchemevideorecordingNumber/bf:identifierScheme bf:identifierValueBFIVD643/bf:identifierValue bf:identifierAssignerBritish Film Institute Video/bf:identifierAssigner /bf:Identifier /rdf:RDF

On 5/20/2014 6:35 AM, rguenther52 wrote:

Yes, there have been a number of questions about the AAP in general but they are particularly problematic in this case. Looking at sample data will help. These subfields in the 505 parsing out the pieces of the TOC came into the format pretty late in the game and it's never been clear who actually uses them. Interesting that they are using them for moving images. But since $r is a statement of responsibility it can have all kinds of text in it. Does i