Participants: Valentina Carriero, Ana Pano Alaman, Andrea Scharnhorst, Paolo Bonora, Fiorela Ciroku
Activities
Reordering Competency Questions and identifying "conceptual areas" they address
Musical Performance (where, who)
Evidence / Sources (bibliography, score)
Musical Composition as such (tonality)
Defining some new Competency Questions
more general / more specific than existing ones
new "conceptual area" with 3 new CQs: Musical Reception (who talked about musical composition and performance, and how)
Initial ontology design of the "conceptual area" Musical Performance: it is a subconcept of Time-indexed situation, associated with agents (e.g. performers), place, time interval, musical composition
Discussion on how to model the concept of Medium of Performance (the instruments and the voices employed in one musical composition): is it a collection? Is it associated with the composition or the performance?
Need to clarify this with a musicologist
Initial search of existing ontologies to reuse
DOREMUS (e.g. concept of Performance)
FRBR
Open problems, to be discussed with the whole ontology design team:
Participants: Valentina Carriero, Ana Pano Alaman, Andrea Scharnhorst, Paolo Bonora, Fiorela Ciroku
Activities
Reordering Competency Questions and identifying "conceptual areas" they address
Defining some new Competency Questions
Initial ontology design of the "conceptual area" Musical Performance: it is a subconcept of Time-indexed situation, associated with agents (e.g. performers), place, time interval, musical composition
Discussion on how to model the concept of Medium of Performance (the instruments and the voices employed in one musical composition): is it a collection? Is it associated with the composition or the performance?
Initial search of existing ontologies to reuse
Open problems, to be discussed with the whole ontology design team: